I love the implied backstory to this scene. A couple, play partners; perhaps they spend time together as ordinary people in the real world and perhaps they don’t, but either way there’s this series of letters that pass between them. Each letter contains a set of instructions. Meet me at your place, in a nightclub, book this hotel room. Wear silk or strip naked; lay the implements out on the bed; present yourself in this or that way. Leave your next letter out on the nightstand with my name on the envelope. Wait for me.
And now we’ve got a chance to see inside this silent relationship, this secret that they’re both keeping not because they’re ashamed or awkward - both parties seem completely at ease with themselves here, in fact, each basking in their own enjoyment - but because there’s something undeniably sexy about it. Something silent and secret, a memory they can cherish for weeks until their next assignation.
Wait for me.
This week’s film is as topical as the lotions Lana Moon has probably been massaging into her patients’ particulars. When she realises that a particularly attractive patient of hers has been feeling a little lonely as a result of all the restrictions on visiting people in hospital, she decides to act the Good Samaritan and cheer them up a little - with some help from the pharmacy supply cupboard, of course! Sadly her boss doesn’t share her sense of fun, but in such critical times there’s no room to fire her - so Matron Blake has to get a little creative with Lana’s punishment.
Really, this one’s got it all. It’s sexy, it’s funny, the spanking is on point, the leather strap is gorgeous, and Lana’s bum looks incredible in that outfit. There’s a sort of campy irreverence to the whole scene that is decidedly British, and I knew as soon as I saw it that I’d found a new personal Dreams of Spanking favourite.
There’s a behind-the-scenes clip for this one too, which I always enjoy - “you should do an outtakes reel”, giggles Lana at one point, as she’s cracking jokes while stretched over Pandora’s knees with her bottom exposed. Given that we already do, that line was an obvious inclusion!
A few weeks ago in another blog post, I briefly lamented the universe’s paucity of femdom content that does not aim itself solely at masc subs, and lo - Pandora has yet again sought to redress that imbalance. You can’t say we never do anything for you!
Feminine Discipline is gorgeous: even from a purely artistic perspective these shots are lovely to look at. They make a beautiful gallery set, they work as well individually as they do together, and the whole collection really feels like a peek into dominant-Pandora’s own private boudoir.
Of course we’re not really here to look at these photos “from a purely artistic perspective”, are we. They are also, frankly, hot as hell; Pandora is dressed in a tight pencil skirt that hugs her every curve, her blouse unbuttoned just enough to leave you wanting more. The upskirt shots have a clandestine feel to them, letting you sneak a peek at her seamed stockings and the curve of her beautiful derrière. Throughout the set she toys with a variety of implements - hairbrush, strap, cane - and it’s clear to see she knows exactly how to handle them. And you, perhaps...
The real jewels of this set, though, are the photos that focus on Pandora’s face. So much of a D/s dynamic is played out in facial expressions, and these images replicate that beautifully. She looks stern, confident, relaxed; in some shots she’s giving you a glance of casual dominance, in others a mischievous smirk. She’s still deciding what she wants to do with you today, and she’s absolutely in control. This is the kind of photoset you’ll come back to again and again, always finding a new way to imagine what it is all that tension is building up to
Before we go any further I should warn you that The Abusive Therapist is a severe spanking film. It is an edgy fantasy direct from the kinky imagination of spanking starlet Tai Crimson. Here's the scene description:
Tai plays a vulnerable young woman struggling with anxiety and intrusive thoughts who begins a course of therapy. She soon finds herself mentioning her spanking and humiliation fetish - but she isn't prepared for the reaction of her therapist, Pandora Blake. Pandora recommends a course of 'corrective therapy', based on the idea that Tai's ideation about being spanked only persists because she doesn't really know what it feels like. Once Tai understands that in reality, spankings hurt and there is nothing sexy about being embarrassed and punished, Pandora declares that Tai will be 'cured'.
Once Tai is thoroughly humiliated, Pandora takes her over her knee and raises her skirt, giving her a no-nonsense firm hand spanking to show her what it really feels like. As the punishment progresses onto Tai's bare bottom, Pandora becomes ever more sadistic. She applies the stingy, vicious bath brush to Tai's cheeks with vigour, punctuating the spanking with a lecture about how sick and disgusting Tai is for fetishising spanking. Pandora makes it clear that she will continue to administer this type of aversion therapy until Tai gets over her 'perversion'. Ultimately, in this humiliation fantasy, is it the patient who is perverted, or the therapist?
Please note that this comes with emphatic trigger warnings for kink-shaming, stigmatising language, and emotional and physical abuse of a vulnerable character by a mental health professional.
DIsclaimer: there is nothing wrong with having a spanking fetish, and this is definitely not how therapists should behave.
I was quite nervous about watching this scene, because while I am dominant I am not really comfortable delivering humiliation. It feels wrong, especially when it involves shaming someone for their kink. The idea of watching this film definitely put me outside my comfort zone. When Pandora (as the performer not the character) admitted how difficult she found it, I could really empathise. However, I should know not to worry when watching a Dreams of Spanking production, because this is really well done. This roleplay is very much led by the performers, and clearly shown that it is done with full consent (and a fair amount of enthusiasm from Tai).
The main film is book-ended with cuts of the performers laughing and joking behind the scenes. For me this really helped, and eased a lot of the concern I had about this type of humiliation. Seeing Tai having a great time before the in-character bit begins helped me relax and enjoy the film as a hot fantasy.
Tai has such an expressive face and a few times the camera zooms in on her expression. I loved the way she tries not to show her joy and excitement about the prospect of being spanked, but sometimes the mask slips and we see the arousal on her face. At one point Pandora tells her that only sick little perverts have the thoughts she does, and I noticed Tai let just an edge of a smile slip through. I found this film truly fascinating to watch because of these glimpses of Tai's enjoyment, and because of the energy in the roleplay. The way it all comes together feels very respectful, but at the same time very realistic.
Pandora does a great job of making the therapist a believable (and horrible) character, despite the outrageous and untrue things she is saying. The spanking is convincingly hard and very accurate, and Tai’s bottom bruises beautifully. It starts with hand spanking, and moves through a few spanking implements finishing with a vicious split-tailed tawse. The final close-up of Pandora with a slightly evil looking grin on her face, stroking the tawse while watching Tai leave the room, is perfection and finishes the scene perfectly. If you enjoy humiliation play I think this is going to be a must-watch film for you.
The Spanking Rep is a playful girl/girl switch scene starring spanking superstars Amelia Jane Rutherford and Caroline Grey alongside Pandora Blake. I understand Caroline Grey doesn't make many spanking videos any more, so this film (the last one she had lined up on Dreams of Spanking) is a rare treat.
Normally one finishes a spanking scene by applying cocoa butter to a bruised bottom but in this case, the film opens with Pandora rubbing lotion into Caroline's red bottom - and it works. The premise is a fourth-wall breaking look behind the scenes on a spanking video set. Director Pandora has just finished shooting with performer Caroline, and they are both tired and happy after the day's work. Since Pandora tells me this was also the last scene they shot that day in real life, I don't think it took much acting!
Watching this film, I found that it was really easy to forget that it was a scripted storyline; I found it totally believable. Everything feels so natural; from the slight awkwardness of Amelia, the spanking implement saleswoman who knocks on the door to show off some samples of her company's new range, juxtaposing perfectly with the casual ease of Pandora and Caroline, who seem utterly at home with the world of spanking. The combination made it easy to become completely invested in what was happening.
This film is great fun. All of the women seem to be really into spanking and being spanked. I particularly liked Pandora’s calm confidence, and the way she tested each item on her palm before using it to spank her friend's bottom.
My favourite part however was Caroline’s anxious excitement. Her bottom is already well roasted after her shoot, but since Pandora seems hungry to receive a spanking herself, Caroline eagerly steps in. I loved her gleeful delight at delivering a punishment, combined with the nerves due to lack of experience. It was adorable, relatable, and Caroline's acting is absolutely perfect. I’ve been the one who was learning how to spank, and I know how hard it is to gauge strength and aim, so Caroline's performance really put me in her shoes.
The camaraderie between the three ladies is delightful, and it genuinely feels that they are having fun. I spent a fair part of this video wishing I could join in, and the rest marvelling at these gorgeous kinky ladies and their wonderful chemistry. I love how they take turns trying the different implements on each other, it was fascinating to watch the various techniques and methods they had for taking aim.
As someone who very much enjoys delivering a punishment that leaves a nice reminder on a bottom, one of the things I loved about this scene was getting to compare the different implements, and the way they leave very different marking patterns. This video contains an abundance of pretty red stripes on very sexy bottoms.
If I had to choose, I'd say my favourite was the light tan coloured strap. I think the soft suppleness of it is very deceptive. Almost immediately after the first hit you can see a red stripe appear where the end has hit Caroline’s bottom, and after a few more strokes it has developed into a lovely red mark. Plus, it makes such a great swooshing crack. I think this strap is as close as I’ve seen to an implement that makes a whip crack noise without being a whip. I really liked it - if Amelia knocked on my door with these spanking implements for sale, I think this is definitely a toy I would buy to use on someone myself!
Three gorgeous ladies with a great kinky connection, enjoying switchy spanking fun - why wouldn’t you want to watch this video? The Spanking Rep is a light-hearted spanking roleplay that combines silliness and believability with some great spanking action. Check it out - and when you've watched it, leave a comment and let me know which implement you'd want to take home with you!
A few years ago a news story broke online which caused a stir amongst spanking enthusiasts. Doctors in Siberia had been promoting a new "whipping therapy" to treat patients suffering from addiction and depression. A 2005 article describes how "Russian scientists from the city of Novosibirsk, Siberia, made a sensational report at the international conference devoted to new methods of treatment and rehabilitation in narcology. The report was called “Methods of painful impact to treat addictive behavior.”" The idea is that addiction and depression often are caused by decreasing production of endorphins - and the pain caused by corporal punishment can stimulate endorphin receptors and rekindle the "production of happiness". The scientists recommended that consenting adults judged psychologically fit for the treatment receive a course of thirty sessions, each consisting of 60 cane strokes on the buttocks, accompanied by counselling and therapy.
Although the therapeutic effects of corporal punishment practised by enthusiasts can hardly claim clinical success, all of us who enjoy spanking know how beneficial it can be. Personally, I find that spanking - particularly caning - grounds me in my body, making me feel calm and centred. Being physically punished focusses me on my breath, in the moment, and quietens my busy mind. When you're being caned, you aren't thinking about anything else.
I find it reduces anxiety and irritability, increases my sense of my own resilience and makes me believe I have the power to tackle the things I'm struggling with, and increases my zest for life. Plus if it's done by the right person in the right way it can be very sexually exciting too.
I'm not a doctor, and it would be presumptuous for any of us to claim that our spanking practice is seriously rooted in medical science. But the idea of spanking as a form of treatment approved by the medical establishment is an appealing fantasy. Plus, it's an excuse for me to pull out my nurse uniform...
In The Russian Treatment, patient Mike Pain has admitted himself to a specialist clinic after suffering from depression and malaise. The clinic is trialling an experimental therapy which uses the application of corporal punishment, beginning with hand spanking in the first session, then - in part 2 - escalating to the strap and, finally, the cane.
The treatment has many benefits. Spanking boosts the circulation and triggers the production of endorphins, the body's natural painkillers. Patients report that it reduces anxiety, relaxes them, and improves sleep and mood. Nurse Pandora is careful to explain everything before asking Mike to sign the consent form - but it turns out that Mike doesn't take much persuading.
Lying over the nurse's knee on the bed, Mike surrenders to a firm hand spanking and deep bottom massage. He seems to take to the therapy very quickly... so quickly in fact that one can't help wondering whether this is the first time he's experienced something like this.
One week later, it's the final session of Mike's course of treatment. In the intervening time he's received daily spankings, including applications with the strap and cane; six strokes from Nurse Molly. Now, Nurse Pandora gives him another dose of the leather strap, administering ever harder strokes as Mike kneels on the wooden stool at the foot of the bed, his whole body rocked by the sharp blows.
Finally, it's time for the last caning of the treatment. On the nurse's recommendation, he receives twelve very hard strokes - a level of punishment that not every patient can endure. On all fours on the bed, Mike's upturned bottom is exposed - and his groans show that the pain is real. Still, as he breathes into each strokes, it's clear that the treatment is having the intended effect.
I really enjoyed making this two part nurse spanking film with Mike Pain and videographer Nimue Allen. It's a fun, satirical take on the Siberian medical caning story, and I think you can tell from the camp dialogue how much the set-up amused us. But there's also an authentic side to this scenario, from the genuinely hard cane strokes Mike bravely takes, to the exploration of the therapeutic benefits of spanking. If spanking for health and wellbeing interests you, you could do worse than to start with the breathing techniques advocated by Nurse Pandora in these films. Just let the pain flow through you... and remember to exhale.
Is there any better remedy for the stress of adult life than going over the knee for a long, loving spanking? For Fauni Cate, that's certainly his preferred way to deal with it when things at work start to get too much. He has a long-standing relationship with his paternal disciplinarian, Dr Richard Barton, and an open invite to call and come round whenever he needs to.
Still, the fact that Fauni needs - and craves - this punishment doesn't mean he isn't nervous. This male/male spanking scene opens with him arriving at the house, biting his lip and clearly struggling with last-minute anxiety about what awaits him, before he summons his courage and rings the bell. Dr Barton lets him in, and asks how things are going. Fauni stammers with nerves as he quietly confesses that he feels in need of some spanking, struggling to meet his disciplinarian's eye.
During the out-of-character conversation before shooting this scene, Richard and Fauni negotiated what they want to happen, and it's clear that both participants are on the same page. Fauni is fond of age play and paternal domestic discipline; and Richard finds a scene like this very authentic, as he provides this sort of discipline in real life from time to time, for boys who come to visit him for spanking. That sense of mutual collaboration and consent continues within the scenario itself.
The mood is caring and nurturing as Dr Barton asks Fauni what would suit him best - a spanking punishment with implements, or an OTK hand spanking? The pair reach a decision together, and it's obvious that although Fauni is putting himself in Richard's hands, he also fully wants and needs some loving discipline. Dr Barton fetches a wooden chair from by the wall, places it in the centre of the room and tells his submissive boy, "You know the drill", and Fauni does indeed: he obediently bends over Richard's lap and offers his bottom for punishment. Richard begins smacking with a brisk pace over Fauni's jeans, before ordering him to take them down, and continuing Fauni's punishment over his underwear, and finally on the bare until Fauni's bare bottom is bright red.
Fauni is a brave boy, and this discipline session isn't given in anger. Dr Barton reassures Fauni that he's taking his punishment well, and that he's proud of him. Still, Dr Barton has a hard hand, and Fauni can't help wriggling and gasping as the spanks rain down without a pause. Finally he is told to get up and undress. Totally naked, Fauni seems that much younger and more vulnerable as the consensual power exchange between the two men is completed, and he fully submits to Dr Barton's dominance.
That submission is tested when Fauni is invited to select an implement from the ones laid out on the bureau. His hand hovers over several, picking them up and considering them before settling on a heavy leather strap. He brings it to Richard and offers it to him, looking every inch the good boy.
Dr Barton is surprised by his choice, and once his charge is in position over the arm of the sofa, he tells Fauni that he's picked out a very fierce implement. He wants to check; does Fauni knows what he's in for? Fauni is determined to get the stress relief spanking he needs, and it seems that he's in the mood to receive a severe strapping. But as Dr Barton begins, it's clear that this strap is no joke. Has Fauni bitten off more than he can chew, and will the ferocious sting of the leather strap prove too much for him?
Fauni is adorable in this scene, with some fantastic facial reactions as he receives his punishment. I love the closing shot of Fauni kneeling naked by Richard's feet, receiving some tender caresses and looking up at his top with adoring eyes. You only have to hear the way Fauni spontaneously cries out "Yes..." as the intensity of the spanking increases to know that this is truly what he needs.
Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
Sometimes I watch a spanking film and realise halfway through that I should probably be wearing headphones. The crisp smacking sounds of a particularly thorough beating, or the squeals of a protesting character, echo around the room and I belatedly realise that someone might be able to hear. Then there are the films which are so thoroughly absorbing I forget about headphones, and it’s only after the credits roll that I remember I have neighbours. This was one of the latter.
Pandora plays the school bully, and Ten Amorette the innocent schoolgirl who refuses to hand over her lunch money. What ensues is a fast-paced bondage takedown, involving girl-on-girl wrestling, spanking, struggling, and a harsh thrashing with the strap.
Pandora and Ten have an amazing chemistry, as evidenced by the fact that they can play scenes at such different ends of the roughness spectrum. This week’s spanking video couldn’t be more different in tone from the caring, erotic spanking in ‘The Surprise Present’ - that one started with a sensual flogging and ended with kisses and caresses, whereas this is rough, angry and aggressive.
I’m biased, because many of my teenage fantasies involved the idea of being punished by a prefect or older school student for some imagined or invented slight, but holy God this scene is hot. Two schoolgirls in matching sexy uniforms – white knee socks, black patent heels, and tiny short skirts – having a ferocious schoolgirl catfight that ends with the dominant one wrestling the other to the floor and stripping her skirt and knickers, and giving her a sound spanking...
It's hot not just for the dynamic between Pandora and Ten - which is smoking - or for the school uniforms complete with tiny skirts, tight shirts, and ties that are used to leave Ten bound and gagged on the floor. Or for the speed - the swift movements with which Pandora throws Ten to the ground, the struggle, the wrestling, the conflict. The extra-hot touches, like Pandora's hand clamped over Ten's mouth, smothering her cries, or the harsh slap to her face that tells her who's got the power.
It’s uniquely sexy because of the combination of all these things - because of the sheer number of knicker-moistening triggers that are effortlessly tossed into one scene. The cruelty. The resistance. The humiliation. The vicious strokes of the leather strap.
It's just the whole damn fantasy.
Some people know how to make an entrance. They arrive at a party and do something so memorable that you know you won't forget their name any time soon. Mike Pain's debut on Dreams of Spanking – in which he takes a beating so hard and so thorough it makes my eyes water - is exactly that kind of entrance.
This is one of the more traditional female domination scenes I've seen on Dreams of Spanking, and the story - suggested by Mike himself - is the kind of fantasy I expect many kinksters can relate to. Married man Mike Pain is secretly into BDSM, and femdom in particular. When his friend Pandora Blake teases him about his fashion sense, she discovers that beneath his buttoned-up shirt he's wearing a leather collar... and a bondage harness, and a studded leather thong.
For some, who for whatever reasons prefer to keep their kink secret, this could be a terrifying moment - but this is Mike's fantasy, and in his and Pandora's hands a potentially nightmare scenario turns into an intensely hot tongue-in-cheek femdom porn scene. When Pandora phones Mike's wife, the two ladies are clearly amused as much as angry, and it turns out that both of them share Mike's secret to some extent. Mike's wife asks Pandora to deal with her husband until she can get back to beat him herself.
Mike, in fact, gets exactly what he's been fantasising about – a gorgeous woman beating him black and blue.
Pandora is in full-on femdom mode, giving Mike a thorough bollocking laced with verbal humiliation, and stern admonishments when Mike tries to twist away from the burning strokes of the strap. She takes a gleeful delight in choosing exactly how many strokes to give him, and laying on paddle, strap and cane as hard as she can.
Mike takes the kind of beating that had me wincing in sympathy, as well as shivering with delight. I have to admit that there's a deep and specific joy in the sound a thick leather strap gives when it's whacked with full force onto a bare bottom.
It's rare that a top has the opportunity to hit someone has hard as they can, but Mike's pain tolerance is high. Pandora steps back and leans into each whack with the strap, putting her back into getting exactly that gorgeous 'thwack' sound. As Pandora remarks towards the end of the scene, "You can certainly take a beating."
As for the climax of the punishment - eighteen severe strokes of the cane - watch the behind the scenes video to learn whether they were as hard as Pandora could give - or as hard as Mike could take.
When you've watched the film, please do welcome Mike in the comments. After taking a thrashing this impressive, I think he deserves a very warm welcome to Dreams of Spanking.