Lana Moon and I have been friends for many years, and we've been talking about shooting spanking films together for a long time. When we decided to make it happen one of the circumstances we needed to navigate was chronic illness. Due to her health Lana can't always predict when she's going to be at her best. I wanted the shoot to be a fun experience, and that meant building in a degree of flexibility. It proved a good exercise for me to stretch myself in the art of relaxing and going with the flow.
We ended up postponing our November shoot two or three times - for my reasons as well as Lana's. Between my kid getting sick, her kid getting sick, and her health needs, it felt like one thing after another. But thanks to the history and trust between us I knew we'd get there eventually. Luckily during lockdown none of us had much else going on, so rescheduling a couple of times wasn’t a problem. I felt very grateful that David Oak, whose house we were shooting at, was so understanding about the changes of plan.
It was a very different way of working than I'm used to. Uncertainty makes me anxious, so I tend to be hyper-organised. I plan in advance exactly what's going to happen, and then I try to stick to the plan as much as possible. But I realised that putting a date in the diary for a month's time was bound to end in failure. Instead Lana and I exchanged daily texts, checking in with each other and pouncing on an opportunity to shoot when one came up.
I ended up packing my shoot bag three times before we actually got there. But in a way, the extra time was good: it gave me the chance to chase down a couple of extra props and costume pieces which made some of the scenes even better.
On the appointed day, Lana and I stayed in close contact. She was feeling good the night before, and that morning said she was a bit wobbly, but game. I got my makeup on, had breakfast and loaded the car before receiving a very upset voice message from her that her health had taken a sudden turn for the worst, and she wasn't sure when she was going to make it.
I tried to think. Should I go ahead to the venue and shoot some solo content, in the hopes that she'd be able to join us later, or stay at home and get some other work done on the basis that the shoot was probably cancelled? I spent some time drinking tea, calming my nerves and thinking it over before deciding to go, and give it a try. I wasn’t sure if it was going to be me and Dave all day or whether Lana was going to be able to join us at all, but either way I hoped we could create some good content.
Dave and I started off shooting a solo film commissioned by a viewer via our customs website. I'd been planning to shoot it by myself the next day at home, but since we had time I thought I'd take advantage of Dave's help with camera and lighting. This worked out really well - the result is a lot better than I could have achieved by myself. That film will go up on Dreams of Spanking in due course, and it's a must-see for fans of curvy bottoms in tight pencil skirts. It's also got some fetish content which I'd never done across before - I love this about shooting customs! - such as humping and grinding on furniture. I'm not even sure if there's a category for that on Clips4Sale, but I found it surprisingly erotic!
Once that was done, it was time to improvise. I was still hoping that Lana would arrive, but she hadn't been able to leave yet. Dave and I decided to use some of the costumes I'd packed, and come up with some new scenarios we could shoot just the two of us.
I had some Victorian-themed costumes with me, so I got dressed up as an old-timey strumpet working in a bordello, revealing far too much thigh and even more cleavage. Dave has a really cool leather saddle in his playroom which is mounted on a stool - just about the right height for straddling the saddle and bending over (funny coincidence, that). "I don't have a plot," I said. "You've got the costume, you've got the saddle - sounds like a scene to me," he said.
We shot a POV scene with me telling my best friend (the camera) about the young stableboy that I had a crush on, gossiping about my fetish for all things equestrian, and my fantasies involving horses and saddles and stableboys. While I was waxing lyrical about how erotic I found all this, I was mounting the saddle and grinding against it. I guess that furniture-humping custom film had put me in a lewd mood!
I ended up self-spanking using a riding crop, swishing onto my bottom, my thighs and my breasts while mounted on the saddle. I was having so much fun that Dave and I were inspired to keep going.
We set up cameras on tripods, and Dave put on a waistcoat and played the bordello owner who comes in and catches me messing around. At this point we both put on face masks, since we couldn't socially distance. We decided not to labour the point, and just imply that this was during the pandemic in 1918 or something like that. I really enjoyed Dave's performance as the sleazy brothel owner who takes advantage of his position and inflicts the punishments which he caught me fantasising about.
He gave me a really hot whipping with the riding crop on my breasts, inner thighs and bottom. At this point I enjoyed a tantalising personal discovery - although my nipples have been uncomfortably sensitive to touch while I've been breastfeeding, it turns out I still I really enjoy having them hit with the riding crop! This was a lovely little gift to take home with me - the joys of having a job where I can be sexually self-expressed. It's so lovely to be able to explore the things that turn me on at work, to write my own scenarios and play with the people I want to play with - and even discover new things about my body and pleasure.
I wasn't ready to take the corset off yet, so we filmed a sequel with the same characters in which my Victorian wench character gets herself into more trouble and faces a more severe punishment. It included this porn career first: the first time I have ever 'lacquered' a leather saddle by carefully rubbing my cunt juice into it with my fingers! Needless to say, I got a hard thrashing for being so naughty.
I think the fates smiled on us for being so resourceful - Lana arrived at 3pm! She was utterly determined and did incredibly well to get herself there, despite the many obstacles in her way. I had to leave at 5pm because of my childcare arrangement, so we had a couple of hours and we were keen to make the most of them.
Lana threw herself into the roleplay. I've had a look at the footage and I can't wait to share these scenes with you. She's a fantastic performer, charming and funny with a beautiful body, and she can take a hard spanking too.
We picked out two scenes to shoot that day, and planned to get together another time to shoot the rest of the films. The first one was a political satire called The Party Whip. Lana played an MP who had defied the whip and voted against party policy in the House of Commons, and I played the Whip who summoned her to my office for the traditional whipping due for this violation of protocol!
Despite the political scenario, I wanted this to be a comedy, and to avoid reminding viewers of the more upsetting issues happening in politics at the moment. The Dreams of Spanking crew had fun brainstorming ideas for crazy legislation, and we settled on a law that exists in one of the southern states of the US, which limits the number of dildos owned per person! It was the perfect choice, and gave Lana the opportunity to passionately defend the right of the individual to own as many dildos as they want. A worthy cause!
We had great fun with it, and Lana looked utterly beautiful during the punishment, outstretched on the dining table with her bottom in the air.
Finally, we filmed a caning scene with Lana on the receiving end. We'd planned a scene for both of us getting spanked together, but it needed both of us to have unmarred bottoms. I was quite marked from the thrashing I'd already taken that day, so instead we did a sequel.
The setting is that Lana and I are going out with Dave's two nephews. We're really hankering for a spanking and trying to get our boyfriends to spank us. They're oblivious and not particularly interested - but Uncle Dave, who we're staying with for the summer, is. The two of us just keep on getting into trouble with him, and he keeps on finding reasons to punish us. It's a traditional uncle/niece dynamic with a fun, consensual twist.
In this episode Lana is home late during lockdown. She's in trouble with Uncle Dave for breaking the restrictions and missing the dinner that he's cooked for her - and when he tells her off, she just gets naughtier and naughtier. An over the knee hand spanking isn't enough to rein in her sassy behaviour, so he bends her over for the cane.
At the end of the day, despite the day's uncertainties I felt very satisfied. Although the day hadn't gone to plan, and I hadn't managed to shoot the six scenes I'd planned with Lana, we had a successful day and filmed some hot additional content. Plus I got to be spanked more than I'd expected, which was no bad thing!
Lana and I planned to reconvene to shoot the other four scenes, as soon as a good opportunity came along. That day came along quicker than I expected. I'll tell you about that in a separate post - and meanwhile keep an eye out for Lana's first official Dreams of Spanking release. I'm really happy to welcome her to the cast!
I know I've missed out a couple of scenes, but I just want to skip ahead and tell you about our latest film. This was a members request video submitted by Delicious Delight. I love each and every one of our female members (women buying spanking porn! Fuck yes! You guys are AWESOME) but DD has connected with me in the comment threads and provided a lot of useful feedback.
A year ago, she sent in a script set on a farm in the 1930s, in which the master and mistress punish their stableboy. Her fantasy casting for the characters were me, Thomas Camerona and Michael Darling, and I sent the script to both of them to see what they thought. They loved it, and I wrote back and told her that I'd definitely try to find a way to shoot it, although I wasn't sure when we might have access to a suitable location.
In the end, it happened by accident. We had a no-show on our location shoot last September and Michael gallantly stepped in to fill the breach. We needed to rustle up some scene ideas on short notice, and I dug this one out of my email. We had to put together thirties costumes on zero notice (luckily, I'd brought my whole dress-up box with me, so I had some options to pick through) and the setup needed changing a bit - we didn't have a barn, or a haybale, for him to lie over - but we thought we could make it work.
I actually love how this film turned out. Sometimes the scenes that come together at the last minute work best of all.
The stableboy is caught returning after an unauthorised ride into town to visit a lady friend. He is ordered to go inside, arrange the chaise in the middle of the floor, place a cushion over the end, take the family strap down from its hook and wait there. Michael obeys, shaking with nerves.
Once the mistress has worked out her anger with the strap, the master takes over. He applies a few strokes with the riding crop, giving the boy a taste of the sensation, before sentencing him to ten hard strokes.
The thing that stood out in the script DeliciousDelight sent was the sense of fear and anticipation, made worse by Michael being made to prepare for his own punishment. First there's the stableboy's dread at the moment he is caught, and realises he has no choice but to confess. Then the scolding, made worse when the man of the house is brought in to see what has happened. The poor boy knows he has made a bad mistake, and wishes the ground would swallow him up. He also knows exactly what's coming next.
Here's how DeliciousDelight described the next sequence, as she imagined it:
The man of the house gives him the following instructions: Go to the barn. Place a bundle of straw in the middle of the floor. Then place a carpet over it. You then take the leather strap and the horse whip and place it on the bundle of straw. (The equipment is probably hanging on the wall in the barn). And then wait for us to come over there.
(From my personal experience, I always thought that being instructed to prepare a punishment myself, was really terrifying and at the same time really exciting. It is also a little humiliating, I think. It is a real turn on for me, and I would love to see this in one of your films)
The stableboy nervously does what he is told, almost shaking whilst making the preparations. He is nervous as hell.
Okay, we didn't have a barn, but doesn't that just give you the most delightful shivers? We tried to capture that mood in the film, but really it was down to Michael's performance, and I think he did a fantastic job.
Period scenes always take a little thought, especially when it comes to the dialogue. There's a moment at the start of this film that makes me laugh every time I watch it, around two minutes in. Tom and I are in the garden, giving poor Michael a good telling off. During the scolding I start saying "You've been taking..." and stop, realising that "the piss" isn't exactly an authentic or appropriate 1930s turn of phrase. I flounder before Tom comes in neatly to my rescue: "...Liberties!" Nicely played, sir.
So what did our scriptwriter think of the finished product? Well, I'm glad to report that she likes it. Here's what DeliciousDelight said in email:
Loved the new film. Your performances are stunning and quite what I had in mind. Really liked how strict you were both being with Michael throughout the whole punishment and the way you were scolding.
The changes you made in the scene plot made a lot of sense I think. Starting outside in the beautiful garden and then moving indoors later. Gave a good flow to the scene I think.
In the plot idea I wrote to you back then, I remember my description of how nervous the boy is when being caught and waiting for his punishment is quite long and detailed, and I really think that Michael played that out very well! I could almost feel it on my own body.
Hope you enjoyed making the scene.
We certainly did, and we hope the rest of our viewers s enjoy this film too.
We love receiving scene ideas from site members. If you ever have a script you'd like to see filmed, send it over, and we'll see what we can do.
We've got a new military historical series running at the moment, shot on our location shoot in September and starring Thomas Cameron, Andrew Shada and myself - plus Nimue Allen in a forthcoming episode.
Havelock's Campaign is inspired by our favourite Napoleonic War fiction including the Sharpe books by Bernard Cornwell, and the Flashman series by George Macdonald Fraser, and centres around the character of Major Harry Havelock, a cavalry officer in Her Majesty's Hussars. This character of Tom's creation almost instantly became a firm favourite (especially of me and Nimue, who quickly developed big old crushes on him!), and Tom's skill as an actor, and passion for the period, shines throughout.
The first episode joins the officers the night before they ride out on campaign. Havelock congratulates new Lieutenant Shada on his promotion, and takes the opportunity to introduce the boy to the privileges of rank...
Major Harry Havelock of Her Majesty's Hussars has been assigned a new Lieutenant, commission still squeaky-new. Lieutenant Shada requires introduction to the privileges of an officer and a gentleman: wine, wenching, and whipping! Havelock also takes the opportunity to provide the new Lieutenant with Flash Harry's patent method for domestic bliss: a brisk over-the-lap spanking and, if she needs it, a firm thrashing with the riding crop...
The fantasy of being given by one dominant to another is one I've always had. It combines helplessness and lack of control with the pleasures of being shown off, objectified, and being the centre of attention of two tops at once. When they are both hot young men in military uniform ... well, what more could a lady ask?
I also love being used as a "demonstration model" in a scenario where one top is training or teaching another. This is a theme we've visited before, such as in The New Head Girl. In that story, the "demo bottom" was entirely unhappy about the way she was being treated. My wench in this scene is a little more sanguine about her situation. Maybe she is resigned to her fate and determined to have what fun she can with it. Maybe she has grown fond of the Major and truly wants to please him. Maybe he has chosen well, and picked a girl who genuinely loves to be spanked and whipped. Either way, I enjoyed playing the character of a saucy girl, a tart who enjoys her work, and finds being a camp follower far more entertaining than the other roles available to a woman of her class.
As the scene progressed, I found myself increasingly empathising with her - if I had been in her situation, I would probably have done my best to end up in Major Havelock's tent, too!
The historical military setting happened to fall right within Andrew's comfort zone, and his first-shoot nerves evaporated as he slipped easily into the manners and jargon of the setting. Tom and Andrew developed a rapport on that shoot which really comes across in these scenes, and the behind the scenes videos are a wonderful opportunity to get to know shy Andrew a little better.
It was a good thing that Andrew grew to like and trust Tom over the course of the shoot, because Tom was topping him in his last scene of the day, a harsh riding crop thrashing. Andrew was exhausted by the end his first ever spanking shoot, and opted out of a final scene with him topping the wench (me!) which had been pencilled into the callsheet. But he was happy to go ahead with this one, and take one last beating before some well deserved R&R.
During his first battle of the campaign, Second Lieutenant Shada was tasked with carrying a crucial message, but failed to carry out his duty after his horse stumbled and broke a leg. Major Havelock gives the young officer a firm dressing down, but takes pity and offers him a final chance to save his career. Rather than face a court martial, Shada must suffer the punishment of a cadet, rather than an officer, one last time, and bend over for twenty lashes from his superior.
For me, this scene revolves around two key elements. Firstly, Havelock's genuine affection for the boy, clearly evidenced by the fond exasperation with which he scolds him, and the fact he gives him an option at all. Humiliating and embarrassing as it may be for Shada to drop his trousers and take the punishment which would have been due were he still an ensign, and not, in fact, a newly minted officer, it is certainly better than the alternative.
Officers were not flogged in the British army - that punishment was reserved for the rank and file, and was significantly more brutal than what is shown here. Flogging was administered to the bare back with long leather whips, and a severe flogging could be a death sentence. However, young aristocratic ensigns and cadets, sent to the army or navy in order to be educated and prepared for a career in service, would have been caned by their superiors, just as if they had been at school.
In this story, Shada's character attended a military academy (Sandhurst or Addiscombe, probably) and so did not serve in the army as an ensign. If he had, however, and if he had been entrusted with a task which bad judgement or bad luck prevented him from carrying out, he might well have found himself on the receiving end of a thrashing from his commanding officer.
As a lieutenant he is supposed to have grown out of that sort of foolishness, and cannot now expect the leniency of corporal punishment. Havelock, however, has grown fond of the boy and believes he has promise. The punishment here is not only an embarrassing return to a juvenile mode, it is also a second chance, a gesture of affection, and one that the young lieutenant is willing to receive.
The second thing I love about Military Discipline, the key moment that makes it really hot for me, is when Havelock exhorts Shada to take his punishment "like the gentleman I know you to be". Shada nods, summons his courage, and takes twenty strokes hard enough to leave his bottom welted and bruised as stoically as he possibly can. Andrew's expressive features and body language make it clear how much it is hurting, but as he exhales and fights for control you can also tell that he is trying as hard as he can not to show it.
I love restrained reactions, courage and dignity in a spankee. It's not politically correct, but I find it especially hot in the context of male/male punishment, where gendered expectations are a factor and the bottom is trying to "man up" and retain their manly pride in the eyes of their disciplinarian. Andrew really felt this whipping, you can tell, but the hottest thing is the way he tries to be brave. And, I should add, succeeds: given this was his first ever spanking shoot, he really did do amazingly well.
Caroline's brother bets everything on her next race, hoping his winnings will cover his other gambling debts. Caroline knows Amelia is the best racer at Miss Blake’s Riding Academy, but kind-hearted Amelia agrees to let Caroline win this one. They fool the race officials, but they can’t fool Miss Blake.
When Miss Blake confronts the girls, they confess all. She agrees not to expel them, but they still must be punished. The crying girls hold each other’s hands, tearfully comforting each other as they each receive a harsh whipping from Miss Blake's riding crop.
This was such a hot scene. Amelia and Caroline both became deeply immersed in character as the good girls who hadn’t meant to get each other in trouble. Their emotional reactions lent a real intensity to the punishment as they tried to protect each other, held hands and counted each other’s strokes. The girl getting whipped tried her utmost to be brave, but both times the one watching cried real tears as they empathised with the suffering of their friend.
These ladies are both amazing actresses. I almost couldn’t bring myself to thrash them ... almost.
The emotional intensity of this scene appealed to all of us on set, and we were on a collective high when we finished filming. Caroline and Amelia both cited this as their favourite scene of the two-day shoot.
Amelia's husband Hywel captured the beauty and drama of their whippings in a series of truly gorgeous photographs. I love Hywel's work; it's always a pleasure to shoot with him. There are so many lovely images from this 100-photo gallery that I found it hard to pick my favourites. But this post shows you a few of them. I think that the genuine tears in Amelia's eyes as she watches Caroline's punishment, and the beautifully vivid welts decorating pale-skinned Caroline's bottom make for some stunning - and timeless - spanking photography.
Our recent F/F video Lady Godiva was inspired by a private session client of mine. The last time we got together he wrote a roleplay based on a real life event which took place during the University of Nottingham student Rag Week, summer 1976.
Nimue finds herself in trouble with the Treasurer of the Pony Club for her unconventional efforts during Charity Fundraising Week. It seems that the Pony Club does not approve of a dressage show that involves naked bare back riding... no matter how much money it may have raised! A brisk whipping with the riding crop will remind her to behave more modestly in future.
When during our shoot last week we found our plans one morning turned upside down when the male spankee I had booked failed to make an appearance, I decided to borrow this idea and use it as the inspiration for a scene starring Nimue Allen and myself as two ladies of the Pony Club.
We are well-bred ladies who live in a traditional English village, where we participate in an equestrian society, riding together, holding socials and charity events. Society morals are strict in this sort of conservative rural environment, and appearances must be maintained at all times. The more senior ladies in the club do not take kindly to breaches of etiquette!
Tom took the photos for this scene with my new stills camera, and I love the results. He has a great eye for a strong spanking image.
You'll be able to see the second episode featuring the ladies of the Pony Club in a forthcoming film starring Leia Ann Woods as the Club President, and myself making a reappearance as Treasurer. I'm currently processing some preview images from our day with Leia Ann during our big location shoot, and am looking forward to sharing them soon.
We've had two very different scenes go up on the site this week; the first a classic M/F punishment scenario starring Pandora Blake as a stablegirl caught napping in the hay; the second an edgy, fast-paced F/FM interrogation scene in which Will Savage plays a captured spy, and Caroline Grey the agent accused of fraternising with him. James Bond eat your heart out!
A sleepy stablegirl is caught napping in the hay. She's hauled to her feet, and her leathers and underwear are yanked down for an on-the-spot punishment spanking.
The stablegirl wriggles and complains so much that her superior takes sterner measures. She is upended over a haybale, and her bare bottom striped with the cane.
Afterwards she is left with her hands on the wall and her bottom on display, for all to see.
I don't know when the association between stables and spanking was formed in my young mind, but I've always fantasised about equestrian punishments. When D and I had the opportunity to shoot in a real, actual stableyard, we couldn't pass it up. I didn't own a pair of jodhpurs in those days, so we decided to match in leather trousers, which I suppose is a kink all its own, and tailcoats. D in that outfit pressed my buttons, at least!
By contrast, our latest film The Spy is a more innovative scenario combining spanking, bondage and interrogation, with a man and woman spanked together.
Here's the storyline. Captured spy Will Savage is brought in and bound for questioning. Interrogators Blake and Rutherford suspect that their associate Grey has been fraternising with the spy, and they devise a loyalty test: she is ordered to beat him.
Her hesitation confirms their suspicions, and Grey finds herself tied in place opposite Savage, and subjected to the same punishment as him. Despite his defiance, it seems that this spy has a chivalrous heart. If he won't talk to save his own skin, he might to save that of his lover - if lover she is.
How much does Grey know, and how well do she and the spy know each other? Who is his contact? And who will break first?
Marisa screamed at her riding coach in public and David is not pleased with the damage such behavior could do to the family's impeccable reputation. He plucks the riding crop from Marisa's hand and uses the wickedly stingy implement on her backside.
Marisa is not going to be riding her horse comfortably for quite a while after having her bottom stung by the whippy riding crop.