Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
Some people know how to make an entrance. They arrive at a party and do something so memorable that you know you won't forget their name any time soon. Mike Pain's debut on Dreams of Spanking – in which he takes a beating so hard and so thorough it makes my eyes water - is exactly that kind of entrance.
This is one of the more traditional female domination scenes I've seen on Dreams of Spanking, and the story - suggested by Mike himself - is the kind of fantasy I expect many kinksters can relate to. Married man Mike Pain is secretly into BDSM, and femdom in particular. When his friend Pandora Blake teases him about his fashion sense, she discovers that beneath his buttoned-up shirt he's wearing a leather collar... and a bondage harness, and a studded leather thong.
For some, who for whatever reasons prefer to keep their kink secret, this could be a terrifying moment - but this is Mike's fantasy, and in his and Pandora's hands a potentially nightmare scenario turns into an intensely hot tongue-in-cheek femdom porn scene. When Pandora phones Mike's wife, the two ladies are clearly amused as much as angry, and it turns out that both of them share Mike's secret to some extent. Mike's wife asks Pandora to deal with her husband until she can get back to beat him herself.
Mike, in fact, gets exactly what he's been fantasising about – a gorgeous woman beating him black and blue.
Pandora is in full-on femdom mode, giving Mike a thorough bollocking laced with verbal humiliation, and stern admonishments when Mike tries to twist away from the burning strokes of the strap. She takes a gleeful delight in choosing exactly how many strokes to give him, and laying on paddle, strap and cane as hard as she can.
Mike takes the kind of beating that had me wincing in sympathy, as well as shivering with delight. I have to admit that there's a deep and specific joy in the sound a thick leather strap gives when it's whacked with full force onto a bare bottom.
It's rare that a top has the opportunity to hit someone has hard as they can, but Mike's pain tolerance is high. Pandora steps back and leans into each whack with the strap, putting her back into getting exactly that gorgeous 'thwack' sound. As Pandora remarks towards the end of the scene, "You can certainly take a beating."
As for the climax of the punishment - eighteen severe strokes of the cane - watch the behind the scenes video to learn whether they were as hard as Pandora could give - or as hard as Mike could take.
When you've watched the film, please do welcome Mike in the comments. After taking a thrashing this impressive, I think he deserves a very warm welcome to Dreams of Spanking.
Ron Beastly lives up to his name this week, because in our latest film he plays an actual wild beast – growling, furry, dangerous and almost impossible to tame.
This scene is a pretty rare thing – a kink that's almost totally new to me. But the more I think about it, and google around beast porn and beast sex play, the more of it I find.
Beast porn has a pretty long and colourful history, and when you start looking you'll find it in a fair few places. From Marian Engel's famous 1976 novel 'Bear' (in which a librarian falls in love with, and is ravished by, an actual bear) to tamer modern hints, like the sexy werewolves in the Twilight books. I know it's not really on to mention Twilight, but I'm throwing it in there because it's surprising just how often particular kinks bubble up in our popular culture.
In fact, when you start looking for it, there's plenty of beast porn on the internet, but most of the fantasies are either animated or slashfic (there's plenty of Beauty and the Beast porn written by eager online writers, for example) – it's rare to be able to watch a beast fantasy played out on screen by real people.
Ron makes a perfect beast – partly because, with his furry body draped in more furs, and chained up in a sleeping pose, he looks every inch the slumbering creature. But more so because beast play is one of Ron's own fantasies. He suggested the idea for this scene, and so it's his own desires that are played out – giving him the chance to be the beast that he fantasises about.
As Seani Love tries to tame him, he's whipped, collared, and led around the room on all fours. He's even fed strips of meat from a bowl, as his master alternates the food treats with whippings in an attempt to make the beast behave.
Ron's own take on the scene can be found on his blog here – and it's well worth a read, to get a glimpse inside his head as he's performing as 'the beast.'
Next we did a scene that was a suggestion from me, in which I was a beast that was captured by a magician who wanted to harness my power to use to his own ends. I really got into the performance, though it got pretty intense for me, partly because it was very physical and partly because there were a couple of moments where it felt very real. I realised that, while it was fun to let the beast out of me, I really don’t want to be doing scenes where they are punished and subdued. I would really like to do a scene that was a kind of sequel to this, where the magician’s wife/daughter/whatever finds me tied up, cowering and subdued, then unties me and encourages me to be wild and to ravage her in a rather exciting and filthy manner (if anyone wants to shoot this let me know!). I was a little bit shaken afterwards, but the after care was awesome, with Pandora giving me a marvelous happy spank then feeding me carrot sticks and hummus while I was curled up on her lap (do all directors provide this service?).
The happy aftercare spanking Ron mentions was also captured on film, and if you're interested you can watch it here.
Ron's proposed follow-up, in which the beast is released from submission, and encouraged to ravish the kindly person who's released him, brings the fantasy neatly back round to the focus of much of the slashfic and other beast porn that I found in my research. Beast fantasy seems, for the most part, to eroticise the wild, untameable nature of the beast. The darker things that can be done by creatures that have no moral agency, no code, and which are essentially untameable.
I like the fact that this scene is a bit ambiguous as to whether the magician succeeds in taming the beast. He can whip and punch the creature into submission, put on a collar and lead and to all intents and purposes look like he's subdued it, but ultimately we can tell from Ron's growls and snarls that he's still a wild animal. Perhaps a wild animal just looking for a chance to let his instincts take over again...
One of the things I find hottest – whether it's during a kink scene or sex itself – is distraction. Having to perform one task while someone else tries to distract you, or being the one doing the distraction. This can be something really simple, from cleaning the oven (as in last week's playfully sexy Provocative Housework) to reading out loud.
This week, the amazing duo Molly Malone and John Beecroft are back. With their trademark flirtatious chemistry, they act out a spanking scene that's based on a true story. Molly rents the village hall to host kinky workshops, although she hasn't told John, the hall manager, exactly what she's using it for.
Unfortunately, she accidentally leaves a bag behind - and when John looks inside, he finds a book entitled "Curious Pleasures" alongside a selection of even more cuious implements. Molly squirms as he quizzes her about her erotic spanking hobby, deliciously embarrassed at having to explain that her corporal punishment workshops are ... umm... "relationship counselling".
Molly looks like she wants to sink into the floor as John demands to know if her parents know what she's doing - or what if someone took photos? He tells her it's disgraceful to treat it as all fun and games - in his day, punishment was a serious matter, used for discipline. John gives her a choice: accept a real punishment from him, or he'll tell everyone her secret.
It's clear that John is simply itching to have a go with Molly's kinky toys - and as she realises that his motivations aren't as strict as he claims, Molly quickly accepts, and willingly bends over the sofa for a beating.
And this is where the distraction bit comes in: in between lashing her bare bottom with the flogger, John asks Molly to read out passages from the book he found in her bag. An old-fashioned text explaining how some people corrupt corporal punishment to use it for 'carnal purposes', it's perfect to be read aloud by a giggling, teasing Molly.
When John steps things up a notch, and picks up the strap for phase two of Molly's punishment, he insists that she keeps reading it as he beats her. I'll be honest: as soon as the book came out at the start of the scene I'd been waiting for this moment.
I think it's mainly so arousing because the distraction of reading highlights just how hard the strokes are. As each whack lands, we hear a sharp intake of breath, and Molly jerks at the impact, pausing briefly in her recital as she takes a moment to absorb the pain.
Distraction doesn't make the spanking more painful, necessarily – it just makes the pain more apparent. The impact, the involuntary reactions all call delicious attention to that moment when the strap connects with her bare bottom.
With Molly's increasingly teasing comments, it soon becomes clear that John's as kinky as she is. For all his claims about "depravity" and "discipline", it's obvious to Molly, and to us, that John is loving every minute of the experience. And with the gorgeous juxtaposition of Molly's calm, measured reading voice and her gasps as each stroke of the strap leaves its mark, I can't say I'm surprised.
Alongside the element of distraction, I should also mention that I love the whole look of this scene. When Molly takes off her jacket to reveal a tight corset, tiny skirt and leather collar, the contrast between the two is perfect - John as the distinguished disciplinarian, and Molly as the coquettish, cheeky madam. She giggles and flirts, and is clearly delighted that rather than reporting her, John has decided to take an interest in her hobby.
I've said before how much I love the chemistry between Molly and John (and if you keep watching after the credits on this video you'll see more of it in the out-takes). I think one of the best things about spanking performers who are play partners in real life is that everything feels so natural - from the initial reprimands to the order to bend over, the playful flirting and the dialogue. Oh, especially the dialogue.
When he's finished with the strapping, John turns to Molly and declares:
“You may put what passes for your clothes back on.”
I'll be distracted by the thought of that line for a pretty long time to come.
Two words: sheer knickers. What, you want more words? OK, here goes – the latest video is up, and it's pretty spectacular. Vix Vixxxen is new to spanking videos, and her first one with Pandora is something pretty special.
Both of them are dressed to kill – or rather play. Pandora in a gorgeous tight latex ballgown and Ms Vixxxen in a cute lingerie set that includes a fabulous tutu and – did I mention see-through panties? Check out their stunningly hot outfits for yourself...
Of course, it would be remiss of me not to mention the women inside the tight latex dress and the sheer knickers, and both Pandora and Vix are clearly having a fantastic time in this video. There's lots of flirting, and Pandora puts her at ease quickly, so we get to hear all about her spanking desires, and how she got into the spanking scene.
We also get to see Vix Vixxxen assume a series of hot poses – pushing her shapely arse out as she leans against the mantelpiece, posing artfully over a spanking bench and – the best, in my opinion – touching her toes to receive six stinging slaps with the strap. It turns out she has a background in ballet, which explains not only her lithe dancer's figure, but also how she can pull such graceful poses without breaking a sweat.
One of my favourite things about Dreams of Spanking is that you really get to know the performers. This video is a cross between an interview and a spanking – the best of both worlds, and Pandora describes it as a 'warm up' for what's to come...
You can tell Ms Vixxxen is incredibly excited to be here. Her big filthy grin as she receives the strokes from her chosen implement is a delight to see.
I personally enjoy seeing performers who have similar tastes to my own – when Pandora asked Ms Vixxxen to choose an implement I was really hoping she'd pick the strap, and delighted that she did. It's got such a lovely heavy slap, which in my opinion is one of the best whacking noises.
I'm also pleased to see that Pandora is a fan of the phrase 'good girl.' As a subby type, I love hearing 'good girl' in porn, because it's exactly what I want to hear in real life: a dominant pleased with your work when you take a good beating. And when that dominant happens to be dressed head to toe in tight black latex, well... it adds a certain something.
So, to sum up: this spanking video is the perfect introduction to the lovely Vix Vixxxen. We get to hear all about her love of spanking, see her posing and exposing herself in a stunning lingerie outfit, and watch Pandora (in an equally stunning tight latex dress) give her a warm up hand spanking and twelve hard strokes with the strap.
And don't forget those sheer knickers. They're hot not just because you can see all of Ms Vixxxen's gorgeous arse (in the video Pandora describes her as 'perfectly formed', and I can't help but agree!) but when she's being spanked you can see the darkening red patches on each cheek. Red blush blooming through blue see-through panties – something about that just makes me squirm with delight, and I'm pretty sure you'll agree that it's pretty damn special.
Enjoy the show, I'm off to do a bit of underwear shopping myself. I'll just watch it one more time - for research, you know?
Our latest photoset, Dominance and Submission, is from my shoot with D and Matt Christie in July last year. I'm remiss in still not having previewed the other scenes we shot that day, but I'm going to make up for it today by sharing a bumper load of free photos from this new gallery.
I wanted to create some iconic male dominant, female submissive imagery, exploring themes of clothed male/nude female, bondage, human furniture and objectification, erotic breast teasing and whipping, nurturing dominance, throat grabbing and breath play, as well as corporal punishment with leather belt and crop. The depth of my connection and chemistry with D provided the ideal opportunity for these explorations, and Matt's trademark evocative imagery bathed in warm, soft light perfectly set the scene. I love every single photo he took, and had difficulty picking out just a few for the thumbnails on the scene page. I'm so delighted with Matt's photography that I just can't resist the urge to show you more here.
Cuffed and collared, naked and vulnerable, she kneels and waits.
She kneels at his feet and he tells her to open her legs - wider - wider. She obeys. He squeezes her nipples and her breasts, wraps a cool hand around her throat.
He arranges her on hands and knees and uses her as a footstool. She is aware of the weight of his feet resting in the small of her back; breathing in and out, concentrating on posture, poise, stillness. Back arched, bottom raised. When she feels the crop land sharply across her upturned buttocks she cries out. She flinches, she can't help it, but as soon as she realises it she arches her back again. Her bottom feels exposed, sensitive. The position is not easy to maintain as he whips her, but she does her best.
Cool hands soothe and squeeze her throbbing skin; their kisses are heated. She kneels to present her bottom again, offering herself to the belt, and he paints her cheeks red.
He does not need to use words to tell her she is his. Serene in her surrender, she lets him direct her, trusting that whatever she does, she will be safe with him. He plays her body like an instrument. Even the pain, when it comes, is a treasured gift, a sign of love.
Two very different scenes for you this week - one grown-up and glamorous, the other exuberant and silly. First, we have a sensual boudoir photogallery of me completely nude, and secondly a playful puppy play scene with Michael Darling as sexy and submissive as you've ever seen him.
Step into my boudoir, and enjoy some sleepy, sensual photos of me lazing and stretching in my bedroom, fully nude and bathed in early morning sunlight.
These photos are the first set from a recent photo shoot with D, myself and new photographer Matt Christie. Matt is an amazing photographer who specialises in glamour, boudoir and art nude, and to my delight he was comfortable with shooting fetish as well.
It was a full day and we shot thousands of photos, including lots of spanking, glamour, bondage, dominance and submission and some ruder activities too. You know D and I by now, so this shouldn't come as a surprise. I'm looking forward to sharing the rest with you.
At the other end of the spectrum, our latest video stars Nimue Allen and Michael Darling as a kinky couple indulging in some puppy/mistress roleplay. (Or should that be puppy/mummy? I've always felt like the relationship with a pet is closer to "parent" than "master"...)
Puppy roleplay isn't really my kink, although I have enjoyed pet play before. However, it is a huge interest of Michael's and of Nimue's, and I'm always interested in shooting the scenes that genuinely get my performers excited. As soon as they started playing, I began to realise what I'd been missing. Puppy play is awesome. Just take a look at this trailer:
Michael wants some puppy time, and Nimue is happy to play with him. Whether the game is fetch, tug-of-war or sit up and beg, the rules are simple: good puppies get treats, and bad puppies get punished.
I wasn't sure how this scene would turn out, but the shoot was so much fun it had all three of us laughing out loud, and the resulting video is adorable.
Mikey is the cutest happy puppy!
Check out those big puppydog eyes as Mikey lifts his paw to be smacked...
And really badly behaved puppies have to drop to all fours to be punished more severely.
The appeal of puppy play is right there in the name - more than many fetishy activities it is about play in the most direct sense of the world; playfulness, fun, silliness and physicality. Here's what Michael has to say about this aspect of his kink:
Puppy play has been a favourite roleplay of mine for many years. I love how it incorporates elements of BDSM (training, discipline, collars, cages...) but at the same time there's romping and bounding about, scritching and belly rubs and playing around with other puppies. There's a fun and wonderfully tactile sensuality to it: when I'm in puppy headspace I feel incredibly centred in my body and want to run, sniff, lick and explore, and for doing so I'm rewarded with petting, head scritches and enthusiastic cries of "good boy!" It's a playful way of exploring master/pet power dynamics through the eyes of a fun-loving puppy dog.
One of the pleasures of my night job is that I have had the opportunity to work with a number of the celebrity names on the UK scene, and even some of the more adventurous Americans (hi there, Ten!). Two of my favourite co-stars are Nimue Allen and Alex Reynolds, who was the main feature of our last report. When Alex came across on her whistle-stop tour of the UK scene, she shot for us one day and then immediately spent a day working with Pandora and Nimue on a shoot for Nimue's own site. We thought this provided a good opportunity to take a peek at Alex's adventure's in Nimue's World.
Nimue is one of the most beautiful, and most versatile, performers I've worked with from the UK scene. Her world is a place full of adventurous people and, for a site with strong BDSM tendencies and a dark side to the stories, a great deal of laughter. When I shot for the site some months ago, the first photoset we did was a puppy-play sequence in which the only prop was a pair of balled-up socks. I've never done anything even remotely like it on camera or in private, but enjoyed myself immensely. To my surprise, in the photos I almost look like I know what I'm doing.
It was such a happy little scene that I found it very easy to play, although I had no idea what was coming next. Nimue's grace in directing and scene-setting while also being a bouncy puppy displayed impressive multi-tasking skills! Like Pandora's work, Nimue's is composed with a strong aesthetic eye and constructed with a view to allowing real chemistry and passion from models to carry through the lens to the audience. But while Pandora dreams mostly of spanking, Nimue's world is a very adventurous place with spankings, bondage, exhibitionism and very much more: where hard-core BDSM and a variety of other kinks might be found around any corner.
Alex has written an excellent series of posts about her travels (which you should go read some of!) and she spent some time talking about her explorations with Nimue in this one. As I had, Alex found herself being drawn into a first scenario which was both exactly her thing, and which took her out of her experience zone towards a new type of play. Nimue is very good at helping a new model to feel comfortable within her style and process, and the results she got from Alex were superb:
"In part two of my School Bully series, I've decided it's time to assert my authority over the exchange student, Alex Reynolds. When she refuses to go and get my text book for me, I drag her to the floor, rip off her clothes, and give her a hard bum and thigh spanking to show her that I mean business."
From Alex's report:
"She spanked me, including doing it in very non-traditional positions and she rolled me over and slapped me on the breasts. This was pre-negotiated, although I'd never done it before.
Holy. Shit. That hurt.
[...] I often see myself as being a pretty heavy player. I've taken some epic beatings in my day. When I'm well, in a secure environment and playing with someone I love, I've never actually found an upper limit of what I can tolerate in terms of spanking. This reminded me that I'm not actually all that physically tough: I'm just good at taking spankings. As odd as it may sound, it felt really nice and refreshing to be reminded of that. It made me tremendously vulnerable, but I felt safe and trusting towards everyone who was around me. But every slap, even though entirely not hard compared to what I was used to, took my breath away."
In my not at all humble opinion the scene is brilliant, and you can see a trailer for it on Nimue's blog. By what was now day two for Nimue and day three or more for Alex and Pandora the lovely ladies had consumed a good deal of pink wine and had found a creative groove that was very productive indeed. For their next scenario, they had Alex playing the Best Girlfriend Ever:
"Pandora comes in and catches me and chastises me for not being safe, as well as for keeping my desires to experiment with bondage to myself instead of asking her to tie me up. I try to explain that I was doing it to surprise her. She responds by spanking me with her hand and then a leather paddle, and also gives me a number of slaps on my breasts while they're bound in a rope harness. In my opinion, Pandora made this scene crazily hot. There's a lot of sexual energy between us in the film (and it's genuine, she and I are involved off camera) and it's really wonderful."
When we were shooting the previous day for Dreams of Spanking, I had encountered Alex's rather delightful bunny-suit (and once I'd stopped laughing, I had a great deal of fun spanking her in it). Once it had been brought out I think it was inevitable that Nimue's fertile imagination would find a way to make use of it and the resulting photo-set is a neat exemplar of her talent for evocative compositions.
"Little Alex wants her hair in braids, but she moans and complains that it hurts when I brush her hair, and that I pull too hard when I'm braiding. She needs something to calm her down, and I reach for the closest thing I have to hand - the hairbrush. After I turn her bottom a bright pink to match her onesie, she is much calmer, and curls up with me for a nap."
Part of why we find Nimue so easy to work with, although the two sites have very different kink spreads and primary target audiences, is that she has the same ethic for finding the liminal spaces in a model's practice of kink and exploring them in unusual settings. Nimue's made a habit of using behind-the-scenes material in part to allow viewers to see the model's joy behind a character's pain or humiliation, just as we have. In this quite cute and fluffy age-play scene, there was still a note of complexity to be teased out:
"I love having my hair touched in just about any way: tender playing, brushing, rough horribleness, it all works for me. I had to think of all sorts of horribly unfair things in order to inspire my tantrumy faces."
In Nimue's world, there's a lot more going on than just the spankings. I happen to be something of a BDSM fan, and to like unusual and dark fantasies, so much of the site works very nicely for me. Yes, there are beautiful and dangerous things going on here that simply aren't my kink: and I like that. I like knowing that while my own interest might be in seeing Alex or Pandora get spanked or tied up and otherwise dreadfully abused, Nimue always has something gnarly on her mind. I like her sense of aesthetics; I like her fearlessness in the choices of fantasies she'll put on camera, and I like very much the vitality which sparks between her models, be it in stills or on film. Nimue is a talented producer and photographer but she is also a kink catalyst; she has the gift of helping other people to let out their playful side.
The last few months of Nimue's updates have been particularly good for us spanking fans, though, so I'm going to leave you with a few more sneak previews behind some of the bedroom doors in Nimue's World.
Spank Break, with our own lovely Pandora:
I'm a little bit in love with the music in our newest film. I had a lot of fun editing this one, not least because that combination of powerful classical cello with more industrial rhythms is guaranteed to get me wet, regardless of whether it's accompanied by any sexy visuals. I don't know why, something about the vibrations perhaps. But it doesn't hurt that Amelia Jane Rutherford looks utterly gorgeous writhing under splashes of hot red wax:
The movie is called Pandora's Initiation, and is episode one of our new BDSM/spanking series, The Morpheus Club.
New slavegirl Pandora is nervous, untrained and intimidated by the experienced Amelia. She endures bondage, nipple clamps, humiliating inspections and punishment, culminating in a painful double caning.
So much happens in this 37-minute BDSM epic that there was no hope of me squeezing it all into the short scene description above. I decided to focus on my character's journey, but you only need to look at the tag list or trailer to get a sense of just how much else is packed into this movie. (The tag list is so long it almost breaks the page layout!)
Specifically, the scene description fails to mention any of Amelia's myriad kinky activities, including gruelling slavegirl postures, strapping, spanking, hot wax and a flogging on her back and bottom - all of which she submits to with sublime grace and poise.
This is one of my oldest fantasies. It's got a dark non-consensual edge (the implication that my character has consented to be enrolled in this establishment out of desperation, rather than because she is kinky) but otherwise it's absolutely classic. The idea is not original in the slightest: this scene has echoes in dozens of erotic novels.
I'm honoured to have had the help of the talented Hywel and Amelia in bringing this fantasy to life, and indebted to Hywel for his expertise behind the scenes, particularly in taking over the direction from me to allow me to concentrate on performance.
In our version of this classic concept, the Morpheus Club is an underground society with a faintly historical flavour. Members are kinky men and women with a range of tastes; all of them top, and some of them switch. Male and female 'pets' are recruited by fair means or foul - some are the equal partners of members who give full consent; others have less choice in the matter. Members have equal access to all pets, and training is undertaken collectively, but new pets are often mentored by their recruiter. As a natural consequence of the cast, this scene is pure M/F, but there's more to the Morpheus Club than that, and we'll see more of it in future episodes.
For me, the hottest parts during filming were the inspections, both kneeling before the Doctor, and exposed on all fours on the table with my new employers dispassionately discussing my body and reactions. That moment is the hardest part of this scene for my character, and undoes some of the confidence she gained during the bondage. This was the first time I'd played with Hywel (exciting!) and my nervousness about whether he'd find me pleasing was quite real. But I also had a lot of fun with the nipple clamps, slave training, picking things up in my teeth, and watching my handsome boyfriend flog beautiful Amelia. And, of course, the spankings!
Watching the finished film back, more things leap out at me. Amelia's hot wax sequence is one of the most glorious pieces of D/S play I've ever had the privilege to film. Her grace is just astonishing, and the genuine chemistry between her and Hywel is a joy to watch. Oh, and there are quite a lot of shots of both Amelia and I crawling on all fours with our bottoms in the air, which I hope some of you will enjoy.
You can find more of Hywel and Amelia's work at Hywel's bondage website Restrained Elegance, where Amelia is the resident slavegirl as her alter ego Ariel Anderssen. They have also made several bondage and spanking feature films which can be found at Elegance Studios. Their work is artistic, imaginative and beautifully executed, with the highest production values of any kinky studio in the UK. Spanking fans will particularly enjoy their domestic discipline movie Amelia's Sunday Spanking, which I've reviewed on my other blog here.
Merry Christmas, Happy Hanukkah and season's greetings! I'm back from three days away with family, and am just trying to catch up with comments and emails and so on. I want to extend a big warm festive welcome to all our new members - thankyou so much for your support. The site has received a warmer reception than I was ever expecting and I am thrilled to know so many people share my dreams. I hope you all enjoy the films and galleries! Please just let me know if you experience any problems with the site or downloads, and I'll get right on it.
Despite being away from home, I managed to sneak up a Boxing Day update yesterday, and I hope you enjoy it. This real-life dominance and submission scene tells the story of my first Christmas gift from a kinky friend (who knows me too well!) - my first birch bundle. Being (quite literally) a glutton for punishment, I decided to take it with me to visit Tom, and let him do with it as he would.
The resulting film is around 14 minutes long, including an introduction by me, a nude birching (shot in a single take), and some cornertime to display the rather lovely resulting marks. There are some "before" and "after" photos taken by Tom to go with it. I've put together a preview trailer for you to take a look at: