Slave fantasies are pretty common, and for obvious reasons they often come along with a heavy non-consent vibe. We love to take our opportunities to reinforce the agency of the submissive in a BDSM encounter, though - and finally living out a deeply-held, intensely personal sexual fantasy on your own terms can be an incredibly empowering experience.
Despite her cheekiness, Blake’s character in What did your last slave die of? hasn’t actually been daydreaming about playing the brat. She knows what her housemate does for a living, and she wants to learn more: what would it be like to serve someone, just for an hour or two? How would it feel to be on the receiving end of the slender, whippy canes she sees Lorraine wipe down and tidy away every Sunday afternoon?
There’s something deeply sexy about the idea of someone finally getting to try out things they’ve fantasised about under drawn covers and behind closed doors. The only thing hotter, in fact, is the smirk on Lorraine’s face as she makes excellent use of her new footstool - and the well-timed strikes with a riding crop to keep her newest slave in line.
This week we’re releasing another scene from our fantastically successful weekend-long shoot with Faerie Willow and Clara Hewitt. We had a gorgeous period house to play in, and we made loads of great content - past hits from the two days we were there include Mater Familias and the Finishing School duo, amongst others.
Not Dressed Like That You Don’t is a deeper exploration of a particular kind of spanking dynamic: the nurturing, protective top who wants to help their spankee grow and learn. Clara is excellent in this kind of role, and strikes a perfect balance between loving and firm - even as Willow starts out doing her best ‘cheeky brat’ impression!
If you enjoy ageplay dynamics and nurturing discipline, this one’s for you. You should also check it out if you just like the idea of seeing Willow in a scandalously short pink miniskirt - it really does draw the attention rather...
If you enjoyed the lavishly detailed, dreamily fantastical nature of recent rediscovery Ms. Howard’s Little Girl, you’re in for a treat: Tammy’s Shame is an equally intriguing companion piece, featuring the same characters and a few new developments.
Like its counterpart this is an intense, edgy film, depicting a scenario that in any real institution would be completely beyond the pale. And of course that’s a lot of what makes it hot: the indomitable Ms. Howard is a force to be reckoned with, and her labyrinthine ruleset seems intentionally designed to produce slip-ups and misbehaviours from Tammy and the other girls in her care.
If you’ve ever wondered what’s really going on in the dream sequences in our much-loved spanking hit My Inner Little Girl, then Tammy’s Shame has the answer. We mentioned at the release of the first part that this is where those clips came from, and this film contains most of that footage - so watch out for the bits you recognise, enjoy discovering the ones you don’t, and picture yourself at the mercy of this inexcusably strict Housemistress’s guideline.
The warmup is a vitally important part of the spanking process. When your skin is properly warmed up, blood rushes to the area in question and the main event hurts a little less - meaning you can go for longer and take more of a thrashing. A good warmup also helps both the spanker and the spankee figure out where they’re at that day and calibrate accordingly, especially if they’ve not played together much or it’s been a while.
In this week’s film, though, Blake and Sarah forgo the warming-up process entirely in favour of a particularly harsh cold paddling for one full, unrelenting minute. It’s an extremely hot scene, partly because skipping the warmup is usually a bad idea; this is a punishment, after all, and Sarah isn’t doing anything to make it any easier.
The lack of a good warmup isn’t the only thing adding a little extra frisson to this spanking, though. The timer itself gives a very different feel than the more usual set number of strokes: till that alarm goes off Sarah won’t be slowing down or letting up, and Blake won’t have a chance to breathe between impacts and brace for the next one. It’s sixty full seconds in the heart of the storm, taking it over and over again.
The paddling was just as intense for Blake as a performer - there was no off-screen warmup before it was filmed, and those timed minutes were very real. It worked out because it was a well-negotiated scene, and because Blake and Sarah have been working together for a long time; there’s enough trust and understanding there for them to push the boundaries a little.
There’s a lot of love about this scene, and we’re looking forward to hearing from you all about it - and we’re also pretty sure Blake’s learned their lesson about staying up too late playing on their laptop!
There’s always been a rather Sapphic edge to the dynamic between a lady of noble birth and her slightly less privileged companions. This is particularly true in Victorian and early 20th century settings, where two unattached women might find themselves alone together for extended periods of time and bound by convention not to form real bonds with either the servants or the menfolk. In a world where emotive expression is not encouraged and intimacy is confined to closed doors and dark corners, human beings look for connection. Plus, you know...that power dynamic is hot as hell.
Which is precisely the conclusion reached by Miss Bower, the titular Lady’s Companion played by Rosie in this week’s release.
She mostly took the job out of necessity, we suspect; she needed to find a husband, which would be easier in the company of Lady Pandora than from her own reduced circumstances, and she needed to support herself in the meantime, which the house and wage on offer would enable her to do. And if her new mistress’s idea of discipline seems a little draconian...well, it’s a small price to pay.
Once she’s been there a while, though, she makes a startling discovery. There’s much more to learn from this rich widow than simply etiquette and connections - Coleridge and his “woman wailing for her demon-lover” give Miss Bower quite a start - and as for the discipline, well, it turns out there’s more to like about that than she could ever have imagined.
There’s a fun moment in the backstage footage where Rosie remarks that her character is clearly never going to marry - the two of them will be quite happy together for a long time yet, she suspects. I can’t say I can blame her.
The concept of a tyrannical dominant who runs a stable of auctioned submissives is a staple of the BDSM genre. In many of its iterations it follows the same few tropes: the participants are mostly straight, with perhaps the occasional bit of ‘play bisexuality’ thrown in as part of getting people out of their comfort zones; they’re overwhelmingly cis, with the only gender-non-conforming elements coming from cis men who enjoy the French maid role as submissives; most of the characters involved are white, especially the dominants. There’s also often an element of reluctance, with some of the submissive characters feeling in over their heads or in some way coerced.
Many of these tropes have their place. We’re huge fans of people being able to play out their fantasies in consensual, negotiated ways, and we certainly don’t shy away from themes of coercion and reluctance in our fictions here. Still, though, we like to do things a little differently when we can.
Goddess Lana’s New Slave is our latest addition to this canon, and it turns several of the usual patterns on their heads. Blake’s butch, submissive character is clearly eager to be where they are, and has very obviously enjoyed their rule-breaking spanking - there’s a delicious frisson of naughtiness to them as their reddened bottom is revealed, and they’re clearly eager to find out what their new Mistress’s reaction will be. Lana is gorgeously imperious and utterly femme, parading her latest acquisition aroud the room and pondering on all the fun she plans to have with them.
Lana Moon’s films are always fun to watch, and this is no exception - whether you’d rather be helping her keep her favourite steeds in line or joining them in their grabbable leather harnesses, you’ll enjoy this sojourn in the Mistress’s house.
A small slice of history for you this week: Ms. Howard’s Little Girl was the first fan-requested, multi-performer custom film Pandora ever shot, and it was originally made way back in 2009. At the time it went unreleased, but if you’re a longstanding member you will have seen some of this footage before.
2013’s My Inner Little Girl is one of our best films. It’s a lot of fun to watch, it’s a gorgeous representation of what we’re trying to do here and it’s one Pandora had a great time making. Part of what makes it work so well is the fantasy sections, which are full separate little scenes in which this otherwise solo film acquires a co-star. Those daydreams came from this shoot: you’ll spot some of them in this week’s release, and the others originated in a film called Tammy’s Shame that we’ll be releasing in a few weeks time.
There are reasons we chose not to publicly release all this footage the first time around. The plot is a little hokey, and it has such a wealth of detail and description that our performers weren’t able to get entirely off-book. But as a team we’re better at editing and producing films now: this doesn’t look like footage we shot last week, but it has come together into something we think is well worth getting out there at last.
We all love My Inner Little Girl, we all love Zoe Montana and we all love stumbling across some unreleased spanking content - so we’re thrilled to finally bring you Ms. Howard’s Little Girl, and we think you’ll enjoy this trip down memory lane as much as we have.
After two years of communicating in a more online way than ever before, many of us have seen sides of other people’s lives that we never thought we would. We’ve met our colleagues' cats, seen our therapists' kitchens and had late-night conversations in our friends' bedrooms - and learned all kinds of things about them as a result.
My Lesbian Goth Girlfriend joins a whole new genre of ‘video chat fiction’ inspired by the ways we’ve communicated with each other throughout the pandemic. Emma’s playing the part of an inexperienced spankee in a new relationship, blushing and giggling over Zoom as she fills her best friend in on all the salacious details. Of course, when Pandora overhears their chat she’s struck by a singularly revealing notion - and we get to peep in through the webcam while she carries it out.
The end result is a very red bottom and a friendship taken to a whole new level by a quick catchup video call. And as an added bonus, both of our performers really do look great in those outfits - and Emma’s resoundingly through hairbrush spanking must have been sore for hours after the shoot was over!
Kinky people talk about headspaces a lot. It’s the word we’ve come to use to describe someone’s frame of mind as they play: are you taking a sadistic pleasure in your partner’s kicks and gasps, or trying to coax them into a state of genuine euphoria? Are you offering up control to a dominant presence you’re aching to serve, or do you want them to take it from you in a battle of wills? There are as many headspaces as there are fantasies, of course, and every set of play partners has its own dynamic.
One of the core truths of healthy, consensual BDSM is that the exchange of power is more complex than it seems at first glance. Ostensibly one party is in control and the other has surrendered it - but in truth the experience is collaborative, and the submissive partner is usually the real centre of a scene. The deeper into your headspaces you are, the more real your fantastical scenario becomes.
Becci’s character in this week’s film is a perfect example of that collaborative creation of a dynamic and a space. The whole surprise was their idea: they suggested to Stephen that he bring them into date night as a present for his partner, and throughout they're clearly very into the story the three of them are telling. They've chosen a state of mind in which they deeply wants to please them both, and the submission they're exploring is of the eager, adoring sort.
In real-life play that’s one of my favourite headspaces to be in, so it’s exciting to see it depicted on camera. Kelley and Stephen - who are an offscreen couple as well as frequent co-stars - nurture it beautifully, strict and sensuous by turns with a wicked gleam in their eyes at their more sadistic moments. And Becci - who is the true centre of attention here - has been an excellent surprise for them both.
On school grounds, appearances are everything. For a lot of us our teenage years were the most image-conscious time of our lives; as we age we begin to realise that generally people have more interesting things to look at, but for a few years in the middle there it feels like you’re under constant scrutiny.
Perhaps this is why fantasies involving humiliation and exposure are so enticing, particularly in a school setting. The last thing any of us wanted back then was to be punished in full view of our peers, and a taboo that powerful can follow you into adulthood in a surprisingly intense way.
In this week’s release, Emma Christie is playing the part of a secondary school student forced to endure exactly that: a public reckoning from her P.E. teacher, followed by a sound spanking on her bare bum in front of anyone who might happen by on their way across the school grounds during lunch hour. With her own plimsoll, no less! The forced jog across the playing field afterwards adds insult to injury; there’s no getting away from the fact that all her classmates must have seen her.
As a fantasy scenario it taps into the time when most of us were having our first real sexual awakenings - and now that we’re adults with agency and experience and access to picturesque country gardens with high brick walls, we can explore that time at our leisure.