Two topless women are engaged in a sensual game: one plays the canvas and the other the artist. Adele Haze lies on cushions, exposing her breasts and bare back – and it’s the latter that her lover will write on. Pandora Blake uses black ink and a brush to adorn Adele with intricate Greek lettering.
As Pandora’s calligraphy winds around Adele’s gorgeous curves, Adele must stay completely still, hardly breathing to avoid nudging Pandora as she writes her lines. In a Victorian school, ink smudges would mean a punishment for the writer. Here, the responsibility to avoid error falls on the writing surface. Pandora weaves her spell in words, and the magic of the moment mustn’t be broken. For each smudge, Adele will get a stroke of the cane.
When the text is complete – the first few lines of Homer’s ‘Iliad’ – Pandora carefully examines her work, stripping Adele naked so she can admire the slick black script that covers her body. Afterwards Adele bends naked over the punishment bench in the Scriptorium, exposing every inch of her bare skin. Pandora’s found some smudges, and every error earns Adele a hard cane stroke.
Each cold cane stroke makes Adele yelp, biting her thumb to hold back her cries. But after three strokes the punishment is over, and Pandora can step back to admire her work – the neat black lines of text curving round Adele’s beautiful body, and the vivid red welts made by the cane.
In this dreamlike photoset, Adele Haze lies very still as Pandora Blake writes lines on her naked back in gorgeous calligraphy. For every ink smudge, Adele will get a stroke of the cane.
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