I was scrolling back through the archive and realised that no-one had written a blogpost yet about Casino Correction. This seems like a missed opportunity, as this is a fantastic spanking film starring Pandora Blake and Mike Pain, with an original concept that I haven't seen before.
Croupier Pandora Blake has been called in for a meeting with her boss, casino owner Mike Pain. It seems she's been distracted on the job, messing up the sums and costing the casino money. The scene begins with the lovely Ms Blake pleading with Mr Pain to keep her job. When that doesn’t work she tries bargaining - it turns out she has an ace in her hand, and her friend in the IT department has told her that Mike likes to look at spanking sites on his office computer.
At this point it almost seems like she is in control, embarrassing Mike by revealing she knows his proclivity for watching spanking porn. She gets him to agree that she can keep her job in exchange for him giving her a spanking as punishment for all the things she messed up. That’s when everything switches, the power dynamic changes - and when Mike spins the roulette wheel Pandora realises it’s not going to be as easy as she thought.
There is something in the way Pandora is willing to say anything to keep her job, and the way Mike pauses before deciding he can definitely take advantage of her desperation. It's a delicious sense that he has been hoping someone, at some point, will ask him to punish them. A feeling that is reinforced by the fact that he keeps a paddle and belt in his office drawer.
I loved seeing Ms Blake laid over Mike’s lap, and squirming each time his palm hits her bottom. Her almost petulant “that really hurts!” was just perfect. Mr Pain is now in full control, and making sure she’ll remember her punishment clearly. When he brings out the leather paddle there is a moment when the camera focusses on Pandora’s wide-eyed look of shock which I particularly liked.
Things get even more fun when Mike lifts her skirt, and we are treated to the sight of the reddening cheeks of her bottom. The marks are lovely, and you can clearly see the edges were the paddle has hit. When he moves on to using a belt, I really enjoyed how clearly you could see each stripe where the belt landed.
As the behind the scenes video makes clear, Pandora is no stranger to the belt and really enjoys receiving it. I loved finding out exactly what it is that Mike does to make Pandora go "Yummy yummy yummy"! It was also fun to watch Nimue and Mike figure out how to best film the roulette wheel and watch a bit of footage that didn't make the cut in the final scene.
Spanking films where at least one of the characters are meant to be genuinely into spanking can sometimes end up feeling a bit camp or awkward - it's a bit of an odd dynamic, more complicated to bring to life than a more traditional straight-laced dynamic where it's purely about punishment. I know from watching Mike's intereview that he has a fetish for scenes where elaborate punishments are decided by characters who have a secret interest in spanking. Growing up kinky in South Africa, where corporal punishment was still used, his experiences shaped his interest in punishment as an outlet for private sexuality - but in situations where no-one would ever dare to admit it. There's a tension there, and I can really see the appeal.
The best bit of this scene though is the way Mike turns the tables on Pandora with the roulette wheel. The idea of a punishment where fate will decide how many strokes is seriously hot. There's no chance to bargain or wheedle out of it now - the wheel doesn't care how much it's going to hurt.
Sometimes a good, long over the knee spanking is all you need to melt. To feel the stresses of the world around you slip away as you surrender yourself to sensation. And with this film, a no-frills, unscripted erotic hand spanking, you will feel yourself melting along with Pandora. I know I did.
Wearing beautifully elegant black lace knickers and hold-up stockings, it doesn’t take long for Pandora to be turned into a puddle of bliss. John Phillips’s firm hand takes her through a long, slow warm-up, ramping up the erotic tension and building a rhythm that has Pandora saying “yes please”.
Confession: that’s pretty much exactly what I was saying too.
There are so many things I like about this scene. Its rawness. The light (because I am both a sucker for beautiful light and also a massive nerd). The moments where the camera closes on Pandora’s face as she flashes us a grin of approval. The build-up to a climax of twelve hard spanks... plus a couple extra for good measure.
Don’t get me wrong; I love getting lost in a good story. I like frills. I like well-thought out scenarios and dramatic build up. But sometimes simple is the most effective way to my heart. And this scene is so gorgeous because of its simplicity. Just Pandora, receiving a delectable, shiver-inducing over the knee spanking.
Sometimes that’s all you need to melt. Even when you’re just watching.
Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.
Casting Tai Crimson
It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?
I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.
When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!
We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.
Towards a cinematic style
Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.
Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.
This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.
The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.
So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.
I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.
Developing the story
With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.
I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.
I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place.
Writing the script
Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.
I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.
Working with a storyboard
A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:
Professional production all round, innit.
The day of the shoot
The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.
Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.
I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...
It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!
Editing the film
Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera.
Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.
Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...
In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.
And that's a wrap!
It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...
By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.
Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.
I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.
So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.
You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.
Two words to make any bumfan swoon: yoga pants. Two more: short shorts. This week's scene is not only a hot tease by a lady with a gorgeous bottom, it's a handy visual demonstration of just which clothes best show off a lovely bum. Pandora Blake is off on a date, and she just can't decide what to wear. So, from tight yoga pants to sexy short shorts, she shows you exactly what the options are, and just how nicely they all highlight the full curves of her big butt.
Personally, I'm a fan of yoga pants. No matter what shape your bottom, the tight fabric clings and hugs so well that – in my opinion – it'll look so deliciously spankable that it's pretty hard to resist. Despite the fact that they cover every inch of each buttock, they're so tight they're close to being naked. Obviously, Pandora works this outfit with exactly the style and confidence of someone who knows the appeal of a beautiful big bum.
Tight shorts are to a bottom what dangling jewelry is to a cleavage – they're like a highlighter, pointing right at something beautiful and saying 'look! Appreciate me!' When I'm going up the escalators on the tube, a quick glance up and I never fail to spot one or two bums in tight shorts or trousers that I just want to... Hmm. Smack? Bite? Squeeze?
All of the above.
There's something incredibly satisfying about a lovely big bum. My bum, like the rest of my body, grows and shrinks on a relatively regular annual cycle – getting smaller in the summer when it's too hot to eat much, then getting nice and big and plump just after Christmas when I've gorged myself on roast potatoes. While the title of the video – Does My Bum Look Big in This? is a playful homage to worries about weight and body shape, I love that the video celebrates the sexiness of a deliciously big butt.
There's something very satisfying – and, of course, spankable – about a bottom with full curves. A big bum that you squeeze into a pair of jeans, letting the fabric stretch tight and taut across your buttocks.
I have a pair of short shorts that only come out in winter – partly because I hate having to shave my legs, so I want to wear them with leggings, but partly because in the summer the shorts don't fit quite right. They hang off me a bit, looking deflated and a bit sad. In winter, when I've plumped up a bit, they fit just right – tight and sexy. It's not just the way they look that I like, it's the way that they feel – cupping and hugging me tightly.
In Pandora's video, I'm torn between the tight short shorts as my favourite outfit, or the sexy yoga pants. Of course, there are definitely merits to the sexy tight pink shorts too, and I suspect there'll be some who prefer Pandora's bottom in just a flimsy black lace thong - or kneeling on the sofa with her knickers pulled down and cheeks spread. Whatever your preference, though, I can tell you one thing for sure: if you like big butts, you'll adore this.
One of the core themes of Dreams of Spanking is the difference between fantasy and reality. Especially when fantasising about a non-consensual punishment, it's importance to make it clear that fantasy is just make-believe, and that in real life, we enjoy consensual spanking for fun and mutual satisfaction.
This year I've had fun sharing some more candid moments from my private life. Pushing out a new film every week, I sometimes feel that I have to compromise on quality. When I'm producing fantasy fiction, I want the production values to be as high as possible within my limited budget. I've decided to prioritise quality over quantity. Instead of trying to release a new ambitious spanking storyline every week, I want to take the time to make my professional costume productions as good as possible, and space them out with simpler videos that show real life amateur spanking. After all, both sides of spanking are equally precious to me - the elaborate invented scenarios that excite my mind, and the simpler play with others that makes my body feel good. Fiction and real life; fantasy and reality.
Our latest video is an example of this. It's an over the knee hand spanking, pure and simple. No high concept, no characters, no roleplay - just me, offering up my bare bottom and breathing into the pain.
Perhaps you'll enjoy the moment where I breathlessly suggest that he spank my thighs - and then writhe, wriggle and cry mercy as the stinging pain is sharper than I expect. Maybe it's the classic elegance of my black thigh-high stockings and suspenders that will do it for you, or the firm rubs and squeezes my spanker gives me to soothe the sting. Or perhaps you'll enjoy watching the colour deepen and intensify on my bottom and the tops of my legs until they glow hot red.
I'm all for complicated plotlines, but sometimes it's nice to simplify and go back to basics. A firm hand, a comfortable lap, a hard over the knee spanking - and the serenity that follows.
What do you get when you put the Dreams of Spanking team in a house with a giant hot tub? Wet spankings! In this week's film David Weston and Talia Lane are let loose on a mountain of bubbles, for a playful, performer-driven switch spanking scene.
I'm not sure what there's more of in this update – kisses or bottom smacks. Talia and David have such a giggly, loved-up vibe that watching them playing together feels like a realy intimate moment. They're sharing their delight at being able to explore each other's bodies in a luxurious bubble bath, and you almost feel like the camera isn't there.
I know there are plenty of people who love homemade porn – what's often known as 'amateur porn' although it's often anything but. I can totally see the appeal of this, because while sometimes it's a shorthand for shaky camera work, most frequently it is a signifier of chemistry. Homemade porn is usually made by people who have serious desire for each other and who want to capture that on film.
In this scene, David and Talia's natural playfulness shines through, and it's a glimpse into how this real life couple are in... well... real life. It's something they brought spectacularly to their first video together – in which they played the naughty schoolboy and schoolgirl punished by strict Ms Blake – and this scene takes it to the next level.
I think my favourite bit in 'Bubble Butts' is David's gleeful cry of “more spanks please!” - it sums up perfectly the joy he takes in a good bare bottom spanking, and his excitement at playing on camera with his girlfriend. Perhaps the only thing that tops it is Talia's demand for more kisses.
This film came out in time for Valentine's Day last weekend, so it's a perfect excuse for glorious, unashamed cuteness: and I know of very few porn couples who embody sexy spanking cuteness quite like David and Talia.
Well, this one isn't exactly new - in fact it's been up on the site for a couple of weeks. But what with campaigning against the new porn legislation, unexpectedly being invited to debate the legislation on Channel 4 News, sessions, spanking parties, and spending a couple of days in Birmingham pair-editing some of the scenes for our new joint project with Nimue Allen, I'm a bit behind on blogging! Which means that I've got quite a few blogposts lined up for you over the holidays - what better time to get a daily dose of spanking updates to while away the Christmas break?
When it's the stunning Lola Marie in front of the camera, it's always worth looking back a couple of weeks to show you some new behind the scenes goodness...
Performers: Lola Marie, Pandora Blake
Out-takes and fun behind the scenes during the shooting of Provocative Housework - including Lola's impression of Patsy from Ab Fab, Lola admiring the old-school oven and iron in the shoot kitchen, scene planning, sexy wiggling, funny faces and silly voices, Pandora admiring Lola's bruises, and both of them actually cleaning the oven!
Lola is her usual bubbly self in this behind the scenes video, which includes quite a few silly voices and faces. She was such fun to have on set. I can't wait to work with her again in 2015!
From cleaning the bathroom wearing only your knickers to scrubbing the oven in sexy lingerie and heels – housework is far more fun when you're just wearing underwear. And it's certainly more interesting to watch.
Lola Marie does a spectacular job of tempting Pandora Blake in this week's spanking video – stripping down to a sexy black bra, thong and sexy high heels, and deliberately posing so she shows off her gorgeous bum.
I find it hard to work when my partner's around – there's a temptation to play, chat, and generally have more fun than I'd have on my own with a laptop. That's one of the reasons why I love this scene – Lola Marie and Pandora capture the flirtatious chemistry of a couple going about their domestic routine, and the ease with which normal household things can turn into something much more interesting.
Lola Marie gets a spanking, of course – who would be able to resist her cheeky grin and wiggling bottom when she's keen to play? And as ever I'm impressed at just how much hard spanking she can take, reacting with 'oohs' and giggles as Pandora thoroughly warms her beautiful bottom.
I love Lola Marie's insouciance – she's completely perfect in scenes where she's flirting or bratting her way into a spanking. There's something about her amazing sexy smile that says “I've just got exactly what I want.”
I'm especially impressed that, as a result of her provocative behaviour, Lola Marie manages to get Pandora to join in with the cleaning...