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You don’t say ‘please’ when you’re the mistress

Pandora Blake kneels on all fours for their new Mistress Lana Moon at Dreams of Spanking

The concept of a tyrannical dominant who runs a stable of auctioned submissives is a staple of the BDSM genre. In many of its iterations it follows the same few tropes: the participants are mostly straight, with perhaps the occasional bit of ‘play bisexuality’ thrown in as part of getting people out of their comfort zones; they’re overwhelmingly cis, with the only gender-non-conforming elements coming from cis men who enjoy the French maid role as submissives; most of the characters involved are white, especially the dominants. There’s also often an element of reluctance, with some of the submissive characters feeling in over their heads or in some way coerced.

Many of these tropes have their place. We’re huge fans of people being able to play out their fantasies in consensual, negotiated ways, and we certainly don’t shy away from themes of coercion and reluctance in our fictions here. Still, though, we like to do things a little differently when we can.

Pandora Blake is spanked on their bare bottom by Mistress Lana Moon at Dreams of Spanking

Goddess Lana’s New Slave is our latest addition to this canon, and it turns several of the usual patterns on their heads. Blake’s butch, submissive character is clearly eager to be where they are, and has very obviously enjoyed their rule-breaking spanking - there’s a delicious frisson of naughtiness to them as their reddened bottom is revealed, and they’re clearly eager to find out what their new Mistress’s reaction will be. Lana is gorgeously imperious and utterly femme, parading her latest acquisition aroud the room and pondering on all the fun she plans to have with them.

Lana Moon’s films are always fun to watch, and this is no exception - whether you’d rather be helping her keep her favourite steeds in line or joining them in their grabbable leather harnesses, you’ll enjoy this sojourn in the Mistress’s house.

The Luxury of Obedience, the Strength of Pain

Canes ready to be used at Dreams of Spanking

This Halloween we’re returning to the kingdom of Avarinth, where last we saw our duchess-to-be receive a humiliating bare-bottom spanking from her mysterious new mentor.

Just as with Part I, what makes this spanking story so great is the character of Riva herself. She represents a side of submission rarely portrayed in porn: the fortitude and resilience found in being beaten. In the face of hardship - and this time hardship comes in the form of a particularly nasty, biting cane - she endures.

Few things in my life have given me a more immediate sense of my own strength than a severe spanking. For me, as for Riva, it was something of a rite of passage; I discovered BDSM as I came of age, and learning that I could withstand a rain of literal blows showed me that I can also survive the metaphorical ones. As Riva herself asks, “how can I come to terms with the reality I have created when you refuse to impart to me the strength that comes from pain?” (Don’t worry, listeners: she definitely gets what’s coming to her in the end!)

And of course it’s not all about learning valuable life lessons - neither in my real life journey nor in this fictional tale. The description of Riva’s harsh caning vividly conjures up how it feels to be caned; the anticipation of every new stroke, the sensation of welts forming on a red-hot backside. 

If lockdown has you missing the punishment you crave, this audio story is sure to help you out.

Once Upon a Time

Adele Haze waits for a spanking at Dreams of SpankingAdele Haze rubs her spanked bottom at Dreams of Spanking

One of my favourite things about working at Dreams of Spanking is how varied the content I get to write for is. One week I’m waxing lyrical on the virtues of pornography made by real life couples who are truly, deeply in love; the next I’m laughing out loud at a queer comedy pastiche of a BBC period drama. And then this lands in my inbox: an aristocratic fairytale about the haughty future Duchess of a magical land. Never a dull moment!

I think my favourite thing about this story is that it looks at submission from an angle we rarely see: the focus here is on Riva’s fortitude. She’s portrayed not as someone receiving a punishment they richly deserve, nor as a person having a dream fulfilled; those are both true and excellent stories about people who love to be spanked, but they’re not the only roles submission has to offer. This is spanking as a challenge that can be overcome, and a woman who finds strength in overcoming it.

Adele Haze scrubs the floor with her bottom on display at Dreams of Spanking

In a way, this echoes some of my own journey with kink and BDSM. This might come as a surprise to some of my former play partners, but I’m not really a masochist in the truest sense; pain itself is rarely my goal for an encounter, and I’m mostly in it for the power dynamics and headspaces. Some of my most memorable scenes involving corporal punishment have been the ones where I’ve finished the session feeling as though I’ve achieved something; I can take pride in knowing that I have these bruises because I weathered the storm. It was difficult, and I wasn’t sure if I could do it, but I stuck it out and I came through to the other side. There’s a life lesson in there somewhere.

(It’s a mistake, incidentally, to assume that the amount of pain someone is in is directly proportional to the amount of fuss they’re making. For some of us the reverse is true - yelps and wriggles mean we’re still warming up; silence and stillness mean I’ve centred myself to ride the wave. Tops, remember to check in with and get to know your bottoms: this has been a PSA! But I digress.)

Riva might end her spanking crying at her new mistress’s feet, but she is not portrayed as a weak or broken woman. She was strong enough to conduct an excoriating self-analysis without shying away from her worst qualities, she was strong enough to trek for hours through the forest to reach an unknown destination, and she was strong enough to take an hours-long OTK spanking without even shedding a tear till it was almost over.

I kind of love Riva, honestly. She’s got this. And so, perhaps, do we

Victorian pin-up perfection

Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.

The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.

Pandora Blake and Thomas Cameron in The Victorian Brothel at Dreams of SpankingPandora Blake and Thomas Cameron in The Victorian Brothel at Dreams of Spanking

There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.

The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...

Pandora Blake and Thomas Cameron in The Victorian Brothel at Dreams of Spanking

I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.

I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.

Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.

The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.

Pandora Blake and Thomas Cameron in The Victorian Brothel at Dreams of SpankingPandora Blake and Thomas Cameron in The Victorian Brothel at Dreams of Spanking

This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?

Shooting in a cinematic style - the story behind our new film 'Houseboy'

Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.

Casting Tai Crimson

It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?

Houseboy - a new cinematic short fetish film by Dreams of Spanking

I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.

When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!

We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.

Towards a cinematic style

Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.

Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.

This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.

The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.

I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.

Developing the story

With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.

I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.

I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place. 

Houseboy - a new cinematic short fetish film by Dreams of Spanking

Writing the script

Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.

I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.

Working with a storyboard

A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:

Professional production all round, innit.

The day of the shoot

The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.

Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...

It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!

Editing the film

Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera. 

Houseboy - a new cinematic short fetish film by Dreams of Spanking

Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.

Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...

In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

And that's a wrap!

It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...

By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.

In conclusion

Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.

I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.

So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.

You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.

A corporal punishment film with a seriously sexy twist

Confession: I like the words 'corporal punishment' possibly even more than I like the word 'spanking.' There's more tied up in the phrase than just the simple act of smacking someone on the bottom.

I'm not saying we should rename this site to 'dreams of corporal punishment'. The beauty of 'spanking' is that it encompasses so much – from the erotic spanking between two people who are achingly horny for each other to the cold, harsh punishment of master to servant, and even the experimental sadism of the mad scientist studying pain.

Corporal punishment, though, summons a specific kind of institutional discipline, with rituals, traditions and rules. This week's unusual corporal punishment film has exactly that – but with a twist that I think makes it way more compelling.

Obviously for 'compelling' read: hot as all hell.

Headmaster Mike Pain gives new teacher Pandora Blake an unorthodox lesson in administering corporal punishment at Dreams of Spanking

Mike Pain plays a strict headmaster, with very precise and firm ideas about discipline. Pandora tells me that the idea for this scene was inspired by Mike's upbringing in very strict South African schools, where corporal punishment was part of day to day life. (If this is of interest, check out Mike's interview at the bottom of the scene page for more real-life details of corporal punishment in the 1960s.)

In this scene, it's not a naughty student getting spanked, but a fellow member of staff. Pandora Blake plays the naïve new teacher, keen to impose discipline but totally unfamiliar with the school's methods. So Mr Pain offers to give her a distinctive training session - using himself as the subject.

Headmaster Mike Pain gives new teacher Pandora Blake an unorthodox lesson in administering corporal punishment at Dreams of Spanking

As Pandora eagerly asks for a demonstration of how to administer corporal punishment, Mike obligingly bends over the desk. First with his trousers on, he lets Ms Blake test her right arm by smacking him on the bottom with a slipper. As she spanks him, he gives her suitable encouragement, and tips about the best place to land a swat. But in the classroom, Ms Blake would use the slipper on the bare bottom - and so as they gradually grow more comfortable with each other, the headmaster pulls down his trousers and pants so Ms Blake can get the full experience.

Headmaster Mike Pain gives new teacher Pandora Blake an unorthodox lesson in administering corporal punishment at Dreams of Spanking

So what's the twist? Well, in most corporal punishment scenes, the focus is on correcting poor behaviour. You'd expect a teacher administering discipline to be firm and professional – swinging carefully calculated strokes to proportionately match the seriousness of the misdemeanour. In this scene, though, not only is the beating not a punishment, there's an extra spark flying between Ms Blake and Mr Pain. It's a spark that I suspect many Dreams of Spanking fans will recognise, and it's that moment when you realise not only do you find this spanking thing incredibly hot, but the person you're talking to does as well.

Headmaster Mike Pain gives new teacher Pandora Blake an unorthodox lesson in administering corporal punishment at Dreams of Spanking

It's a gorgeous twist on a traditional punishment scenario, mainly because I think so many people will empathise with it. It certainly takes me back to those moments when unwitting partners have playfully smacked me on the bottom only to see the lightbulb go on over my head - and recognise that this might just be the start of something we have in common.

Mike's reassuring instructions and encouragement as Pandora beats him with the slipper and the vicious wooden ruler really does it for me. The characters have different levels of spanking experience – headmaster Mr Pain is an old hand while Ms Blake is a spanking newbie – but in terms of enjoyment, you can tell they're equally into it. From the glint in Ms Blake's eyes as she exclaims over the bright red marks left by the slipper, to Mr Pain's glowing encouragement that she try a few more strokes - and his insistence that she simply must beat him as hard as she can. 'Maintaining Discipline' is a film with all the rituals of corporal punishment, and all the joy of a spanking for pleasure.

Headmaster Mike Pain gives new teacher Pandora Blake an unorthodox lesson in administering corporal punishment at Dreams of Spanking

No beasts were harmed in the making of this scene

Ron Beastly lives up to his name this week, because in our latest film he plays an actual wild beast – growling, furry, dangerous and almost impossible to tame.

Wild beast Ron Beastly whipped and tamed at Dreams of Spanking
Wild beast Ron Beastly whipped and tamed at Dreams of Spanking

This scene is a pretty rare thing – a kink that's almost totally new to me. But the more I think about it, and google around beast porn and beast sex play, the more of it I find.

Beast porn has a pretty long and colourful history, and when you start looking you'll find it in a fair few places. From Marian Engel's famous 1976 novel 'Bear' (in which a librarian falls in love with, and is ravished by, an actual bear) to tamer modern hints, like the sexy werewolves in the Twilight books. I know it's not really on to mention Twilight, but I'm throwing it in there because it's surprising just how often particular kinks bubble up in our popular culture.

In fact, when you start looking for it, there's plenty of beast porn on the internet, but most of the fantasies are either animated or slashfic (there's plenty of Beauty and the Beast porn written by eager online writers, for example) – it's rare to be able to watch a beast fantasy played out on screen by real people.

Wild beast Ron Beastly whipped and tamed at Dreams of Spanking Wild beast Ron Beastly whipped and tamed at Dreams of Spanking

Ron makes a perfect beast – partly because, with his furry body draped in more furs, and chained up in a sleeping pose, he looks every inch the slumbering creature. But more so because beast play is one of Ron's own fantasies. He suggested the idea for this scene, and so it's his own desires that are played out – giving him the chance to be the beast that he fantasises about.

As Seani Love tries to tame him, he's whipped, collared, and led around the room on all fours. He's even fed strips of meat from a bowl, as his master alternates the food treats with whippings in an attempt to make the beast behave.

Wild beast Ron Beastly whipped and tamed at Dreams of Spanking Wild beast Ron Beastly whipped and tamed at Dreams of Spanking

Ron's own take on the scene can be found on his blog here – and it's well worth a read, to get a glimpse inside his head as he's performing as 'the beast.'

Next we did a scene that was a suggestion from me, in which I was a beast that was captured by a magician who wanted to harness my power to use to his own ends. I really got into the performance, though it got pretty intense for me, partly because it was very physical and partly because there were a couple of moments where it felt very real. I realised that, while it was fun to let the beast out of me, I really don’t want to be doing scenes where they are punished and subdued. I would really like to do a scene that was a kind of sequel to this, where the magician’s wife/daughter/whatever finds me tied up, cowering and subdued, then unties me and encourages me to be wild and to ravage her in a rather exciting and filthy manner (if anyone wants to shoot this let me know!). I was a little bit shaken afterwards, but the after care was awesome, with Pandora giving me a marvelous happy spank then feeding me carrot sticks and hummus while I was curled up on her lap (do all directors provide this service?).

The happy aftercare spanking Ron mentions was also captured on film, and if you're interested you can watch it here.

Ron's proposed follow-up, in which the beast is released from submission, and encouraged to ravish the kindly person who's released him, brings the fantasy neatly back round to the focus of much of the slashfic and other beast porn that I found in my research. Beast fantasy seems, for the most part, to eroticise the wild, untameable nature of the beast. The darker things that can be done by creatures that have no moral agency, no code, and which are essentially untameable.

I like the fact that this scene is a bit ambiguous as to whether the magician succeeds in taming the beast. He can whip and punch the creature into submission, put on a collar and lead and to all intents and purposes look like he's subdued it, but ultimately we can tell from Ron's growls and snarls that he's still a wild animal. Perhaps a wild animal just looking for a chance to let his instincts take over again...

Wild beast Ron Beastly whipped and tamed at Dreams of Spanking

Sci-fi porn and sexy storytelling

Storytelling is sexy. Whether it's written, audio, or dramatised on screen, storytelling can make the difference between something that's hot while you're watching it, and something that stays with you for a long time afterwards.

When I write the blogs for Dreams of Spanking, it's always important to pick the right key phrases so that people can find scenes during search. Judicial caning, hand spanking, over the knee, etc – it means that everyone knows what they'll get if they click through, and also serves to get people horny. If you're anything like me then the phrase 'over the knee' probably conjures instant hot mental images, so if a scene involves that kind of punishment I'll make sure to be clear about it.

But the problem with this kind of directness is that there are lots of other more nuanced things that might be particularly erotic, but that aren't as instantly recognisable. Let's face it – lots of people search for 'six strokes of the cane' but fewer people search for 'depersonalised punishment' or 'endurance punishment'. That's where storytelling comes in.

The Clone's Training - sci-fi porn featuring judicial caning at Dreams of Spanking

Depersonalised punishment is a really interesting thing to explore – the idea that someone is receiving a beating because they have to rather than because they specifically deserve it. Rituals and ceremonies are both great vehicles for this: the punishment can be impersonal because it's not an individual need but part of a greater story.

Our new film, The Clone's Training, is sci-fi porn that fully explores this concept. Clone number eight – played by the gorgeous David Weston – is being drilled in the nuance and detail of the behaviour of his progenitor, the Crown Prince. Identical genetically, the clone and the Crown Prince are impossible to tell apart just by looking. Birthmarks and scars have all been faithfully reproduced, and the clone now needs to perfect his behaviour so he can infiltrate the royal family and 'become' the prince.

The Clone's Training - sci-fi porn featuring judicial caning at Dreams of Spanking The Clone's Training - sci-fi porn featuring judicial caning at Dreams of Spanking

Instructor Pandora Blake gives firm and strict directions: stride purposefully, keep your chin up, hand behind your back. Every movement, in other words, must match the Prince's own gestures. And, of course, he must also be marked so that any blemish on his body matches exactly the ones on the Crown Prince.

A punch to the hip should replicate a bruise the Prince sustained, but to truly fool the medical scanners, clone number eight will have to have a six stroke judicial caning, just as the military Prince received only the day before...

The Clone's Training - sci-fi porn featuring judicial caning at Dreams of Spanking

You don't often see sci-fi porn, probably because most people associate it with either huge budgets or crap special effects. But there's a wealth of hot potential in science fiction, and you don't need CGI to make the concept work. Dystopic worlds in which individuals must behave a certain way. 1984-style future societies where citizens unquestioningly obey. And, of course, the deliciously sexy possibilities of armies of identical human-looking robots (I'm looking at you, Battlestar Galactica, with your sexy Cylons) and cloning technology.

This film plays on the clone scenario to dish out an incredibly clinical, depersonalised punishment. While many will watch this because they just love caning stories, others will be aroused by the impersonal nature of the punishment itself. The medical officer and instructor, played by Pandora, is concerned only with shaping clone number eight into as close a copy of the Prince as possible. As a consequence, when she strikes him with the cane it's not in anger or lust, but with a calculated necessity. And when he bends over to receive the strokes it's not because he feels he deserves them, it's because he is so used to obedience that it doesn't occur to him to question why he has to go through this. He just knows he must fulfil his destiny.

The Clone's Training - sci-fi porn featuring judicial caning at Dreams of Spanking

When you've watched The Clone's Training, if you're after more porn with amazing stories, it's well worth exploring Dreams of Spanking's 'sci-fi and fantasy' tag. The Royal Wedding is an audio story about a medieval princess, featuring an amazing public flogging which – again – is an impersonal ritual, but has more significance when told from the perspective of the princess who endures it. I also really like 'Psychic Weapon C' – another sci-fi porn story, but here the pain is used as a means to extract information. It's not quite as clinical, because the victim is actively fighting against the beating, but the fact that it's administered by henchmen makes it – in my opinion – an awesome example of pain being dished out as a matter of unflinching necessity.

So that's why storytelling is sexy – it's not just about a simple act, it's about the before and after, the build up and the tension. I could watch any scene in which a beautiful guy gets six of the best, and be delighted to have seen it, but the story turns it into something I think about for a long time. Not least because I can't help imagining exactly what happened to clones one through seven...

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