Slave fantasies are pretty common, and for obvious reasons they often come along with a heavy non-consent vibe. We love to take our opportunities to reinforce the agency of the submissive in a BDSM encounter, though - and finally living out a deeply-held, intensely personal sexual fantasy on your own terms can be an incredibly empowering experience.
Despite her cheekiness, Blake’s character in What did your last slave die of? hasn’t actually been daydreaming about playing the brat. She knows what her housemate does for a living, and she wants to learn more: what would it be like to serve someone, just for an hour or two? How would it feel to be on the receiving end of the slender, whippy canes she sees Lorraine wipe down and tidy away every Sunday afternoon?
There’s something deeply sexy about the idea of someone finally getting to try out things they’ve fantasised about under drawn covers and behind closed doors. The only thing hotter, in fact, is the smirk on Lorraine’s face as she makes excellent use of her new footstool - and the well-timed strikes with a riding crop to keep her newest slave in line.
Can we take a moment here to talk about Miss Kelley May?
She’s never filmed for Dreams of Spanking before, but she’s been around in the scene for a while - and it shows. Her Dreams debut is a tour de force, the picture of discipline in a figure-hugging pinstripe dress. She knows exactly how to control her strokes with the heavy wooden paddle, leaving Pandora’s bottom red and stinging with minimal force.
Kelley is curvaceous, stern, scolding and sadistic, and I have immediately developed an enormous crush on her. Frankly she can paddle me any time she likes. (Um. Please?)
Pandora of course shines every bit as brightly as her new co-star in this week’s film. As is so often the case, one of the best things about her performance here is her facial expressions: the sense we have that she’s blasé about her punishment at first and then increasingly concerned as she begins to realise what she’s let herself in for.
In the end, she really is paddled and humiliated to her core - and I reckon she’ll think twice before cutting loose at a work dinner again.
We’ve got a midweek update for you to start October off right. Pandora has a new purple slip, and given their exhibitionist proclivities they wanted to show it off for us! If you enjoy high heels, seamed stockings, lacy underwear and cheeky grins, this one’s for you.
With plenty of suggestive poses to show off Pandora’s beautifully spankable bum, it makes for a great weekday quickie!
A few weeks ago in another blog post, I briefly lamented the universe’s paucity of femdom content that does not aim itself solely at masc subs, and lo - Pandora has yet again sought to redress that imbalance. You can’t say we never do anything for you!
Feminine Discipline is gorgeous: even from a purely artistic perspective these shots are lovely to look at. They make a beautiful gallery set, they work as well individually as they do together, and the whole collection really feels like a peek into dominant-Pandora’s own private boudoir.
Of course we’re not really here to look at these photos “from a purely artistic perspective”, are we. They are also, frankly, hot as hell; Pandora is dressed in a tight pencil skirt that hugs her every curve, her blouse unbuttoned just enough to leave you wanting more. The upskirt shots have a clandestine feel to them, letting you sneak a peek at her seamed stockings and the curve of her beautiful derrière. Throughout the set she toys with a variety of implements - hairbrush, strap, cane - and it’s clear to see she knows exactly how to handle them. And you, perhaps...
The real jewels of this set, though, are the photos that focus on Pandora’s face. So much of a D/s dynamic is played out in facial expressions, and these images replicate that beautifully. She looks stern, confident, relaxed; in some shots she’s giving you a glance of casual dominance, in others a mischievous smirk. She’s still deciding what she wants to do with you today, and she’s absolutely in control. This is the kind of photoset you’ll come back to again and again, always finding a new way to imagine what it is all that tension is building up to
Pandora tells me that her latest photoset, Provoking a Caning, was shot by her real-life partner Felix, in the honeymoon phase of their early relationship. You can feel the erotic tension in these pictures. Pandora, in a sexy little black dress, is in the mood for both pain and pleasure. She poses provocatively, giving both Felix and the viewer a flash of her nipples, a glimpse of her arse and then plenty more. She knows what she wants, and she plans to get it.
Felix isn’t going to put up with the impudent teasing for long, though: soon the clear red stripes of an expertly-wielded cane start to appear on Pandora’s bum-cheeks. She’s shown bending over, with her hands on the sofa, dress rolled up and sporting a cute pair of fuck-me shoes. More cane welts appear as the set progresses, and soon Pandora is lying face down on the sofa, displaying her marks. While you never see the cane being wielded, it’s easy to imagine the impact, the swish, the thud and the sting, and Pandora’s aroused whimpers. A few face close-ups show the expression every affectionate, horny sadist loves to see on the face of a well-thrashed submissive.
Much of the joy in this set comes from what is not shown but can be imagined: the flirty dialogue between two people who are hot for one another and still enjoying the process of discovery; the progression from tease-and-please to lusty, urgent impact play… and then what might come afterwards. There’s something both arousing and endearing about getting a little glimpse into a private world which a couple are happy to share with us. It will warm your heart – and probably your parts as well.
Ah, I love a fun and subversive spanking scenario, and Dreams of Spanking never fails to deliver. This home-grown film was born from some spontaneous improv during what was meant to be a stills photo shoot. Amelia and Pandora have roleplayed together often enough that they can't resist the temptation to slip into character – and off we go.
You can tell how much fun they're having throughout as the storyline emerges organically from the banter. As the eponymous naughty nanny, Amelia Jane Rutherford lets slip that she neglected Pandora Blake’s precious children to flirt with the zookeeper. And Pandora Blake drops little details that suggest a snooty and selfish Mistress more interested in her own leisure than in caring for her little darlings.
Listening to the dialogue, we begin to build a picture of a kinky universe where the lady of the house has a fleet of servants, who all get their bottoms smacked if they are in trouble, and innocent young nannies can find themselves in disgrace for making eyes at men. And just wait till Daddy gets home, if you won’t submit to your punishment now…
Unlike some Dreams of Spanking films, this video is wall-to-wall spanking. We begin straight in on the action, and there's plenty to enjoy – especially if you like to see a spanked young lady squealing with outrage and distress. As Pandora Blake's nanny, Amelia Jane puts on a fabulous show of kicking, yelping, thrashing about and attempting to escape, all of which are dealt with firmly. I wasn’t surprised Ms Blake switched to using implements towards the end, as by that point her hand must have been nearly as sore as her victim’s glowing buttocks. (Yes, I am speaking from experience. I've had to go and run my hand under a cold tap for a few minutes after dishing out a particularly full-on hand-spanking!)
There’s some sharp slaps with a wooden ruler and, to finish up, several heavier strokes from a doubled-over leather belt. I have considerable admiration for the skilful way in which Pandora wields this. It does make such a lovely noise on impact.
This is a fun spanking film starring two consummate professionals indulging in roleplay for the joy of it. It's an appealing slice of bare-bottomed spanking fun, with plenty to enjoy - whether you imagine being the giver or the recipient.
So much of the delight of porn is the fantasy, isn’t it? We seek storylines and situations that turn us on and tickle our imaginations, allowing us to transport ourselves into the scene and vicariously experience the unknown. As someone who has had a long-standing interest in spanking and being spanked, I realized while watching Pandora’s Birthday Caning, featuring Pandora Blake and Sarah Gregory, that of course spankings can be lighthearted and loosely structured, all while remaining intense and enthusiastically consensual. It’s sometimes easy to forget that spanking, both giving and receiving, can absolutely be a joyful, exuberant act - it needn’t be limited to discipline, humiliation, punishment, or the other more traditional tropes of the genre.
This spanking film shows how fun and friendship can be excellent catalysts to very exciting spanking and caning porn. If you want to watch quality porn films (and clearly you do if you’re here), palpable chemistry between porn performers should be a basic requirement, in my opinion. Even if the scene is less sexually charged, chemistry doesn’t fall to the wayside.
Pandora’s Birthday Caning is a refreshing film in that sense. There is no obvious seduction, no pantomime of desire. The genuine comfort and authenticity between Pandora and Sarah proves that two people having a warm and sincere conversation alongside OTK spanking can be immensely gratifying to watch. Pandora and Sarah are clearly very comfortable with one another, and that comfort provides a soft and stable grounding to this unscripted, behind the scenes porn film. In lieu of theatrical roles, we get to see sparkling smiles, shy eye contact, sincere compliments and genuine excitement about the thrills of discovering, honing and thoroughly enjoying spanking both professionally and privately.
I absolutely appreciate how genuine this lesbian spanking film is. It’s a conversation between friends and colleagues that creates space for casual erotic experiences to unfold. For me, being able to be a “fly on that wall” is not only intimate and fascinating, it removes the ‘fourth wall’ and makes the whole scene more approachable and accessible than more scripted and dramatic productions. While ‘amateur porn’ has a similar authenticity, a grittiness and realness, and also often lowers that fourth wall, there’s something lovely about watching a personal, candid scene unfolding between two consummate professionals like Pandora and Sarah, shot and edited to professional quality.
I love and appreciate when films can help give you a new perspective on things. In this case, Pandora’s Birthday Caning has given me a new way of looking at spanking that I can now take away with me, continue to mull, and incorporate into my own experiences and fantasies - which makes this film the gift that keeps on giving.
I was scrolling back through the archive and realised that no-one had written a blogpost yet about Casino Correction. This seems like a missed opportunity, as this is a fantastic spanking film starring Pandora Blake and Mike Pain, with an original concept that I haven't seen before.
Croupier Pandora Blake has been called in for a meeting with her boss, casino owner Mike Pain. It seems she's been distracted on the job, messing up the sums and costing the casino money. The scene begins with the lovely Ms Blake pleading with Mr Pain to keep her job. When that doesn’t work she tries bargaining - it turns out she has an ace in her hand, and her friend in the IT department has told her that Mike likes to look at spanking sites on his office computer.
At this point it almost seems like she is in control, embarrassing Mike by revealing she knows his proclivity for watching spanking porn. She gets him to agree that she can keep her job in exchange for him giving her a spanking as punishment for all the things she messed up. That’s when everything switches, the power dynamic changes - and when Mike spins the roulette wheel Pandora realises it’s not going to be as easy as she thought.
There is something in the way Pandora is willing to say anything to keep her job, and the way Mike pauses before deciding he can definitely take advantage of her desperation. It's a delicious sense that he has been hoping someone, at some point, will ask him to punish them. A feeling that is reinforced by the fact that he keeps a paddle and belt in his office drawer.
I loved seeing Ms Blake laid over Mike’s lap, and squirming each time his palm hits her bottom. Her almost petulant “that really hurts!” was just perfect. Mr Pain is now in full control, and making sure she’ll remember her punishment clearly. When he brings out the leather paddle there is a moment when the camera focusses on Pandora’s wide-eyed look of shock which I particularly liked.
Things get even more fun when Mike lifts her skirt, and we are treated to the sight of the reddening cheeks of her bottom. The marks are lovely, and you can clearly see the edges were the paddle has hit. When he moves on to using a belt, I really enjoyed how clearly you could see each stripe where the belt landed.
As the behind the scenes video makes clear, Pandora is no stranger to the belt and really enjoys receiving it. I loved finding out exactly what it is that Mike does to make Pandora go "Yummy yummy yummy"! It was also fun to watch Nimue and Mike figure out how to best film the roulette wheel and watch a bit of footage that didn't make the cut in the final scene.
Spanking films where at least one of the characters are meant to be genuinely into spanking can sometimes end up feeling a bit camp or awkward - it's a bit of an odd dynamic, more complicated to bring to life than a more traditional straight-laced dynamic where it's purely about punishment. I know from watching Mike's intereview that he has a fetish for scenes where elaborate punishments are decided by characters who have a secret interest in spanking. Growing up kinky in South Africa, where corporal punishment was still used, his experiences shaped his interest in punishment as an outlet for private sexuality - but in situations where no-one would ever dare to admit it. There's a tension there, and I can really see the appeal.
The best bit of this scene though is the way Mike turns the tables on Pandora with the roulette wheel. The idea of a punishment where fate will decide how many strokes is seriously hot. There's no chance to bargain or wheedle out of it now - the wheel doesn't care how much it's going to hurt.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.
Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.
The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.
There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.
The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...
I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.
I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.
Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.
The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.
This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?