I was scrolling back through the archive and realised that no-one had written a blogpost yet about Casino Correction. This seems like a missed opportunity, as this is a fantastic spanking film starring Pandora Blake and Mike Pain, with an original concept that I haven't seen before.
Croupier Pandora Blake has been called in for a meeting with her boss, casino owner Mike Pain. It seems she's been distracted on the job, messing up the sums and costing the casino money. The scene begins with the lovely Ms Blake pleading with Mr Pain to keep her job. When that doesn’t work she tries bargaining - it turns out she has an ace in her hand, and her friend in the IT department has told her that Mike likes to look at spanking sites on his office computer.
At this point it almost seems like she is in control, embarrassing Mike by revealing she knows his proclivity for watching spanking porn. She gets him to agree that she can keep her job in exchange for him giving her a spanking as punishment for all the things she messed up. That’s when everything switches, the power dynamic changes - and when Mike spins the roulette wheel Pandora realises it’s not going to be as easy as she thought.
There is something in the way Pandora is willing to say anything to keep her job, and the way Mike pauses before deciding he can definitely take advantage of her desperation. It's a delicious sense that he has been hoping someone, at some point, will ask him to punish them. A feeling that is reinforced by the fact that he keeps a paddle and belt in his office drawer.
I loved seeing Ms Blake laid over Mike’s lap, and squirming each time his palm hits her bottom. Her almost petulant “that really hurts!” was just perfect. Mr Pain is now in full control, and making sure she’ll remember her punishment clearly. When he brings out the leather paddle there is a moment when the camera focusses on Pandora’s wide-eyed look of shock which I particularly liked.
Things get even more fun when Mike lifts her skirt, and we are treated to the sight of the reddening cheeks of her bottom. The marks are lovely, and you can clearly see the edges were the paddle has hit. When he moves on to using a belt, I really enjoyed how clearly you could see each stripe where the belt landed.
As the behind the scenes video makes clear, Pandora is no stranger to the belt and really enjoys receiving it. I loved finding out exactly what it is that Mike does to make Pandora go "Yummy yummy yummy"! It was also fun to watch Nimue and Mike figure out how to best film the roulette wheel and watch a bit of footage that didn't make the cut in the final scene.
Spanking films where at least one of the characters are meant to be genuinely into spanking can sometimes end up feeling a bit camp or awkward - it's a bit of an odd dynamic, more complicated to bring to life than a more traditional straight-laced dynamic where it's purely about punishment. I know from watching Mike's intereview that he has a fetish for scenes where elaborate punishments are decided by characters who have a secret interest in spanking. Growing up kinky in South Africa, where corporal punishment was still used, his experiences shaped his interest in punishment as an outlet for private sexuality - but in situations where no-one would ever dare to admit it. There's a tension there, and I can really see the appeal.
The best bit of this scene though is the way Mike turns the tables on Pandora with the roulette wheel. The idea of a punishment where fate will decide how many strokes is seriously hot. There's no chance to bargain or wheedle out of it now - the wheel doesn't care how much it's going to hurt.
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.
Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.
The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.
There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.
The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...
I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.
I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.
Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.
The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.
This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?
A few years ago a news story broke online which caused a stir amongst spanking enthusiasts. Doctors in Siberia had been promoting a new "whipping therapy" to treat patients suffering from addiction and depression. A 2005 article describes how "Russian scientists from the city of Novosibirsk, Siberia, made a sensational report at the international conference devoted to new methods of treatment and rehabilitation in narcology. The report was called “Methods of painful impact to treat addictive behavior.”" The idea is that addiction and depression often are caused by decreasing production of endorphins - and the pain caused by corporal punishment can stimulate endorphin receptors and rekindle the "production of happiness". The scientists recommended that consenting adults judged psychologically fit for the treatment receive a course of thirty sessions, each consisting of 60 cane strokes on the buttocks, accompanied by counselling and therapy.
Although the therapeutic effects of corporal punishment practised by enthusiasts can hardly claim clinical success, all of us who enjoy spanking know how beneficial it can be. Personally, I find that spanking - particularly caning - grounds me in my body, making me feel calm and centred. Being physically punished focusses me on my breath, in the moment, and quietens my busy mind. When you're being caned, you aren't thinking about anything else.
I find it reduces anxiety and irritability, increases my sense of my own resilience and makes me believe I have the power to tackle the things I'm struggling with, and increases my zest for life. Plus if it's done by the right person in the right way it can be very sexually exciting too.
I'm not a doctor, and it would be presumptuous for any of us to claim that our spanking practice is seriously rooted in medical science. But the idea of spanking as a form of treatment approved by the medical establishment is an appealing fantasy. Plus, it's an excuse for me to pull out my nurse uniform...
In The Russian Treatment, patient Mike Pain has admitted himself to a specialist clinic after suffering from depression and malaise. The clinic is trialling an experimental therapy which uses the application of corporal punishment, beginning with hand spanking in the first session, then - in part 2 - escalating to the strap and, finally, the cane.
The treatment has many benefits. Spanking boosts the circulation and triggers the production of endorphins, the body's natural painkillers. Patients report that it reduces anxiety, relaxes them, and improves sleep and mood. Nurse Pandora is careful to explain everything before asking Mike to sign the consent form - but it turns out that Mike doesn't take much persuading.
Lying over the nurse's knee on the bed, Mike surrenders to a firm hand spanking and deep bottom massage. He seems to take to the therapy very quickly... so quickly in fact that one can't help wondering whether this is the first time he's experienced something like this.
One week later, it's the final session of Mike's course of treatment. In the intervening time he's received daily spankings, including applications with the strap and cane; six strokes from Nurse Molly. Now, Nurse Pandora gives him another dose of the leather strap, administering ever harder strokes as Mike kneels on the wooden stool at the foot of the bed, his whole body rocked by the sharp blows.
Finally, it's time for the last caning of the treatment. On the nurse's recommendation, he receives twelve very hard strokes - a level of punishment that not every patient can endure. On all fours on the bed, Mike's upturned bottom is exposed - and his groans show that the pain is real. Still, as he breathes into each strokes, it's clear that the treatment is having the intended effect.
I really enjoyed making this two part nurse spanking film with Mike Pain and videographer Nimue Allen. It's a fun, satirical take on the Siberian medical caning story, and I think you can tell from the camp dialogue how much the set-up amused us. But there's also an authentic side to this scenario, from the genuinely hard cane strokes Mike bravely takes, to the exploration of the therapeutic benefits of spanking. If spanking for health and wellbeing interests you, you could do worse than to start with the breathing techniques advocated by Nurse Pandora in these films. Just let the pain flow through you... and remember to exhale.
Something as dark and sordid as blackmail is ripe for kink. Firstly there's the power-play element: where you're never quite sure quite who's got the upper hand. Secondly, the subversion of society's inclinations to make sex something dirty and sordid: excellent blackmail material.
In this week's scene, Ten Amorette take all of that darkness, wraps it up in her tight, smart, dress, and sashays over to politician Paul Kennedy's house with the aim of entrapping him in a sordid spanking scenario.
You can probably tell that this scene is inspired by House of Cards: when Pandora emailed me about it, she explained that she'd been watching a lot of the devious Netflix series at the time. I was delighted, because I personally find House of Cards a massive turn on: the machinations, the double-crossing, the fact that you never truly know what Frank Underwood is thinking, until he turns to camera and beckons you closer, giving you a keyhole glimpse into his evil plans.
In this scene, it's Ten Amorette who has the power, and politician Paul Kennedy who's caught in her honeytrap. But her exposition at the beginning of the scene is borrowed straight from those intimate moments during House of Cards, where the audience is invited to both fear and root for the 'bad guy.' Ten sits on the bed, putting the finishing touches to her outfit – tight dress and high heels, a real femme fatale costume - and explaining her hopes for the afternoon. She wants to make sure that she gets enough material to blackmail Paul. She's heard he's into some 'freaky stuff' in bed, and if she can draw his spanking kink out, then she should get the evidence she needs to truly screw him over.
Pandora explains that this technique was a new idea, which came up during a discussion at the feminist porn conference. The dilemma: how do you make performer consent explicit in a non-consent scene? Blackmail is a great test case for this, because either character can be the one doing the blackmailing. While you may have a spankee who is feigning reluctance to get spanked, in a blackmail scenario they're there because – like Ten Amorette in this scene – they want to get the payoff when they gather the blackmail material.
Of course in a scene with more characters, or one with a longer story arc, you can use conversations with other characters to make the blackmail plot explicit. But the House of Cards-style discussion means you can break the fourth wall without needing more characters, and it also gives it a delicious conspiratorial air. You, the viewer, are being invited along with Ten Amorette as she carries out her plan.
I think this conspiratorial atmosphere is one of the things that made House of Cards so sexy, and it's one of the things that adds to the hotness of Ten's blackmail porn scene. She gets to Paul Kennedy's house, and teases him into giving her an over the knee spanking. To someone who wasn't involved in the back story, it may look like your average playful sexy spanking scenario. But to us, the audience – Ten's co-conspirators – we know that she'll need a much harder beating if she's going to get the evidence she needs...
Just thinking about some of the photos that I have sent to partners and loved ones is enough to stir fear in my heart as well as arousal in my knickers. In general, I rarely send sexy selfies – mainly because I can barely point a camera in the right direction and as a rule I'd like to leave it to the pros. As I'm sure you'll agree, the framing, quality, and sheer raw hotness of Pandora's upskirt shots are far superior to the blurry mess that amateurs like me would produce.
But there's another reason I rarely take them. Having pressed the button to capture the picture, there are always worries about who's going to end up with it, or whether they'll share it with people you don't want them to. And that's before you've even contemplated the possibility that you'll hit 'confirm' on the wrong number and end up sending the picture to your sister/ex/lawyer – anyone other than the intended recipient.
This week's schoolgirl photoset captures all the intense hotness of sending a sexy selfie, combined with the humiliation of getting caught.
The intimacy of the photoset is gorgeously candid: upskirt photos, complete with sheer knickers that leave little to the imagination. A rapid shift from Pandora's girlish poses at the beginning – neat and tidy in school uniform with knee socks and patent heels – to her joyfully sexual poses as she spreads her legs for the camera.
This scenario tackles the fear of being found out: something most of us who've taken sexy selfies will understand. The hammering in your heart as you realise someone else might have seen, and the worry about the consequences...
When Pandora's teacher, D, catches her on the secluded stairwell, school skirt round her waist and knickers on display, it's the worst-case scenario she could imagine. Luckily for us, her punishment is a hand spanking in the corner, followed by an erotically charged thrashing with the cane – hard enough to leave marks that can be seen through her sheer panties.
From the eyes Pandora makes at her teacher - and the swiftness with which he takes advantage of the opportunity to physically dominate her - it's clear that this is more than punishment. It seems that Pandora is hot for her teacher - but does he return her interest, or is he just administering on-the-spot discipline to a very naughty schoolgirl?
The hot teacher/horny student fantasy is an excellent way to relive the excitement of getting caught without actually, you know, getting caught. The 'what if?' here is far sexier than any real life worries, because getting caught with her skirt round her waist and her phone in her hand leads to the punishment of Pandora's dreams. And, judging by the way her teacher is so quick to tell her to bend over - and his insistence on confiscating the sheer panties she's so shamelessly shown off - it's pretty clear that catching her flashing her knickers isn't the worst thing that could have happened to him, either.
If only getting caught was always so satisfactory. Have you ever been caught flashing your bits to take a sexy selfie, or accidentally sent it to the wrong person? Or do you have a happy ending you'd care to share...?