If you enjoyed the lavishly detailed, dreamily fantastical nature of recent rediscovery Ms. Howard’s Little Girl, you’re in for a treat: Tammy’s Shame is an equally intriguing companion piece, featuring the same characters and a few new developments.
Like its counterpart this is an intense, edgy film, depicting a scenario that in any real institution would be completely beyond the pale. And of course that’s a lot of what makes it hot: the indomitable Ms. Howard is a force to be reckoned with, and her labyrinthine ruleset seems intentionally designed to produce slip-ups and misbehaviours from Tammy and the other girls in her care.
If you’ve ever wondered what’s really going on in the dream sequences in our much-loved spanking hit My Inner Little Girl, then Tammy’s Shame has the answer. We mentioned at the release of the first part that this is where those clips came from, and this film contains most of that footage - so watch out for the bits you recognise, enjoy discovering the ones you don’t, and picture yourself at the mercy of this inexcusably strict Housemistress’s guideline.
The warmup is a vitally important part of the spanking process. When your skin is properly warmed up, blood rushes to the area in question and the main event hurts a little less - meaning you can go for longer and take more of a thrashing. A good warmup also helps both the spanker and the spankee figure out where they’re at that day and calibrate accordingly, especially if they’ve not played together much or it’s been a while.
In this week’s film, though, Blake and Sarah forgo the warming-up process entirely in favour of a particularly harsh cold paddling for one full, unrelenting minute. It’s an extremely hot scene, partly because skipping the warmup is usually a bad idea; this is a punishment, after all, and Sarah isn’t doing anything to make it any easier.
The lack of a good warmup isn’t the only thing adding a little extra frisson to this spanking, though. The timer itself gives a very different feel than the more usual set number of strokes: till that alarm goes off Sarah won’t be slowing down or letting up, and Blake won’t have a chance to breathe between impacts and brace for the next one. It’s sixty full seconds in the heart of the storm, taking it over and over again.
The paddling was just as intense for Blake as a performer - there was no off-screen warmup before it was filmed, and those timed minutes were very real. It worked out because it was a well-negotiated scene, and because Blake and Sarah have been working together for a long time; there’s enough trust and understanding there for them to push the boundaries a little.
There’s a lot of love about this scene, and we’re looking forward to hearing from you all about it - and we’re also pretty sure Blake’s learned their lesson about staying up too late playing on their laptop!
A small slice of history for you this week: Ms. Howard’s Little Girl was the first fan-requested, multi-performer custom film Pandora ever shot, and it was originally made way back in 2009. At the time it went unreleased, but if you’re a longstanding member you will have seen some of this footage before.
2013’s My Inner Little Girl is one of our best films. It’s a lot of fun to watch, it’s a gorgeous representation of what we’re trying to do here and it’s one Pandora had a great time making. Part of what makes it work so well is the fantasy sections, which are full separate little scenes in which this otherwise solo film acquires a co-star. Those daydreams came from this shoot: you’ll spot some of them in this week’s release, and the others originated in a film called Tammy’s Shame that we’ll be releasing in a few weeks time.
There are reasons we chose not to publicly release all this footage the first time around. The plot is a little hokey, and it has such a wealth of detail and description that our performers weren’t able to get entirely off-book. But as a team we’re better at editing and producing films now: this doesn’t look like footage we shot last week, but it has come together into something we think is well worth getting out there at last.
We all love My Inner Little Girl, we all love Zoe Montana and we all love stumbling across some unreleased spanking content - so we’re thrilled to finally bring you Ms. Howard’s Little Girl, and we think you’ll enjoy this trip down memory lane as much as we have.
After two years of communicating in a more online way than ever before, many of us have seen sides of other people’s lives that we never thought we would. We’ve met our colleagues' cats, seen our therapists' kitchens and had late-night conversations in our friends' bedrooms - and learned all kinds of things about them as a result.
My Lesbian Goth Girlfriend joins a whole new genre of ‘video chat fiction’ inspired by the ways we’ve communicated with each other throughout the pandemic. Emma’s playing the part of an inexperienced spankee in a new relationship, blushing and giggling over Zoom as she fills her best friend in on all the salacious details. Of course, when Pandora overhears their chat she’s struck by a singularly revealing notion - and we get to peep in through the webcam while she carries it out.
The end result is a very red bottom and a friendship taken to a whole new level by a quick catchup video call. And as an added bonus, both of our performers really do look great in those outfits - and Emma’s resoundingly through hairbrush spanking must have been sore for hours after the shoot was over!
They say that there are only seven basic stories in all of history, and we’ve taken artistic licence with all of them in this week’s mythological daydream of a film. When we managed to arrange a weekend’s worth of shooting in a gorgeous period house with two amazing performers at our disposal, we knew we wanted to try a few new things - and Venus Chastising Cupid was an incredibly fun tale to explore.
Faerie Willow was a perfect pick for our cheeky, mischievous take on Cupid, while Clara Hewitt’s knack for maternal sternness made for a great reinterpretation of classical readings of Venus. It was a great weekend of filming all told, and this was a wonderful way to wrap it up - particularly as it’s a scenario that makes fantastic use of the pink, stripy welts Willow had all over her bottom from earlier scenes!
We don’t claim to have absolutely nailed the scholarly accuracy in our retelling of this forgotten legend, but we certainly had a whole lot of fun with it.
There aren’t a lot of silver linings to the pandemic we’ve all been living in for the past two years. One of its few tiny fringe benefits, however, has been the way it’s opened up a whole new genre of punishment scenarios to explore - and from Nimue Allen’s Lockdown Scolding of spring 2020 to this week’s Late Home starring Lana Moon and David Oak, we’ve taken full advantage of them.
In truth, of course, our performers, crew and backstage team have all been extremely careful. Our policy has generally been to behave with a little more caution than the current guidelines strictly require, and it’s paid off not only because we’ve never had an on-set transmission but also in some of the great content we’ve released as a result.
The early pandemic saw our Guest Director series, with a great emphasis on performer-produced porn. We’ve been able to show more real-life couples, something we’ve always focused on for the amazing dynamics it allows us to explore. There’s a treasure trove of unreleased content from earlier years that has been polished up and brought out into the world. And as things have progressed we’ve been able to shoot some masked scenes - which is a fetish all by itself! - and some slice-of-life scenarios that look at the consequences of reckless behaviour.
Lana Moon is a gorgeous spanking model, of course, but she’s also a great comic actor. Her scenes with us are often some of the funniest we release, complete with witty quips and quick one-liners. This latest offering is no different - and given how much her character seems to enjoy the punishments, we won’t be surprised if she’s back for more before long...
I reckon the hottest thing about this week’s release - Beating the Competition, starring Pandora Blake, Rebecca Belacqua and Kelley May - is in the tension and contrast between how Kelley is speaking and what’s actually going on in the room.
Because the thing is, she’s perfectly calm. Her tone is rather dry, in fact; she’s delivering a standard training session to one of her employees, making sure they’re up to scratch for an impending promotion. The way she speaks is measured and informative, like this is just another day on the job for her.
Rebecca, on the other hand, is exposed and squirming, deeply humiliated and blushing bright red on both sets of cheeks. She’s gasping and crying out, struggling with impacts both physical and psychological. This is a brand new experience for her, and one she hadn’t imagined would be quite this intense.
There’s something deeply intriguing about that contrast - particularly given that, by the conceit of the plot, Kelley herself must have had this experience too at some point in the past. Her face sometimes betrays her real feelings; her voice is calm, but from the way she’s looking at her compromised employee you can tell she’s enjoying this as much as we are.
Of course, this isn’t the only spanking in the film - and Kelley’s lesson gets an immediate reprise as power rebalances itself once again! After all, it’s only fair that Rebecca gets a chance to put her new skill into action now she’s officially Pandora’s superior.
This week we’re wrapping up our brand new three-part series Benefit in Kind, with a simmering conclusion that turns the tables on our devious landlady. This was a fun scene for Nimue Allen to shoot, because it had been a fair while since she’d last been spanked - Pandora thoroughly enjoyed getting to reacquaint her with it, and her bottom marked up beautifully!
Over the years we’ve showcased a great many IRL dynamics here, and it’s often a high point of our work. Lots of our films feature real-life couples, but those aren’t the only connections that come across beautifully on camera: real, genuine friendship between co-stars who have known each other well for a long time is just as lovely a thing to see.
The fictional connection between the two characters here works just as well, with the tenant immediately enjoying her newfound power (I rather think she might indulge in some recreational spankings in future!) and the landlady eagerly accepting her month-long punishment.
If you’re a fan of OTK spankings, unequal power dynamics or curvy bottoms in sheer tights, you won’t want to miss this.
There are a great many ways to be submissive. Some subs and bottoms are eager to please, keen to do anything their dominant partner might enjoy; others are mischievous or bratty or even reluctant, misbehaving on purpose or feigning ignorance of their misdeeds. Most inhabit all of these roles at some time or another, according to mood or circumstances or desire.
Carlos Green’s character in this week’s release is treading the line between bottom and brat, both craving a spanked backside and not wanting to give in to a punishment he’s not sure he deserves. And in the end, that’s a winning strategy for him - because he not only gets himself rosy and paddled, but also leaves with the promise of further punishment once he’s shown some repentance.
I reckon he’ll come round in the end, of course. Who wouldn’t, if it earned them another spanking from Pandora Blake?
We’ve had a lot of deliciously reluctant spankees recently: schoolboys taking their punishments, naughty nurses bent over desks. This week’s release, though, is something different - a mutually beneficial arrangement with a beautiful frisson of queer desire.
Almost as soon as landlady Nimue lays out the terms of the proposed arrangement, it’s clear that Pandora might be interested in more than just a discount on her rent. Her eyes glitter with curiosity, especially once it emerges that from time to time the deal might work both ways.
The spanking itself seems a little tricky for Pandora’s character, being as she is not someone who has had such an experience before. As she wriggles and yelps under Nimue’s bare hand, though, she certainly isn’t put off by the reality of it.
At the end, she pulls her tights back up over her sore, glowing bottom and slips back into her figure-hugging skirt. I love the idea of her travelling home like that: rosy pink underneath the sheer fabric, carrying with her the secret knowledge that she’ll be left this way once a month from now on.
A little birdie told me that this isn’t the last we’ll be seeing of these two, either, so watch this space for further developments in their highly reciprocal arrangement!