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Behind the scenes of A Ghost Story

My ambition has always been to make artistic spanking films, real little movies with involved storylines, believable characters and attractive videography. Of course in the real world budget constraints and inexperience set limits on what is achievable. However, I within those limits, I still indulge myself from time to time with more complex and creative films such as Psychic Interrogation, Primae Noctis and Liberated Ladies of the Jazz Age. But there is always room for improvement.

It's very rare that I get the chance to really go to town, and bring a fantasy fully to life, exactly as I imagined it. One such opportunity was our shoot with premiere kinky producer couple Hywel Phillips and Ariel Anderssen, the stunning blonde actress better known to the spanking world as Amelia Jane Rutherford.

Hywel has been making fetish movies for over ten years, and when it comes to photography and filmmaking he's both a passionate artist and highly technically skilled. When we did a shoot trade with his glamour bondage site Restrained Elegance last year, he was generously shared his kit and expertise in the scenes for Dreams of Spanking.

Hywel was responsible for the gorgeous photography of Amelia in the Bedroom, but A Ghost Story is the film where his superb videography really came to the fore.

I'd written a shooting script listing the shots we needed, but hadn't done any storyboarding - Hywel decided camera angles and other details on the fly, effectively acting as director of photography. He also masterminded the lighting, and it was a real treat to work not only with high quality lights, but someone who really knows how to use them. We were filming with the same baby Canon I always use, but you only have to glance at the screengrabs to see the difference that decent lighting makes to the video quality.

This storyline goes right back to the roots of my kink: one of my earliest kinky memories, a night when I was 7 or 8. I couldn't sleep, and was coming downstairs for a glass of milk. My parents had the TV on and I could hear it as I came downstairs, then glimpse the screen through the open door.

It was a period drama of some kind: I saw a girl in petticoats, lying facedown on a bed, screaming in terror as a man stood behind her, furiously thrashing her with a cane. I paused halfway down the stairs, heart pounding, barely daring to breathe. Suddenly I couldn't face my parents: I turned around, and sneaked back upstairs. They never knew I was there, and I can't imagine they ever suspected what I'd seen and the lasting effect it had on me.

(I recently looked on IMDB, out of curiosity, to see if I could find the program. I remembered the title from an advert showing around the same time, which I recognised from the snippet I'd seen, but now I honestly can't tell if it's this program of that name, or this one. I've never heard anyone else mention this caning scene and I'm not sure if I dare risk finding out that it was all - or mostly - in my fevered imagination.)

The image stayed with me for many years, and it was always one of the things I planned to revisit if I ever started making videos of my own.


A Ghost Story brings that historical snippet into a sinister modern day storyline. Amelia is a model staying at a quaint old B&B the night before a photoshoot. But her beauty sleep is disturbed by horrible dreams of Victorian times, mistreated girls and ghostly goings on. What secrets does this spooky old building keep - and can it really be haunted?

This is an atmospheric, evocative historical ghost story that merges past and present, dream and reality. Amelia gives an outstanding lead performance, and is a joy to watch throughout.

I really enjoyed editing this film and compiling the soundtrack from the excellent music of composer Kevin Macleod. It's a unique little spanking story in honour of All Souls that combines period drama, suspense and horror sequences and intense caning action.

I hope the end result is appropriately shivery and horrible, but of course the reality of shooting it was tremendous fun. Amelia is always a delight to work with and it was lovely seeing how well she and Hywel work together. You can get a glimpse into the filming process through our behind the scenes video, which shows not only the usual making of, outtakes and silliness between shots, but also a very special out of character caning to refresh Amelia's marks for the final scene. I've grabbed some exclusive screen captures from that caning just for this blogpost:

22 strokes of the 12mm dragon cane administered by Hywel, her real life partner whom she married this summer. It's a candid, intimate little caning sequence that provides a lovely real life counterpoint to the darkness of our latest CP fantasy.


Which "The Gril"

The Cookson "The Girl" definitiely has a caning scene - well, two whipping scenes in fact - described here: http://www.genevievevalentine.com/2009/05/the-catherine-cookson-experience-the-girl/. But it's not made until 1996.

The other, from the description at http://christopherleeweb.com/movie-database/movie/girl, certainly looks like the sort of movie that would have featured a caning - but it doesn't seem to be period.

Brilliant research! How funny that the Catherine Cookson adaptation has two whipping scenes - actually I think I remember seeing that blogpost last time I looked into this. But those scenes really don't match my memory, and I know for sure what house I was living in when this happened, and we moved out of if when I was nine - in 1994. So it can't be that one.

You're right though, the other isn't right either. So I guess it must be neither of them. How strange! Maybe I imagined the whole thing? But I always identified this encounter as one of the formative experiences in my interest in period spanking. Surreal!

I found a clip of the Christopher Lee The Girl on youTube, and it's definitely not period.

I'm sure the scene exists. What's possible is that this is something that's never properly been recorded on the Internet. IMDb is not great for television before 2000, and it's possible that even a relatively high-profile production, if never repeated, can disappear off the cultural radar.

And, of course, entering the terms "The Girl" and "caning" turns up rather a lot of hits on Google!

I'm tickled by how much effort you put into the search! You're right that it's possible it existed, and was simply never recorded online. I certainly like that idea more than the thought that one of my most formative memories might have been pure imagination!

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