So much of the delight of porn is the fantasy, isn’t it? We seek storylines and situations that turn us on and tickle our imaginations, allowing us to transport ourselves into the scene and vicariously experience the unknown. As someone who has had a long-standing interest in spanking and being spanked, I realized while watching Pandora’s Birthday Caning, featuring Pandora Blake and Sarah Gregory, that of course spankings can be lighthearted and loosely structured, all while remaining intense and enthusiastically consensual. It’s sometimes easy to forget that spanking, both giving and receiving, can absolutely be a joyful, exuberant act - it needn’t be limited to discipline, humiliation, punishment, or the other more traditional tropes of the genre.
This spanking film shows how fun and friendship can be excellent catalysts to very exciting spanking and caning porn. If you want to watch quality porn films (and clearly you do if you’re here), palpable chemistry between porn performers should be a basic requirement, in my opinion. Even if the scene is less sexually charged, chemistry doesn’t fall to the wayside.
Pandora’s Birthday Caning is a refreshing film in that sense. There is no obvious seduction, no pantomime of desire. The genuine comfort and authenticity between Pandora and Sarah proves that two people having a warm and sincere conversation alongside OTK spanking can be immensely gratifying to watch. Pandora and Sarah are clearly very comfortable with one another, and that comfort provides a soft and stable grounding to this unscripted, behind the scenes porn film. In lieu of theatrical roles, we get to see sparkling smiles, shy eye contact, sincere compliments and genuine excitement about the thrills of discovering, honing and thoroughly enjoying spanking both professionally and privately.
I absolutely appreciate how genuine this lesbian spanking film is. It’s a conversation between friends and colleagues that creates space for casual erotic experiences to unfold. For me, being able to be a “fly on that wall” is not only intimate and fascinating, it removes the ‘fourth wall’ and makes the whole scene more approachable and accessible than more scripted and dramatic productions. While ‘amateur porn’ has a similar authenticity, a grittiness and realness, and also often lowers that fourth wall, there’s something lovely about watching a personal, candid scene unfolding between two consummate professionals like Pandora and Sarah, shot and edited to professional quality.
I love and appreciate when films can help give you a new perspective on things. In this case, Pandora’s Birthday Caning has given me a new way of looking at spanking that I can now take away with me, continue to mull, and incorporate into my own experiences and fantasies - which makes this film the gift that keeps on giving.
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
If you've been following this site for a while, you might have noticed something missing. Although the archive is crammed with hot spanking videos, and many of them show me playing with real life partners and lovers (particularly my top of ten years, Thomas), one person has been conspicuous by their absence: my long-term boyfriend and dominant, D.
D and I have created plenty of photosets together, but he's never topped me on video. As a dominant he is relaxed and spontaneous, and the idea of following a script, playing a character and pretending to scold and punish me isn't really him. He's an exhibitionist, but unlike me, he doesn't enjoy performing.
It's a point of principle for me as a director not to pressure anyone to do anything they aren't comfortable with. So we've always stayed within D's comfort zone, shooting occasional photosets that didn't make him feel like he was acting. Until now.
Now, there is a spanking video starring me and D on Dreams of Spanking - and with a 50 stroke cold caning, he certainly knows how to make an entrance.
When I set up my fundraising campaign to raise money to help non-profit organisation Backlash challenge the new UK porn laws, D was behind me every step of the way. Our shared political values are one of the fundamentals of our relationship, and we've both always been active in politics in different ways. When I told him I needed someone to beat me on video to fight internet censorship, he was happy to step forward - no acting necessary.
This was the longest, hardest caning D has ever given me. Dishing out fifty hard cane strokes on film purely for the sake of it was never going to be his cup of tea - but as an act of political protest? Sure.
Speaking of cups of tea, one of my favourite moments in this free caning film is jjust before stroke sixteen, when I insist on pausing the caning so I can finish my half-drunk cuppa. It turns out that taking fifteen hard cane strokes on the bare bottom is the perfect way to pass the time while you wait for your tea to cool to the ideal drinking temperature. What better pick-me-up to boost my spirits for the remaining strokes? This is a protest film about the new UK porn laws, after all - and I don't think there's any combination more British than tea and caning.
I love the playfulness and affection between D and me in this video. We were both being ourselves, no roleplay, no characters, and watching it back the dynamic feels very true to our relationship. He doesn't usually watch my spanking videos, but he watched this one and chuckled his way through it at our banter and in-jokes. "It feels very us," he told me. "We're adorkable."
If you've ever looked at my steamy photosets with D and felt curious about our relationship, and wanted to meet the man behind the pictures, watch this film. It's about as honest a portrait of the two of us as you can get.
Apart from the caning, of course. That bit's completely out of character.
This is going to sound like the understatement of the decade, but bear with me: things are really hard for independent pornographers in the UK right now.
For a long time they've had to deal with the government's excessive moralising about porn, and the onerous irrational restrictions around content imposed by payment processors. On top of that, they now have to tackle ATVOD (the Association for TV On Demand), which has decided that internet porn should be subject to the same rules as DVD porn: no more 'extreme' BDSM. No more fisting, squirting, caning or piss.
But there's strength in fighting back, and in the process of working with amazing people like Pandora, I've seen so much determination in the face of a truly exhausting and excruciating process. Pornographers like Pandora, and Nimue Allen, have had to very quickly work out what to do about the ATVOD fiasco. They essentially have two options: shut down their businesses and stop doing what they love, or fight.
They chose the latter.
Our latest free caning video sums up all the strength and determination encompassed in that fight. Nimue Allen - porn producer, performer, and fan of so many of the acts that will be banned in porn if ATVOD get their way - takes an intensely hard fifty stroke caning from her play partner The Boss.
The raw energy in this scene comes straight from Nimue's attitude – her stoic determination to take the caning no matter what. In the pre-scene interview, she speaks with eloquent passion about the UK porn laws, explaining exactly why the law is an ass. Nimue loves making the porn that she makes – with Pandora at Dreams of Spanking and at her own site Nimue's World. And she doesn't intend to give it up without a fight.
Nimue's taken some serious canings at Dreams of Spanking before; most recently the gorgeous The Cane in the Cupboard with Molly Malone as her strict probation officer. But this one's a bit different – in this Nimue isn't playing a character, taking a caning purely for the arousal and enjoyment, she's taking a hard caning as an act of protest. As she says in the video, it's a 'fuck you' to ATVOD. A demonstration of her passion for her work.
Bent over the sofa for the cane, first in black lace and then stripped naked, she breathes deeply to calm herself before each hard stroke. Watching each red stripe bloom on her bottom, it's a clear reminder of the joy and hotness that she is fighting for. And for a caning fan, it's an impassioned reminder of what we'll be missing out on unless these laws are repealed: the chance to watch people we love doing things they love, and sharing in those moments of raw, authentic play.
I think the photoset that went up on the site last week - Surprised in the Garden - is one of the best galleries on this site to date. I certainly had great fun shooting it with Thomas Cameron and Michael Darling, and Nimue Allen captured every hot moment in beautiful compositions.
This scene is based on my oldest fantasies - of being surprised by my lover in the garden, tied up and blindfolded. It's not until I'm being punished that I realise there is not just one two pair of hands caressing and smacking my body, but two...
This scene is actually inspired by an erotic story I read when I was ten years old. This was a milestone moment for me because although I already knew I was fascinated by corporal punishment, I thought I was the only person on the planet who had this fetish. It wasn't until I discovered the theme in an naughty book that I realised other people eroticised spanking and caning too.
I thought it would be fun to record a video blog talking about the significance of this scene for me - and reading a snippet of the erotic story that inspired it.
I hadn't read that excerpt since I was a child, and it was surprising to discover the ways in which my memory of it were different - and the ways in which it was still incredibly fresh in my mind. Our recreation turned out pretty different, in the end, but I still find both scenes very hot.
Do you have a similar "milestone moment" when you realised that you were not alone in your kink? And if that was an encounter with a kinky fantasy or reference to corporal punishment, does that scenario still have the power to arouse you?
What do you get when you put the Dreams of Spanking team in a house with a giant hot tub? Wet spankings! In this week's film David Weston and Talia Lane are let loose on a mountain of bubbles, for a playful, performer-driven switch spanking scene.
I'm not sure what there's more of in this update – kisses or bottom smacks. Talia and David have such a giggly, loved-up vibe that watching them playing together feels like a realy intimate moment. They're sharing their delight at being able to explore each other's bodies in a luxurious bubble bath, and you almost feel like the camera isn't there.
I know there are plenty of people who love homemade porn – what's often known as 'amateur porn' although it's often anything but. I can totally see the appeal of this, because while sometimes it's a shorthand for shaky camera work, most frequently it is a signifier of chemistry. Homemade porn is usually made by people who have serious desire for each other and who want to capture that on film.
In this scene, David and Talia's natural playfulness shines through, and it's a glimpse into how this real life couple are in... well... real life. It's something they brought spectacularly to their first video together – in which they played the naughty schoolboy and schoolgirl punished by strict Ms Blake – and this scene takes it to the next level.
I think my favourite bit in 'Bubble Butts' is David's gleeful cry of “more spanks please!” - it sums up perfectly the joy he takes in a good bare bottom spanking, and his excitement at playing on camera with his girlfriend. Perhaps the only thing that tops it is Talia's demand for more kisses.
This film came out in time for Valentine's Day last weekend, so it's a perfect excuse for glorious, unashamed cuteness: and I know of very few porn couples who embody sexy spanking cuteness quite like David and Talia.
I adore Matt Christie's photos - his gift with natural light makes every image glow, and he has created some gorgeously erotic pictures of me and my partner D. I think my personal favourite will always be Tangled With You, but I love this new gallery of Erotic Spanking photos in which D takes me over the knee. My hot topless boyfriend and a long, indulgent hand spanking - two of my favourite things!
It always feels like a treat I get a spanking from D. He knows how much it turns me on, and when he takes the time to spank me it makes me feel very loved. But that pleasure is always twinned with a certain amount of shock and indignance, because he has a hard hand - and his spankings really hurt!
He has ways of easing the pain, though. I love it when he rests a comforting hand on my back to soothe me through a series of hard spanks - but it turns me on even more when he puts a hand over my mouth to stop my cries, or reaches around to squeeze my breast.
I love that Matt Christie took the time to capture little details from this scene - like the delicate lace of my knickers, or the moment after D took them down, when they got caught hooked around my six inch stilettos.
But my favourite photo from this set is this one of me glancing up, just after a spank has landed. The look in my eyes tells you everything you need to know about how I feel in that moment.
It's easy to see that when I'm getting a bare bottom spanking over his knee, I am very much in my happy place.
My personal favourite, however, was the third photoset of the afternoon. Two topless girls in long skirts, velvet, mood lighting. Old books and ink, hand-lettered typography, words on skin. Adele and I have this kink in common. I copied out the first six lines of the Iliad onto her back in the original Homeric Greek, and it was the most peaceful, zen experience I have ever had on a spanking shoot. As the minutes ticked by, no-one spoke a word, PWP moved around us quietly snapping photos, I think she and I both entered a kind of subspace. There was an element of psychological bondage to it; she had to stay perfectly still, or the work would be ruined. And I entered a trance-like state as I lost all my awareness of the camera, and focussed on finishing the calligraphy as quickly and neatly as possible.
I don't know what story these images might tell. Perhaps we are lovers, or witches; perhaps I'm an artist decorating her for some sort of show, or perhaps she's my submissive and I've set her the challenge of stillness and obedience. Perhaps we are students in some strange alternate universe where punishment lines are written not on paper, but on skin.
When AJ sent me the edited photos to look at, my jaw dropped. They are heartbreakingly gorgeous, just as dreamlike and evocative as I had hoped. PWP did an amazing job with these photos, and AJ more than did them justice in post. As I emailed Girl on the Net to let her know they were ready for copywriting, the scenario started to take shape in my head.
This gallery is a visual poem; a lyrical, abstract dream sequence exploring the sensuality of ink on skin. Inasmuch as there's a plot behind them, it's this: Adele must lie still while I write the text on her. Maybe she's my lover and I just like setting challenges for her. Maybe I'm a witch using body-writing to cast a spell. Maybe writing lines on her is my punishment. I wasn't sure, but one thing was clear: if Adele moved, smudging the lettering, she would get a cane stroke for every error.
Girl on the Net took this idea and ran with it. I love the scene description she came up with.
Two topless women are engaged in a sensual game: one plays the canvas and the other the artist. Adele Haze lies on cushions, exposing her breasts and bare back - and it's the latter that her lover will write on. Pandora Blake uses black ink and a brush to adorn Adele with intricate Greek lettering.
As Pandora's calligraphy winds around Adele's gorgeous curves, Adele must stay completely still, hardly breathing to avoid nudging Pandora as she writes her lines. In a Victorian school, ink smudges would mean a punishment for the writer. Here, the responsibility to avoid error falls on the writing surface. Pandora weaves her spell in words, and the magic of the moment mustn't be broken. For each smudge, Adele will get a stroke of the cane.
When the text is complete – the first few lines of Homer's 'Iliad' – Pandora carefully examines her work, stripping Adele naked so she can admire the slick black script that covers her body. Afterwards Adele bends naked over the punishment bench in the Scriptorium, exposing every inch of her bare skin. Pandora's found some smudges, and every error earns Adele a hard cane stroke.
Each cold cane stroke makes Adele yelp, biting her thumb to hold back her cries. But after three strokes the punishment is over, and Pandora can step back to admire her work – the neat black lines of text curving round Adele's beautiful body, and the vivid red welts left by the cane.
Sometimes a lover will whisper a particular fantasy in my ear, and my heart beats extra-fast because it presses exactly the same buttons as fantasies I've had myself in the past. This week's scene is that feeling made flesh.
Alex Reynolds likes edgy scenes and harsh roleplay where there's a struggle or an abuse of authority. She likes disproportionate punishments and begging and screaming and beating.
And so do I.
'Playing Truant' doesn't just float my boat, it's almost measure for measure one of the scenes that's played out in my head ever since... well... ever since I started fantasising.
Paul Kennedy plays an angry, predatory truant officer, who's been watching Alex behave like – his words – a 'little slut.' She skips school and fools around with boys, and he's been watching her, clearly enjoying the show and scheming how to take advantage. He collects enough information that he can not only scold her, but blackmail her to submit to his violent, nasty urges.
As she squeals and begs him to stop, he punishes her far more severely than she deserves – a vicious tawsing across her naked buttocks and oh-so-sensitive thighs.
Alex Reynolds and Paul Kennedy are a couple in real life, and I really appreciate their candid discussion in the performer interviews accompanying this film. Alex explains that this is the kind of scenario she enjoys most – rough scenes where Paul abuses his authority to dish out cruel punishments. Paul's demeanour in the interview is so different from his character in the film that it's clear this sort of role is very different to how he actually is – and both partners explain what they find so liberating, and so rewarding, about exploring these different roles in scene.
Paul's character is certainly a nasty piece of work in this scene, as he strips Alex to the waist and roughly fondles her breasts, before bending her over for the tawse. He frequently shoves a hand between her legs as she squirms away, and grins with evil delight as he paints vivid red stripes onto her bottom and thighs. And in case you're worried, the camera stays on the couple after Pandora calls “cut”, to show Alex snuggling up to her lover, thanking him for bringing her desires to life.
I might start using this film as an instructional video. As someone whose most often-used phrase in bed is 'be mean to me', I've now got this bookmarked so that when I want to show just how mean I can say 'like this'. Beat me like I'm a naughty schoolgirl caught playing truant. Beat me like I'm a helpless young woman entrapped by a very nasty man.
It's not often we get to see a spanking film that shows sexual coercion as well as corporal punishment – and it might make me uneasy if the love Alex and Paul have for each other didn't shine out of the screen. If you are worried, I recommend you watch the interview before you watch the film – it's an in-depth discussion of kinky sexuality by two very articulate, experienced players, who are perfectly comfortable sharing their darker side with each other – and with us.
It's a seriously sexy treat for me to see have two talented performers act out something that's so closely matches one of my own fantasies, and if you're keen on this type of edgy, harsh punishment then I'm sure you'll love it too. From the words Paul chooses to humiliate Alex, to her well-acted misery and fear, there is so much in this scene to love.
I don't think there's any way to end this post other than with a huge thank you to Paul and Alex, for sharing this aspect of their play dynamic, and for such a smoking hot interpretation of the things that happen in my head.
Have you had a similar experience with a particular Dreams of Spanking scene? I love the idea of sharing a specific film with a lover, and saying 'look! This is what my fantasy looks like!' Which scene is your closest match?