Our content is made possible by the incredible performers that star in it, and our Performer Spotlight series celebrates the cast of Dreams of Spanking for how they enrich our content with their unique style. In this instalment of Performer Spotlight, we’re welcoming a new face - Richard Mclean.
An eager spanko with a cheeky face and naughty bottom, Richard has always known he was into spanking. He’s been on the scene since 2016 when he attended his first kink night in England and has never looked back. You can find Richard on Twitter and Fetlife as SpankyKnight.
Richard got into filming in 2020 when a friend was looking for help filming content. He thought he was purely submissive, but when the opportunity presented itself to spank a lovely lady’s bottom he quickly discovered that giving could be just as fun as receiving.
His debut on Dreams of Spanking will be in our upcoming release, The Panty Boy Next Door. You’ll get to enjoy Richard in a tight pencil skirt and sheer underwear as Pandora gives him a teasingly sensual over the knee spanking.
This is the first of many films starring Richard which will premiere on Dreams of Spanking throughout 2021. We’re excited for you to get your first taste of Richard Mclean this weekend in The Panty Boy Next Door
This week’s film kicks off in media res, Pandora already bent over Stephen’s knee, kicking and squirming as he lays into her with his belt. It’s a classic spanking scene, perfectly pitched for any fan of the genre.
What I think really makes this one stand out is the scolding, though. Stephen Lewis is an old hand at this - he knows exactly what to say to a misbehaving submissive to leave them suitably shamed and chastised. Maybe this is just my own bias coming through (god knows I love a chatty dominant!), but it’s so often the dialogue that makes a real-life spanking scene special, right? Stephen has all that down pat, and it makes for a highly enjoyable film.
We’ve got some behind-the-scenes footage for you this week too, which I always enjoy watching - I’ve never actually been on set with Pandora, and it’s fun to get a glimpse behind the curtain. I’d never really thought about it till I watched this clip, but some of the hottest angles and sexiest shots require a bit of up close contortion from the cameraperson!
Remember our recent Guest Director release The Credit Card? If you need your memory jogged a little, it’s the one where the stunning Sha Luciana gets her incredibly spankable behind roundly warmed by her husband Pharaoh, following his discovery of her latest credit card bill. I’m sure you remember it anyway, of course; a spanking like that is hard to forget!
Anyway, when that came out we promised you a little something more to follow - and we always keep our promises. This weekend we’re excited to announce the release of some exclusive behind-the-scenes footage that gives us all a chance to get to know Pharaoh and Sha a little better - and see some more of her perfect bottom, too.
This film is amongst the most intimate and personal footage we’ve released here on Dreams of Spanking. The beauty of Pharaoh and Sha’s content is that everything you see is real; most of their films show punishments Sha would have received whether the camera was rolling or not.
There’s a casual, conversational tone to the whole clip, and they really make you feel like you’re hanging out with them listening to them chat. They’ve also got a special surprise in store at the end - what do you reckon Sha’s getting punished for this time?
This Halloween we’re returning to the kingdom of Avarinth, where last we saw our duchess-to-be receive a humiliating bare-bottom spanking from her mysterious new mentor.
Just as with Part I, what makes this spanking story so great is the character of Riva herself. She represents a side of submission rarely portrayed in porn: the fortitude and resilience found in being beaten. In the face of hardship - and this time hardship comes in the form of a particularly nasty, biting cane - she endures.
Few things in my life have given me a more immediate sense of my own strength than a severe spanking. For me, as for Riva, it was something of a rite of passage; I discovered BDSM as I came of age, and learning that I could withstand a rain of literal blows showed me that I can also survive the metaphorical ones. As Riva herself asks, “how can I come to terms with the reality I have created when you refuse to impart to me the strength that comes from pain?” (Don’t worry, listeners: she definitely gets what’s coming to her in the end!)
And of course it’s not all about learning valuable life lessons - neither in my real life journey nor in this fictional tale. The description of Riva’s harsh caning vividly conjures up how it feels to be caned; the anticipation of every new stroke, the sensation of welts forming on a red-hot backside.
If lockdown has you missing the punishment you crave, this audio story is sure to help you out.
We recently posted a Performer Spotlight featuring Pharaoh and Sha Luciana - the First Couple of the spanking world. We’re delighted to now be releasing their new domestic discipline film The Credit Card, which is also the next installment in our Guest Director series. Here’s a pro tip - you’re going to want to watch it immediately.
First of all, Sha has one of the most perfectly spankable butts I have ever seen. Seriously: I’m exclusively a sub, and even so my immediate thought when she first bent over in front of the camera was hell yes. From the OTK warmup in tight white jeans to the bare-bottom spanking that leaves her writhing and crying out, Sha looks incredible.
Secondly, Pharaoh really knows what he’s doing. In the introductory clip he describes himself as “definitely a hardwired spanko”, and he is not wrong. The punishment he administers is hard, fast and perfectly calculated; I’m pretty sure some of those unrelenting strokes must have hurt his hand almost as much as they hurt Sha’s backside!
Thirdly - and best of all, from my perspective - everything about this film is completely authentic. Sha’s spending spree was real, and her punishment for it was real too. What this film gives us is a glimpse into their relationship; we get to see how connected they are and how much they trust each other. We get to see that Pharaoh knows just how hard a punishment Sha can take, and we get to see the tears in her eyes when the pain is at its climax. There’s a beautiful, tender moment toward the end, where she’s looking up at him once the punishment is done, and the depth of their relationship is in their eyes.
We’ve been excited about all of our guest director films, and this one is no exception. If you enjoy it as much as I did, you’re in for a treat: we’re soon to be releasing a behind-the-scenes chat between Pharaoh and Sha, featuring a demonstration of a domestic discipline punishment you’re bound to love.
I don’t know if you guys realised this, but Pandora has a secret superpower: the ability to make hot, taboo spanking porn films that are also...weirdly wholesome?
On the surface of it, there’s nothing wholesome at all about our latest film. Pandora plays a bratty slut who has got herself pregnant - and doesn't even know who the father is! By the end she has an extremely red bottom courtesy of daddy dom Nimue, who has had enough and knows who's going to be left to look after the baby. It’s an edgy spanking roleplay involving implied daddy/daughter age play, serious telling-off, and a heavily pregnant spankee getting a hard bare bottom paddling. Plus there's at least one orgy joke.
And yet, and yet... when you get to the end, see - well, I won’t spoil it for you, but I came away giggling and genuinely heartwarmed. This film is a hot power play spanking fantasy, it presses all sorts of filthy buttons, and it also somehow rather sweet. I know Pandora was determined to shoot some hard spanking porn while heavily pregnant, and the baby bump in this film is the real deal. If you like a little age play with your spanking (guilty as charged) and breaking all the rules, you'll like this. And really, who doesn’t want queer butch Daddy dom to spank them and take care of them? I know I do.
One of my favourite things about working at Dreams of Spanking is how varied the content I get to write for is. One week I’m waxing lyrical on the virtues of pornography made by real life couples who are truly, deeply in love; the next I’m laughing out loud at a queer comedy pastiche of a BBC period drama. And then this lands in my inbox: an aristocratic fairytale about the haughty future Duchess of a magical land. Never a dull moment!
I think my favourite thing about this story is that it looks at submission from an angle we rarely see: the focus here is on Riva’s fortitude. She’s portrayed not as someone receiving a punishment they richly deserve, nor as a person having a dream fulfilled; those are both true and excellent stories about people who love to be spanked, but they’re not the only roles submission has to offer. This is spanking as a challenge that can be overcome, and a woman who finds strength in overcoming it.
In a way, this echoes some of my own journey with kink and BDSM. This might come as a surprise to some of my former play partners, but I’m not really a masochist in the truest sense; pain itself is rarely my goal for an encounter, and I’m mostly in it for the power dynamics and headspaces. Some of my most memorable scenes involving corporal punishment have been the ones where I’ve finished the session feeling as though I’ve achieved something; I can take pride in knowing that I have these bruises because I weathered the storm. It was difficult, and I wasn’t sure if I could do it, but I stuck it out and I came through to the other side. There’s a life lesson in there somewhere.
(It’s a mistake, incidentally, to assume that the amount of pain someone is in is directly proportional to the amount of fuss they’re making. For some of us the reverse is true - yelps and wriggles mean we’re still warming up; silence and stillness mean I’ve centred myself to ride the wave. Tops, remember to check in with and get to know your bottoms: this has been a PSA! But I digress.)
Riva might end her spanking crying at her new mistress’s feet, but she is not portrayed as a weak or broken woman. She was strong enough to conduct an excoriating self-analysis without shying away from her worst qualities, she was strong enough to trek for hours through the forest to reach an unknown destination, and she was strong enough to take an hours-long OTK spanking without even shedding a tear till it was almost over.
I kind of love Riva, honestly. She’s got this. And so, perhaps, do we
For a lot of us, kinks and fetishes of all kinds have their origin stories way back in childhood. It’s pretty common to be aroused throughout our lives by whatever was around during our earliest experiences of our own internal sexuality, or by something that for whatever reason our childhoods rendered taboo (and therefore exciting). One explanation for why so many people find school uniforms arousing makes sense in this context - after all, a lot of the first people we ever fancied were wearing them at the time!
This is probably how spanking got a reputation for being a British vice. In reality it’s probably no more common here than it is anywhere else in the world, but we invented the classic public school system - the overly formal uniforms, the hierarchical culture where pupils were punished as much by other pupils as they were by school staff, the focus on canes and birches and punishment books to correct wrongdoers. It’s not as much a thing of the past as one might imagine, either: corporal punishment wasn’t banned in British state schools till 1986, and it was 1998 before public schools fully abolished the practice. There are people who were spanked or caned in British schools who are now still in their 20s and 30s.
That group no longer contains most of us, of course; I certainly wasn’t caned at my inner city comprehensive in the early 2000s. It’s difficult to apply any of the old-fashioned ideas about British schooling to my experience, really, barring perhaps the uniform - which I found a thousand different ways to personalise and cheat! So what’s my excuse?
I think some of it might come down to a sort of national nostalgia, often rather rose-tinted. I sat in my so-called “rough” state comp, with its creaky 60s prefab buildings and its somewhat humiliating OFSTED reports, reading boarding school stories and coming of age novels set in some distant but unmistakably British past.
Our latest film, ‘A Visit to the Schoolmaster’, is playing on exactly this kind of nostalgic looking back to a past we were never quite a part of. Pandora has had a thing for public school canings since before she can remember, so she’s thrilled to have a chance to meet a real boarding school master - particularly when he turns out to still have his punishment book and his slender, biting canes. We’re told this tale while she’s dressed in full school uniform, smirking cheekily into the camera, the kind of gleam in her eyes that will get you a long detention.
But who wouldn’t want a long detention, if they got to share it with her?
I’ve always thought there wasn’t enough audio porn in the world.
Partly that’s down to my own particular set of, er, ‘interests’. I once came just from someone talking me into it, no physical touching required, and I’ve always harboured a deep-seated interest in submissive hypnosis - I could write an essay on the wonders of a chatty dominant!
It’s not just that, though: it’s also because audio erotica lets you get lost in your own mind like nothing else does. Much as I prefer radio soaps to their televisual counterparts (because on radio the pictures are better), aural porn is as close as it gets to a two-person solo experience.
In-ear headphones help a lot with this. They sound like the speaker’s voice is right inside my own head, and that feeling has been a powerful element of some of my most memorable sexual experiences. Even when you’re alone, with audio porn there’s no barrier between you and the fantasy at hand; there’s no bright screen to keep an eye on, no variably-formatted text to squint at on your phone. You can invite the story into your mind and let yourself get lost in it.
One of the things that makes porn difficult - both to create as a performer and to find as a consumer - is that everyone wants porn that is exactly their thing. Cis men are usually the assumed viewer, especially if one’s interests run primarily to the femdom end of the spectrum (I can’t really be the only queer female sub who wants to watch femdom stuff, can I?) - and even when that’s not a problem, most of us still want to find porn where the performers are our physical ‘type’ and the setting is one that resonates.
None of that matters with audio erotica. I’m especially fond of scenes like our recent Snake Eyes where the story is essentially a monologue; the submissive is never described, never gendered, never referred to other than as “you”. The encounter could be taking place anywhere - a dungeon, a castle, your own bedroom. Zak, with her calm, commanding voice, could be anyone you wanted to put yourself at the mercy of. This is a story of random factors and precise paddling that comes tailor-made for any subby spanking fan who listens to it.
I get that humans tend to be highly visual creatures, of course, but goddamn - sometimes, I just want someone to whisper into my ear.
I’m going to do something I try to never do when I write: I’m going to preface this article. I wouldn’t usually, but the material is personal and incomplete and may seem a bit rambling and disconnected. However, I suspect that I’m not alone in the questions and conclusions that I’m mulling over, so please bear with me and hopefully there’s a kernel or two that resonates or contributes to a bigger conversation.
When I set out to watch Fetish Fvckdolls 2 (which if you haven’t watched it, I’d encourage you to do so at your earliest convenience) I wasn't expecting it to be a big deal. I’ve blogged here before about how watching porn that’s “not your usual taste” or incongruent with your own desires is interesting and can be enlightening. I was pretty sure that a collaboration by queer and trans performers like Fetish Fvckdolls 2 would be just that: interesting, but not my cup of tea.
Why? Well, I’m a straight-identifying, dominant-leaning cisgender woman who almost exclusively watches gay male chastity porn. Specific? Yup. And really kind of a world away from transfemme submission, which is the overarching main theme running through the four vignettes in Fetish Fvckdolls 2. You can see then how I might have thought that my interest in the film would be purely academic. Interestingly, it was not.
Now, I’m not here to say that this film changed me, nor should the incomplete epiphanies on sexuality that I’m sharing here be mistaken for me jumping on a bandwagon. Neither of those are true. What does feel true, is that I’m feeling really aware of my straight privilege after watching this film.
If you’re a straight person and that term makes you uncomfortable … I feel you. But it should make you uncomfortable. Privilege is a pervasive and dangerous thing when not acknowledged. Honestly, how two-dimensional of me to discount a film like Fetish Fvckdolls 2 as something that couldn’t touch me, something that I wouldn’t be able to identify with! How ridiculous and heteronormative of me to presume that I wouldn’t relate to these scenes. If it was mainstream lesbian porn (you know, the kind performed by cis women for the straight male gaze) would I have been so dismissive? Probably not, because I’m a straight woman who has had sex with other straight women and I’m blisteringly aware of the weight of the male gaze. But I presumed that I wouldn’t relate, or be aroused, by this.
Confused and intrigued, I discussed my bias with my husband, who has recently (or in his words: finally) self-identified as asexual. He watched part of Fetish Fvckdolls 2 with me and commented immediately that he hadn’t even noticed that the performers were trans until the fourth vignette because he was witnessing them as human beings, rather than sexual fantasies. I was surprised by that, because for me transfemme visibility is the point of the project. He asked what would make a film like Fetish Fvckdolls 2 more “my kind of porno”. I didn’t have an answer because I was processing that actually, this is my kind of porn.
Confused? Me too.
How could I think that gay male chastity porn is more relatable to me than porn that has trans women at the heart of it? Am I secretly kind of a bigot? But I know and love so many queer and trans people! Am I not as straight as I thought? Maybe, but that’s not the primary concern for me. The concern is that even though I think I know so much about sexuality, it turns out I don't know as much as I thought.
Yes, yes, we like what we like. The heart/loins want what they want. But it’s becoming evident to me now that the shackles of straight privilege (ie: never having to consider your sexuality or have it challenged, because it’s the cultural default setting) are just that: shackles.
What Fetish Fvckdolls 2 taught me about myself is that heteronormative thinking is limiting because the definitions are so static. “Straight” doesn’t leave much room for variety. Any “exploration” within straight sexuality is expected to be episodic, or at the most, a phase. So when, as a “straight” person, I watched this film, it was a bit dizzying to not see the performers as fantasy objects, and to relate to them on a human level. It revealed to me things I hadn't known before about how objectifying my gaze tends to be.
Fetish Fvckdolls 2 is radical and fresh. It puts trans women at the center of each encounter. Not only are they the subjects of their own experience, they are shown in willing and delighted submission. Not here the degrading porn tropes that cast trans women as exotic freaks with hard cocks, or strip them of autonomy - no, the trans women in Fetish Fvckdolls 2 are very clearly represented as the people they are. Full stop.
I learned that my erotic appetite, regardless of whom I choose to get frisky with, is essentially about the treatment and experience of the people involved, not the combination of bodies I see on the screen. I began to reflect on what turns me on and what turns me off in adult entertainment: it’s not the bodies at all. It’s the dynamics. I haven’t ignored trans porn in the past because it was trans. I've ignored it because when it’s badly done, it’s so likely to be dehumanising.
Fetish Fvckdolls 2 has been made with such smart and mindful intentions by everyone involved that the sexiness absolutely transcends all notions of genre and the limitations of what I thought I could be into. I watched the film three times. It’s 90 minutes long. It took me almost 5 hours of watching this film and then more time processing the experience for me to begin to get my head around these personal biases and blindspots.
What I have learned from Fetish Fvckdolls 2, what I’m so glad to begin to understand about myself, is that I like porn because I watching people fuck. Not just men, not just straight people, not just cishet couples. What I don’t like in porn is mindless and narrowly conceived narratives, and hegemonic control of my gaze. I’m not comfortable knowing that I have been a contributor to that mindlessness, a cog in the wheel of a cultural and artistic system that holds people back, misrepresents them and strips them of humanity, no matter how subtle the effect seems to be.
Having realised that, I want to do better. I know that I won’t always get it right, but only good can come from growth and empathy. And besides, if nothing else, a whole new world of porn just opened up to me, so if you’ll forgive me, I have some catching up to do …