One of the things I've occasionally thought about, as a feminist who runs a spanking site, is content warnings. Fundamentally, the idea behind these is that if something might include content likely to trigger someone recovering from serious trauma, it's respectful to give notice in advance that the topic is likely to come up, so anyone who needs to can prepare themselves and isn't caught off guard.
I think it's a really great way of making material more inclusive. Yet I've never gone ahead and instituted content warnings on Dreams of Spanking, at least not overtly. What I do instead is to make the content of each scene very explicit in the tags and copy surrounding the film. I try not to spoiler plot twists, but I do often remove the element of surprise from how the story of a film unfolds, in the interests of pre-warning viewers what they can expect - both to catch the attention of people with particular niche tastes, and to pre-warn people who might find certain content distasteful or upsetting. So far, I've been happy with that system. But if any film on Dreams of Spanking has made me wonder if it should include a content warning, it's our latest film starring Tai Crimson.
When I was editing Caned at Home, I found parts of it so extreme - both in terms of the severity of the physical punishment and the nastiness of the verbal degradation and emotional abuse - that it made me feel uncomfortable. The whole scene was shot in a single take, so I didn't see any out-of-character interactions to break the tension and reassure me that Tai was okay with what was happening until the scene was over. However, I needn't have worried. The moment "cut" is called, Tai bounces up and enthusiastically tells me that she could have taken double the number of strokes. In fact, she almost seems disappointed that the scene hadn't been harder.
So I decided to reuse a film format that I trialled during our ATVOD investigation (and which may have played a part in our successful appeal win, although it's hard to be sure); showing snippets of out-of-character performer interviews or behind the scenes interaction both before and after the main film, to contextualise the fantasy in the real-world context of the performers' tastes and desires. Since we won our appeal, I hadn't particularly felt the need to do this - especially with films where the fantasy shows pleasure spankings and explicit consent. But Caned at Home is definitely not one of these.
If edgy domestic scenarios showing the disproportionately severe punishment of a helpless girl aren't a turn-off for you, Caned at Home has much to recommend it. In particular, the sequences of hard and fast cane strokes falling one after the other without a break are some of the most convincingly severe thrashing I've ever seen on a UK spanking site. Tai has a high tolerance, and this was the third time we'd played together; she'd asked me to push her to tears, and this was our last scene of the day, so there was no reason to hold back. As it turned out, even the nastiest verbal abuse I could come up with - and one of the hardest canings I've ever delivered on camera - weren't quite enough to break her.
Perhaps you love severe caning and verbal degradation as much as Tai does, in which case Caned at Home will be right up your street. But if, like me, you prefer to know for sure that the performers were into it before watching a scene of this intensity, I recommend watching the performer interview and behind the scenes video first, to reassure yourself that no only was Tai unharmed by the making of these scene, but actively enjoyed it. It's lovely to work with a young woman who is so in touch with her kinky sexuality, and so articulate at expressing her fantasies and fetishes.
Besides, severe canings that leave livid welts are most definitely not BBFC-compliant. Dreams of Spanking is currently the only UK spanking site where you can watch material like this, and we will remain so until the Digital Economy Bill means we have to stop, too. So enjoy it while you can.
Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
Just thinking about some of the photos that I have sent to partners and loved ones is enough to stir fear in my heart as well as arousal in my knickers. In general, I rarely send sexy selfies – mainly because I can barely point a camera in the right direction and as a rule I'd like to leave it to the pros. As I'm sure you'll agree, the framing, quality, and sheer raw hotness of Pandora's upskirt shots are far superior to the blurry mess that amateurs like me would produce.
But there's another reason I rarely take them. Having pressed the button to capture the picture, there are always worries about who's going to end up with it, or whether they'll share it with people you don't want them to. And that's before you've even contemplated the possibility that you'll hit 'confirm' on the wrong number and end up sending the picture to your sister/ex/lawyer – anyone other than the intended recipient.
This week's schoolgirl photoset captures all the intense hotness of sending a sexy selfie, combined with the humiliation of getting caught.
The intimacy of the photoset is gorgeously candid: upskirt photos, complete with sheer knickers that leave little to the imagination. A rapid shift from Pandora's girlish poses at the beginning – neat and tidy in school uniform with knee socks and patent heels – to her joyfully sexual poses as she spreads her legs for the camera.
This scenario tackles the fear of being found out: something most of us who've taken sexy selfies will understand. The hammering in your heart as you realise someone else might have seen, and the worry about the consequences...
When Pandora's teacher, D, catches her on the secluded stairwell, school skirt round her waist and knickers on display, it's the worst-case scenario she could imagine. Luckily for us, her punishment is a hand spanking in the corner, followed by an erotically charged thrashing with the cane – hard enough to leave marks that can be seen through her sheer panties.
From the eyes Pandora makes at her teacher - and the swiftness with which he takes advantage of the opportunity to physically dominate her - it's clear that this is more than punishment. It seems that Pandora is hot for her teacher - but does he return her interest, or is he just administering on-the-spot discipline to a very naughty schoolgirl?
The hot teacher/horny student fantasy is an excellent way to relive the excitement of getting caught without actually, you know, getting caught. The 'what if?' here is far sexier than any real life worries, because getting caught with her skirt round her waist and her phone in her hand leads to the punishment of Pandora's dreams. And, judging by the way her teacher is so quick to tell her to bend over - and his insistence on confiscating the sheer panties she's so shamelessly shown off - it's pretty clear that catching her flashing her knickers isn't the worst thing that could have happened to him, either.
If only getting caught was always so satisfactory. Have you ever been caught flashing your bits to take a sexy selfie, or accidentally sent it to the wrong person? Or do you have a happy ending you'd care to share...?
Sometimes I watch a spanking film and realise halfway through that I should probably be wearing headphones. The crisp smacking sounds of a particularly thorough beating, or the squeals of a protesting character, echo around the room and I belatedly realise that someone might be able to hear. Then there are the films which are so thoroughly absorbing I forget about headphones, and it’s only after the credits roll that I remember I have neighbours. This was one of the latter.
Pandora plays the school bully, and Ten Amorette the innocent schoolgirl who refuses to hand over her lunch money. What ensues is a fast-paced bondage takedown, involving girl-on-girl wrestling, spanking, struggling, and a harsh thrashing with the strap.
Pandora and Ten have an amazing chemistry, as evidenced by the fact that they can play scenes at such different ends of the roughness spectrum. This week’s spanking video couldn’t be more different in tone from the caring, erotic spanking in ‘The Surprise Present’ - that one started with a sensual flogging and ended with kisses and caresses, whereas this is rough, angry and aggressive.
I’m biased, because many of my teenage fantasies involved the idea of being punished by a prefect or older school student for some imagined or invented slight, but holy God this scene is hot. Two schoolgirls in matching sexy uniforms – white knee socks, black patent heels, and tiny short skirts – having a ferocious schoolgirl catfight that ends with the dominant one wrestling the other to the floor and stripping her skirt and knickers, and giving her a sound spanking...
It's hot not just for the dynamic between Pandora and Ten - which is smoking - or for the school uniforms complete with tiny skirts, tight shirts, and ties that are used to leave Ten bound and gagged on the floor. Or for the speed - the swift movements with which Pandora throws Ten to the ground, the struggle, the wrestling, the conflict. The extra-hot touches, like Pandora's hand clamped over Ten's mouth, smothering her cries, or the harsh slap to her face that tells her who's got the power.
It’s uniquely sexy because of the combination of all these things - because of the sheer number of knicker-moistening triggers that are effortlessly tossed into one scene. The cruelty. The resistance. The humiliation. The vicious strokes of the leather strap.
It's just the whole damn fantasy.
In this blogpost I want to talk about intimacy. There are a million different ways you can establish intimacy with a partner, but establishing intimacy in art is a much trickier thing. How do you invite the viewer into a particular book, play or, in this case, porn scene?
Well, Pandora does just that in this week's video – she literally invites people in.
Lodger Wanted is a POV femdom tease – Pandora Blake plays the sexy landlady who invites you, the viewer, into her home. From the beginning you're placed directly into the scene, with the camera showing your first-person perspective as you follow her from room. Pandora also gives you some pretty intimate instructions - “I think there might be a stain on the back of my skirt, can you have a look?" - and some angry words if you're caught peeking.
The concept of viewer involvement in porn is pretty fascinating - it wasn't until very recently that POV porn has been possible. For most of human history pornographic material was necessarily something you'd see remotely – in paintings or drawings or woodblock prints. I'm not aware of any of this material taking a 'point of view' angle – although I'd be interested to know if it ever has. Are there woodblock prints drawn from the point of view of someone receiving oral sex? I suspect it wouldn't have occurred to the artist to do it. Perhaps those who were rich enough could afford live performances, but most people could only be as close to the performers as pen and ink would allow.
I tried to find out when the first POV porn was made, and it looks like – as withmany porn innovations – it first appeared in Japan. In the late 1980s it started as a niche concept, then gradually took off.
Now, though, there are a number of ways in which porn producers and performers share intimacy with their audience. From camming to blog comments, twitter and video blogs, many performers speak directly to their viewers, sometimes as recorded messages and sometimes as live interaction. The internet is an interactive medium, and now more than ever porn consumers are able to collaborate in the porn they watch - make suggestions, request customs, and submit ideas that can be turned into hot new films. Lodger Wanted is one of a growing number of viewer requested scenes on Dreams of Spanking - others include Bathtime and The Stableboy.
Then there's POV porn – like this femdom tease video which invites the viewer to play the part of the prospective lodger, shown around Pandora's home while she flirts and teases, sashaying through the house and deliberately bending over to show off the way the tight skirt hugs her round bottom, and eventually removing her stockings and suspenders, before lounging naked on the bed and scolding you for watching her.
I like the idea of POV porn for a whole heap of different reasons. Firstly, it's pretty inclusive when you think about it – in this scene the "lodger" could be anyone, of any gender or body type. Secondly, there's an extra-sexy thrill from the feeling that the performer is addressing you directly. You're not a voyeur, you're a participant - the main character (in this case Pandora's coquettish landlady) is flirting with you.
A long time ago, playing Grand Theft Auto with a partner (I know, I know, it's not exactly the most PC of video games) we ended up in a discussion about strip clubs in games versus stripping at the cinema. Obviously there are some mainstream films with stripping scenes that are intensely hot – Salma Hayek performing a striptease with a live python in From Dusk Til Dawn, for instance – but there was something about visiting the strip club in Grand Theft Auto that both of us found more arousing. Even though it was repetitive, unrealistic, and nothing like a real strip club, it was happening to us in a way that film stripteases we'd seen had struggled to capture.
Part of it came from our involvement - we'd pressed the buttons to get our character into the club in the first place - but another significant factor was the fact that it was shot from our point of view. We were looking directly through our character's eyes, and having what felt like a more immediate interaction.
The same is true of other video games I've played. I'm not a fan of running around shooting things to collect random points, but give me a game like Mass Effect, where you build relationships with other characters and – if you're charming enough – eventually have sex with them? I'm sold.
I'm not the only one either – games developers and designers are currently working on innovative ways to use virtual reality to make our porn dreams come true. From simple POV sex videos to full-on interactive games, virtual reality hardware like the Oculus Rift means that a few years down the line, there'll be even more ways for producers to conjure the same feeling of intimacy.
Although sometimes it's good to sit back and watch, safe and sound behind a fourth wall that performers never break, there's something hot about putting yourself directly in the picture.
And if you agree, well, go and knock on Pandora's door – she's very welcoming.
Some people know how to make an entrance. They arrive at a party and do something so memorable that you know you won't forget their name any time soon. Mike Pain's debut on Dreams of Spanking – in which he takes a beating so hard and so thorough it makes my eyes water - is exactly that kind of entrance.
This is one of the more traditional female domination scenes I've seen on Dreams of Spanking, and the story - suggested by Mike himself - is the kind of fantasy I expect many kinksters can relate to. Married man Mike Pain is secretly into BDSM, and femdom in particular. When his friend Pandora Blake teases him about his fashion sense, she discovers that beneath his buttoned-up shirt he's wearing a leather collar... and a bondage harness, and a studded leather thong.
For some, who for whatever reasons prefer to keep their kink secret, this could be a terrifying moment - but this is Mike's fantasy, and in his and Pandora's hands a potentially nightmare scenario turns into an intensely hot tongue-in-cheek femdom porn scene. When Pandora phones Mike's wife, the two ladies are clearly amused as much as angry, and it turns out that both of them share Mike's secret to some extent. Mike's wife asks Pandora to deal with her husband until she can get back to beat him herself.
Mike, in fact, gets exactly what he's been fantasising about – a gorgeous woman beating him black and blue.
Pandora is in full-on femdom mode, giving Mike a thorough bollocking laced with verbal humiliation, and stern admonishments when Mike tries to twist away from the burning strokes of the strap. She takes a gleeful delight in choosing exactly how many strokes to give him, and laying on paddle, strap and cane as hard as she can.
Mike takes the kind of beating that had me wincing in sympathy, as well as shivering with delight. I have to admit that there's a deep and specific joy in the sound a thick leather strap gives when it's whacked with full force onto a bare bottom.
It's rare that a top has the opportunity to hit someone has hard as they can, but Mike's pain tolerance is high. Pandora steps back and leans into each whack with the strap, putting her back into getting exactly that gorgeous 'thwack' sound. As Pandora remarks towards the end of the scene, "You can certainly take a beating."
As for the climax of the punishment - eighteen severe strokes of the cane - watch the behind the scenes video to learn whether they were as hard as Pandora could give - or as hard as Mike could take.
When you've watched the film, please do welcome Mike in the comments. After taking a thrashing this impressive, I think he deserves a very warm welcome to Dreams of Spanking.
Sometimes a lover will whisper a particular fantasy in my ear, and my heart beats extra-fast because it presses exactly the same buttons as fantasies I've had myself in the past. This week's scene is that feeling made flesh.
Alex Reynolds likes edgy scenes and harsh roleplay where there's a struggle or an abuse of authority. She likes disproportionate punishments and begging and screaming and beating.
And so do I.
'Playing Truant' doesn't just float my boat, it's almost measure for measure one of the scenes that's played out in my head ever since... well... ever since I started fantasising.
Paul Kennedy plays an angry, predatory truant officer, who's been watching Alex behave like – his words – a 'little slut.' She skips school and fools around with boys, and he's been watching her, clearly enjoying the show and scheming how to take advantage. He collects enough information that he can not only scold her, but blackmail her to submit to his violent, nasty urges.
As she squeals and begs him to stop, he punishes her far more severely than she deserves – a vicious tawsing across her naked buttocks and oh-so-sensitive thighs.
Alex Reynolds and Paul Kennedy are a couple in real life, and I really appreciate their candid discussion in the performer interviews accompanying this film. Alex explains that this is the kind of scenario she enjoys most – rough scenes where Paul abuses his authority to dish out cruel punishments. Paul's demeanour in the interview is so different from his character in the film that it's clear this sort of role is very different to how he actually is – and both partners explain what they find so liberating, and so rewarding, about exploring these different roles in scene.
Paul's character is certainly a nasty piece of work in this scene, as he strips Alex to the waist and roughly fondles her breasts, before bending her over for the tawse. He frequently shoves a hand between her legs as she squirms away, and grins with evil delight as he paints vivid red stripes onto her bottom and thighs. And in case you're worried, the camera stays on the couple after Pandora calls “cut”, to show Alex snuggling up to her lover, thanking him for bringing her desires to life.
I might start using this film as an instructional video. As someone whose most often-used phrase in bed is 'be mean to me', I've now got this bookmarked so that when I want to show just how mean I can say 'like this'. Beat me like I'm a naughty schoolgirl caught playing truant. Beat me like I'm a helpless young woman entrapped by a very nasty man.
It's not often we get to see a spanking film that shows sexual coercion as well as corporal punishment – and it might make me uneasy if the love Alex and Paul have for each other didn't shine out of the screen. If you are worried, I recommend you watch the interview before you watch the film – it's an in-depth discussion of kinky sexuality by two very articulate, experienced players, who are perfectly comfortable sharing their darker side with each other – and with us.
It's a seriously sexy treat for me to see have two talented performers act out something that's so closely matches one of my own fantasies, and if you're keen on this type of edgy, harsh punishment then I'm sure you'll love it too. From the words Paul chooses to humiliate Alex, to her well-acted misery and fear, there is so much in this scene to love.
I don't think there's any way to end this post other than with a huge thank you to Paul and Alex, for sharing this aspect of their play dynamic, and for such a smoking hot interpretation of the things that happen in my head.
Have you had a similar experience with a particular Dreams of Spanking scene? I love the idea of sharing a specific film with a lover, and saying 'look! This is what my fantasy looks like!' Which scene is your closest match?
Can you tell that Talia Lane and David Weston are a couple in real life? I think it's hard not to, because the whole of their first film together is infused with a close flirtation and a crackling chemistry, which makes their school romance all the more real, and all the more intense.
I get a bit nostalgic about these school moments – when there was a guy I fancied so much I couldn't stop thinking about him in class. A guy who I just needed to touch me. Those stolen moments – kisses and gropes when teachers weren't looking ... sigh.
Talia and David play a couple just like this – horny students with ties askew, shirts untucked, and eyes only for each other. As is to be expected when you're young and hot for someone, they fondle and kiss behind the bike sheds for so long that they miss the start of lessons.
They hardly care, of course – they're far too wrapped up in their own teenage world of giggles and snogs. But this is Dreams of Spanking, after all, so from the moment their lips touch we know they're going to get caught by a strict teacher. Enter Pandora...
Pandora (aka the stern Ms Blake) is formidable in this scene, but then she has to be to keep the pair in line. Talia and David joke around even as Ms Blake explains that they're in for a punishment more severe than the usual detention or lines.
They can't quite bring themselves to believe that she'll put them over her knee for a hand spanking, and as a result their insouciance just gets them into deeper trouble.
Everyone remembers those kids at school who – no matter how stern the teacher – just would not behave. Talia and David in this scene are exactly like that - holding hands and messing around and making exactly the kind of exasperating retorts that teenagers seem to think are oh-so-funny. They play that casual 'you can't touch me' attitude to perfection - to the point where I, as a bit of a meanie, couldn't wait for Pandora to dish out the spanking just to show them she means business.
When she does, Talia's shock and outrage is amazing.
This is Talia's first ever spanking scene - in fact, she says in her interview that it's her first ever proper spanking. David's starred in a few Dreams of Spanking videos before (I particularly enjoyed David's Strict Governess) and he was keen to share the experience with her, and watch her discover why he loves spanking so much.
Taking the behind-the-scenes connection together with the scenario, it's a gorgeous shared moment. I loved seeing the dynamic between the couple as they stay strong against the teacher determined to punish them. Keep watching after the credits for more out-takes, including Talia's infectious giggles - and her genuine reactions to her first ever punishment spanking.
That David and Talia are a real couple serves to highlight one of the best things about this type of joint scene. When two lovers or close friends are punished together, there's an added dynamic: the support and sympathy between the two spankees. There's an amazing example of it in Punishment by Proxy, too, in which Pandora and Jimmy are forced – against their wishes – to actually punish each other.
As David and Talia comfort each other you can see that what started as humiliation is actually making them stronger. Initially David is reluctant to pull down his pants in front of his young girlfriend, but by the end the pair are united in solidarity against their teacher.
Facing the wall and baring their bright red bottoms after their spanking, they exchange shy, loving smiles. You know, I'm not sure they've entirely learned their lesson. Some things are just worth doing, no matter what the punishment.
Behind the scenes during the filming of Donna Draper's Secretary. Out-takes and out-of-character chatter as Pandora, Vix and Nimue discuss the perils of being over-ambitious, plan their Mad Men dialogue and negotiate the caning. Vix demonstrates her skill at remembering her mark, and shows off her famous poise (not including getting over excited while bending over in heels and nearly falling on her arse)!
The nearly-falling-over is definitely my favourite bit of this - not only because of the hilarious way Vix sways back and forth without moving her feet, but because the reason she lost her balance in the first place was that she was cracking up and slapping her thigh with delight, cackling "I love my life". I can't think why; all Nimue had said was that we could see her cane stripes through her sheer knickers. Perfectly normal observation if you ask me!
There are some things that are just hard-wired into my brain as sexiness triggers: words which will make the hairs on the back of my neck stand up, or give me that gut-punch of arousal that is almost impossible to describe. One of those things happens in our latest video, and I want to keep playing it over and over.
Donna Draper – a twist on Mad Men's Don Draper – is a ruthlessly strict boss. Played by Pandora Blake, Donna Draper takes no shit whatsoever from her secretary Vix Vixxxen. These two have an amazing dynamic in this caning scene – from Pandora's brusque instructions, “Stop talking right now.” to Vix's sassy and insubordinate retorts – everything about this relationship crackles with hotness.
Pandora's dressed in a tailored suit and tie, every inch the authoritative boss. Vix is dressed in a tight black skirt, hold-up stockings and sheer blouse: the perfect sexy secretary. But her eye-rolling, smart-mouthed counterpoints to Pandora's reprimands show that she's not one to take correction meekly, and I love the way she insists on disagreeing with her boss, even after she's been given six firm strokes of the cane.
There are some sparkling moments of recognition here – the homage to Mad Men in lines like “You're a woman, and you're lucky to have this job,” as well as the question “Are you married?” which almost had me phoning the employment tribunal. I love the way Donna Draper has the attitudes of a 1950s boss, but Vix is a much more souped-up version of Peggy Olsen: she stubbornly maintains her opinion, even when being given a secretarial caning for her attitude.