Pandora Blake: Yes! I have to say I'm really enjoying the responses to this set, both on the site and on Twitter. It makes me feel very good to have internet folks appreciating the hotness of my boyfriend. I'm particularly enjoying that he seems to have a goth girl fan base :)
GotN: Goth girl fan base does NOT surprise me in the least, being a kind of clumsy goth myself =) I actually really wanted to ask you about that - do you get pride-shivers when people tell you how hot D is? Like, is there a showing off how hot he is element to photosets and videos?
PB: Very much yes. It makes me feel proud, delighted and very smug to hear people compliment him - it's like, yes, isn't he gorgeous, thanks for noticing, and he's MINE. I feel the same way when he dates new people to be honest - it always makes me appreciate him a little bit more and feel very pleased and proud when I see people being attracted to him
GotN: Ooh, yes I can definitely see that. Also, obviously am grateful, being one of the people who very much enjoys perving on his photosets.
PB: It is quite literally my pleasure.
GotN: This set in particular seems to have struck a chord with lots of people - and obviously me too. One of the things that really got me about it was that photo with the belt round his wrist - whose idea was that?
PB: Oh, that was entirely mine. When I was first looking through the unedited photos to remind myself what we had to work with, I had a chat window open with him, and a few pictures leaped out at me and gave me this involuntary physical quake of lust, so I posted them to him in the chat. That photo of the belt wrapped around his wrist was one of them.
PB: I was directing the set - which I can do with a very clear head when I'm neither modelling nor taking the photos - and I remember staging that shot. Neither D nor Matt really got the point of it, but I was determined I wanted it. When I looked through the photos again there was this double pleasure of seeing that shot - the pure rush of desire at seeing an image that struck one of my kinks so perfectly, and the sort of meta-delight at having successfully created something that was so perfectly porn for me. That was my aim with this set, to shoot something very self-indulgent, so it was lovely to feel so clearly that I'd got it right.
GotN: Ohhh, that is so hot! And it totally reinforces for me why the best porn is often the porn that's made by people who have exactly those kinks. Looking at that picture I would never have thought to explain that specific shot to anyone - I'd never have told a partner to do that or why it would be hot - but it gave me that exact same kick, and looking at it I realised that someone who didn't share the exact same belt-kinks with me would have been unlikely to stumble on something that hot by accident.
GotN: Also: by self-indulgent do you mean 'this is the set I'd make for myself to wank to'? :)
PB: That's exactly what I mean.
PB: Specifically, I wanted to shoot something to suit my own tastes without any reference to whether it might be popular or not. I'd never heard of a reverse striptease before, and I wasn't sure whether a solo male dom set would make any money, but that wasn't the point of this - it was to please myself. That's one of the reasons it's been so validating to receive positive responses to it. I love knowing that my specific porn tastes which aren't commonly catered to are shared by others!
GotN: Oh I totally see what you mean there - and although this is going to sound horribly gendered I think that's why it's so important for me, as a mostly-straight woman, to see female-directed porn. The female gaze is not something that can just be captured by copying male-gaze porn and making it softer, or focusing heavily on genitals, or whatever: it really stands out when you see something made by someone who is behind the camera feeling genuine, kinky lust for someone. Not sure if I've explained it that well, but yep - I've struggled to explain female gaze to people before, and I think from now on I'm just going to direct them to this photoset.
PB: So what is it about the belt-round-wrist that's so sexy for you?
GotN: Belts: sexiness beyond measure. I think of all the spanking implements they're my favourite. But it's not just that I love them: belts have something about them that many subby people can't resist. One of the most cited turn-ons for subs (in my general experience from sexy comments on my blog and etc) is that they love the sound that belts make when they're pulled out through the loops: that swish of a belt that says 'you're in trouble.' And then, on top of that...
GotN: Forearms are a stunningly hot feature, which does not get nearly enough love in my opinion. Biceps are often worshipped, but (I think I might be able to dig out the survey on this but not sure) forearms are one of the most frequently-cited turn-ons for women. Not sure what to call that - 'perv zones'? Lots of people perv on forearms, and yet they're rarely put front and center of a sexy scene. That belt-round-wrist thing combined D's gorgeous forearms with the symbolism of the belt, and then a slightly intimidating (in a domly hot way) blurred image of him in the mirror in the background behind. Unngh. So much hot.
PB: I LOVE forearms.
PB: For me, a strong looking forearm makes me think "I bet that person would be able to spank me really hard" more than a strong bicep does - perhaps because bicep worship is so common, it's more generalised rather than specifically a kink thing. (Although I do love biceps too.)
PB: That image is an interesting one - it doesn't prefigure any particular kink act; he's not wrapping it around his hand in preparation to hit someone with it. And yet the tension of the leather, the way it bites into teh skin of his wrist, the contrast between his smooth skin and the warm texture of the belt, and the firm grip of his hand, all suggest tension and strength and anticipation in a way that's incredibly powerful.
GotN: Oh yes! Strong forearms - and oh bracelets and tattoos on forearms too. Mmm. D's wearing quite a neat bracelet in that photoset as well, which draws attention to the forearm so nicely - the same way I'd wear a necklace to draw attention to a cleavage. More people should do this
PB: I love seeing that bracelet on him actually - it was a gift from a friend who made friendship bracelets for the whole friendship group in our favourite colours, and D wore his for ages. I still have mine too! It grounds the set in reality and reminds me that he's my real boyfriend with a life outside porn, as well as a super hot naked porn guy.
PB: So the reverse striptease. It was an idea I had ages ago, and I'm really pleased with the result. Does it work for you having him start naked and finish dressed?
GotN: YES! OMG so that was another thing I wanted to talk about. In general, I think my kinks tend towards guys who are either clothed or semi-clothed. This actually probably ties in to the hotness of bracelets and tattoos too: it's all about highlighting. Clothes draw your focus to a particular place. So in that photoset, you're kind of immediately plunged into 'oh, there's a seriously hot naked guy here', then as the set goes on, and the clothes go on piece by piece, it draws your attention to each feature. I LOVE it, and I would love to see more reverse stripteases in porn.
GotN: It actually reminds me a little of your calligraphy photoset with Adele Haze too - the words slowly covering the skin make you take your time looking at all the details of someone's body. So with D gradually covering himself over the course of the set, you get to go from full-on naked then take time to appreciate his forearms, the tone of his stomach, and each detail, before ending on his hands slipping into the leather gloves
PB: speaking of which, can we take a moment to just appreciate the hotness of leather gloves
GotN: ohhhh yes! Leather gloves are <3
GotN: Also: white shirts with black buttons, which you don't see much but which HOLY SHIT highlight D's hands as he's slowly buttoning up the shirt
GotN: I mean basically I am just 'splaining to you how hot your boyfriend is, but yeah :)
PB: It's all good!
GotN: I also wanted to ask you - is this your favourite D photoset? I've enjoyed loads of D on Dreams of Spanking, but I wondered if you have a favourite set or picture of him? Or as the director, do you love them all equally?
PB: The highlighting thing is an interesting one - I hadn't thought of it that way. For me, the reverse striptease isn't so much about revealing each feature as creating desire via unavailability. It's like, D is immediately available at the start so you see how yummy he is, but then as he goes from sleepy boy to gradually getting covered up, it has this slight distancing effect by making him seem older, more unavailable, and more dominant. For me lust has a lot to do with wanting without having, so for his body to go from revealed to covered increases the desire - as well as the specific clothes creating an aura of toppiness that has me squirming in my seat.
PB: This is my favourite D photoset right now, and I'm kind of obsessed with this picture that gives his beauty a rockstar pinup quality: I would totally have had that picture on my wall as a teenager. In fact I might make myself a print of it.
PB: But I'm also really fond of this set.
GotN: Oh I <3 Tangled With You too! You both just look so incredibly calm and happy in it. And I can definitely see why you'd have that rockstar picture on your wall - D has a really casually-hot vibe, like he's left the door to his rockstar dressing room open because he kind of hoped you'd walk in while he was getting changed.
PB: It's so lovely making porn with your lovers! I highly recommend it.
GotN: It's bloody wonderful for you to share it with us! I mean obviously we're kind of back to 'OMG your boyfriend is so hot' territory here, but on top of that it's incredible to see him through your eyes, if you see what I mean. I think it's a different perspective to the way it would be if you were strangers - there's a closeness as well as obviously your kinky eye, which picks up on the details that another director might not.
PB: Thank you! Full credit to Matt Christie as well for taking such superb pictures - he's got an amazing eye for light and composition, even if toppy men aren't his kink. I'd love to see more female photographers and directors shooting the men they love - I think you're right that the intimacy of shooting someone you're close to results in really special images. Here's to more sexy men in porn!
GotN: Amen to that!
Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
Just thinking about some of the photos that I have sent to partners and loved ones is enough to stir fear in my heart as well as arousal in my knickers. In general, I rarely send sexy selfies – mainly because I can barely point a camera in the right direction and as a rule I'd like to leave it to the pros. As I'm sure you'll agree, the framing, quality, and sheer raw hotness of Pandora's upskirt shots are far superior to the blurry mess that amateurs like me would produce.
But there's another reason I rarely take them. Having pressed the button to capture the picture, there are always worries about who's going to end up with it, or whether they'll share it with people you don't want them to. And that's before you've even contemplated the possibility that you'll hit 'confirm' on the wrong number and end up sending the picture to your sister/ex/lawyer – anyone other than the intended recipient.
This week's schoolgirl photoset captures all the intense hotness of sending a sexy selfie, combined with the humiliation of getting caught.
The intimacy of the photoset is gorgeously candid: upskirt photos, complete with sheer knickers that leave little to the imagination. A rapid shift from Pandora's girlish poses at the beginning – neat and tidy in school uniform with knee socks and patent heels – to her joyfully sexual poses as she spreads her legs for the camera.
This scenario tackles the fear of being found out: something most of us who've taken sexy selfies will understand. The hammering in your heart as you realise someone else might have seen, and the worry about the consequences...
When Pandora's teacher, D, catches her on the secluded stairwell, school skirt round her waist and knickers on display, it's the worst-case scenario she could imagine. Luckily for us, her punishment is a hand spanking in the corner, followed by an erotically charged thrashing with the cane – hard enough to leave marks that can be seen through her sheer panties.
From the eyes Pandora makes at her teacher - and the swiftness with which he takes advantage of the opportunity to physically dominate her - it's clear that this is more than punishment. It seems that Pandora is hot for her teacher - but does he return her interest, or is he just administering on-the-spot discipline to a very naughty schoolgirl?
The hot teacher/horny student fantasy is an excellent way to relive the excitement of getting caught without actually, you know, getting caught. The 'what if?' here is far sexier than any real life worries, because getting caught with her skirt round her waist and her phone in her hand leads to the punishment of Pandora's dreams. And, judging by the way her teacher is so quick to tell her to bend over - and his insistence on confiscating the sheer panties she's so shamelessly shown off - it's pretty clear that catching her flashing her knickers isn't the worst thing that could have happened to him, either.
If only getting caught was always so satisfactory. Have you ever been caught flashing your bits to take a sexy selfie, or accidentally sent it to the wrong person? Or do you have a happy ending you'd care to share...?
I adore Matt Christie's photos - his gift with natural light makes every image glow, and he has created some gorgeously erotic pictures of me and my partner D. I think my personal favourite will always be Tangled With You, but I love this new gallery of Erotic Spanking photos in which D takes me over the knee. My hot topless boyfriend and a long, indulgent hand spanking - two of my favourite things!
It always feels like a treat I get a spanking from D. He knows how much it turns me on, and when he takes the time to spank me it makes me feel very loved. But that pleasure is always twinned with a certain amount of shock and indignance, because he has a hard hand - and his spankings really hurt!
He has ways of easing the pain, though. I love it when he rests a comforting hand on my back to soothe me through a series of hard spanks - but it turns me on even more when he puts a hand over my mouth to stop my cries, or reaches around to squeeze my breast.
I love that Matt Christie took the time to capture little details from this scene - like the delicate lace of my knickers, or the moment after D took them down, when they got caught hooked around my six inch stilettos.
But my favourite photo from this set is this one of me glancing up, just after a spank has landed. The look in my eyes tells you everything you need to know about how I feel in that moment.
It's easy to see that when I'm getting a bare bottom spanking over his knee, I am very much in my happy place.
I've heard it from many straight girl friends before – the porn lament. You know the one: “I found some porn that really presses my buttons and all, but there's one problem: the guys in it are either looking disinterested, or notable by their absence.”
I've felt the same. Casually browsing some porn ,I'll come across a scenario that floats my particular boat, then halfway through utter a cry of rage and frustration when they cut away from shots of the guy. Women are beautiful, and I love seeing gorgeous women getting it on (or off, as the case may be), but I want to see the men too. Men with shoulder muscles, filthy grins, and lots of screentime.
I was going to write this blogpost about the latest photoset – Lace and Ribbon – and describe all the many ways in which it's awesome. But there are loads of awesome things you can see straight away: Pandora, dressed in a stunning lace ensemble, and subsequently just in tiny ribbon knickers that frame her perfect arse. Pandora bending over the arm of a sofa to display her hot naked self. Some beautiful couple shots where, watching D's hands caressing her, you get the feeling of being a voyeur – enjoying some of the couple's most intimate moments.
All these things get my heart racing.
But what gets my heart (and other parts lower down) positively thumping, is the fact that the camera gives D a lot of love too.
Hot, tattooed guy playing with a gorgeous girl? Yes please. Hot, toned guy grinning sexily and using his strong hands to caress every inch of his lover? Oh God don't stop. Hot, naked-from-the-waist-up guy wielding a riding crop? Just... hold me.
Of course, seeing more of everyone is one of the things I love about Dreams of Spanking anyway – no matter who's getting spanked and who's doing the spanking, we see beautiful body shots, loads of arse close-ups, and most importantly faces – the looks of lust, pain, and everything in between.
You really get a sense of who the people are, both male and female, the beauty of this is so apparent in the photosets Pandora and D do together. Both Lace and Ribbon, and the filthy, sensual, hardcore photoset from Valentine's Day have a similar atmosphere – that of two people who are really into each other. Both of them are centre-stage, with Pandora's desire for D as evident and reflected in the pictures as his for her.
We see her perfect arse in tiny ribbon knickers, bent over the sofa, framed at the window, and sigh with the same kind of desire we imagine D to have done. And then we get to see D, lounging on the sofa with riding crop in hand, and imagine the shivers it must have sent down Pandora's spine. Well, it would have if she were me.
The plan was to shoot a series of arty couple nudes with photographer Matt Christie, body shapes and so on - and that's how this photoset starts out. But it wasn't long before things started taking a very different direction.
We started out shooting couple nudes, but D and I can't keep our hands off each other. Skin to skin, our bodies tangle as we kiss and the temperature rises. Real love, real lust, and real, spontaneous sex.
Leaning in for a kiss, I was surprised when D grabbed a fistful of my hair. Sparks flew, and suddenly a sweet romantic photoshoot took on a kinkier flavour.
Gentle spooning and cuddling became D pinning me facedown on the bed, hand over my mouth. Laughter mingled with the sizzling chemistry of our dominant/submissive connection.
We didn't plan to shoot explicit sex photos, but when D and I are in the room a hot fuck is only ever a heartbeat away. These pictures document real love, real lust, and real, joyful sex.
Our latest photoset, Dominance and Submission, is from my shoot with D and Matt Christie in July last year. I'm remiss in still not having previewed the other scenes we shot that day, but I'm going to make up for it today by sharing a bumper load of free photos from this new gallery.
I wanted to create some iconic male dominant, female submissive imagery, exploring themes of clothed male/nude female, bondage, human furniture and objectification, erotic breast teasing and whipping, nurturing dominance, throat grabbing and breath play, as well as corporal punishment with leather belt and crop. The depth of my connection and chemistry with D provided the ideal opportunity for these explorations, and Matt's trademark evocative imagery bathed in warm, soft light perfectly set the scene. I love every single photo he took, and had difficulty picking out just a few for the thumbnails on the scene page. I'm so delighted with Matt's photography that I just can't resist the urge to show you more here.
Cuffed and collared, naked and vulnerable, she kneels and waits.
She kneels at his feet and he tells her to open her legs - wider - wider. She obeys. He squeezes her nipples and her breasts, wraps a cool hand around her throat.
He arranges her on hands and knees and uses her as a footstool. She is aware of the weight of his feet resting in the small of her back; breathing in and out, concentrating on posture, poise, stillness. Back arched, bottom raised. When she feels the crop land sharply across her upturned buttocks she cries out. She flinches, she can't help it, but as soon as she realises it she arches her back again. Her bottom feels exposed, sensitive. The position is not easy to maintain as he whips her, but she does her best.
Cool hands soothe and squeeze her throbbing skin; their kisses are heated. She kneels to present her bottom again, offering herself to the belt, and he paints her cheeks red.
He does not need to use words to tell her she is his. Serene in her surrender, she lets him direct her, trusting that whatever she does, she will be safe with him. He plays her body like an instrument. Even the pain, when it comes, is a treasured gift, a sign of love.
We've uploaded two new spanking scenes this week. First up is Sunlight and Stilettos, a steamy glamour photoset featuring me and my real life lover D, shot by the uber-talented Matt Christie; and secondly we have our first judicial CP film Drunk and Disorderly, a full force F/M 30 stroke cold caning starring Zoe Montana and Vincent Brennan.
I didn't realise until I came to write this blogpost that both our scenes this week feature a clothed top and naked bottom - so that's one CFNM and one CMNF for the power play fans amongst you. (Although thinking about it, D is topless and barefoot, and he very rarely wears underwear, so he's only actually in a pair of jeans. Including my 6" fetish heels, we're both wearing one garment each. I'm not sure that quite matches the spirit of CMNF, but it should please those of you who enjoy looking at shirtless male doms.)
Sunlight and Stilettos
Wearing high fetish heels and wiggling her bottom in a figure-hugging dress, Pandora hopes to entice her lover to spank her. Warm sunlight bathes their bare skin as D gives her exactly what she wants.
I've wanted to shoot a spanking photoset in this dress since I bought it in Atlantic City last April. I swear it was designed by someone with a bottom fetish - it clings to my curves so tightly I can't get away with underwear beneath it!
This was the first set of the day and it was a beautiful summer morning, hot enough that we were both keen to get naked. We shot some amazing sets that day, and the sexual chemistry just kept on ramping up.
I think D looks fantastic in these photos. He's been working hard on his fitness the last couple of years, and I for one appreciate his improved lean physique. I frequently objectify him at home. We both wanted some up-to-date pictures of him, and I was keen to show off his figure. Ladies, enjoy. Perv all you wish. There's more of D to come from that shoot, too :)
Matt Christie is a fantastic photographer. This was my first time working with him and I will definitely have him back. I'm nearly up to date with processing the summer's shoots now, and am looking forward to showing you some previews from the rest of that day soon.
Meanwhile, our newest film stars Vincent Brennan alongside Zoe Montana and Molly Malone, and is our first judicial-level caning of a male spankee. I've already written about the shoot - and the mistake I made that day which affected the quality of our output. Thankfully, the reception to Drunk and Disorderly so far has been positive - so don't take my word for it, watch it for yourself and see what you think.
After a night in the cells, Vincent's obnoxious behaviour irritates the officer processing his paperwork so much that she decides to make his day a little more unpleasant. A strip search does him no favours, and he is given a choice: a lengthy court process culminating in eventual jail time, or judicial corporal punishment and a same-day release.
Thinking that a WPC can't possibly do that much damage, Vincent consents to the judicial caning. He is in for a hell of a shock. His big mouth earns him more and more strokes, leading to a total of 30 full-force strokes of the cane.
Two very different scenes for you this week - one grown-up and glamorous, the other exuberant and silly. First, we have a sensual boudoir photogallery of me completely nude, and secondly a playful puppy play scene with Michael Darling as sexy and submissive as you've ever seen him.
Step into my boudoir, and enjoy some sleepy, sensual photos of me lazing and stretching in my bedroom, fully nude and bathed in early morning sunlight.
These photos are the first set from a recent photo shoot with D, myself and new photographer Matt Christie. Matt is an amazing photographer who specialises in glamour, boudoir and art nude, and to my delight he was comfortable with shooting fetish as well.
It was a full day and we shot thousands of photos, including lots of spanking, glamour, bondage, dominance and submission and some ruder activities too. You know D and I by now, so this shouldn't come as a surprise. I'm looking forward to sharing the rest with you.
At the other end of the spectrum, our latest video stars Nimue Allen and Michael Darling as a kinky couple indulging in some puppy/mistress roleplay. (Or should that be puppy/mummy? I've always felt like the relationship with a pet is closer to "parent" than "master"...)
Puppy roleplay isn't really my kink, although I have enjoyed pet play before. However, it is a huge interest of Michael's and of Nimue's, and I'm always interested in shooting the scenes that genuinely get my performers excited. As soon as they started playing, I began to realise what I'd been missing. Puppy play is awesome. Just take a look at this trailer:
Michael wants some puppy time, and Nimue is happy to play with him. Whether the game is fetch, tug-of-war or sit up and beg, the rules are simple: good puppies get treats, and bad puppies get punished.
I wasn't sure how this scene would turn out, but the shoot was so much fun it had all three of us laughing out loud, and the resulting video is adorable.
Mikey is the cutest happy puppy!
Check out those big puppydog eyes as Mikey lifts his paw to be smacked...
And really badly behaved puppies have to drop to all fours to be punished more severely.
The appeal of puppy play is right there in the name - more than many fetishy activities it is about play in the most direct sense of the world; playfulness, fun, silliness and physicality. Here's what Michael has to say about this aspect of his kink:
Puppy play has been a favourite roleplay of mine for many years. I love how it incorporates elements of BDSM (training, discipline, collars, cages...) but at the same time there's romping and bounding about, scritching and belly rubs and playing around with other puppies. There's a fun and wonderfully tactile sensuality to it: when I'm in puppy headspace I feel incredibly centred in my body and want to run, sniff, lick and explore, and for doing so I'm rewarded with petting, head scritches and enthusiastic cries of "good boy!" It's a playful way of exploring master/pet power dynamics through the eyes of a fun-loving puppy dog.