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Shooting in a cinematic style - the story behind our new film 'Houseboy'

Our new film Houseboy is a departure from the usual videos on Dreams of Spanking - and most other spanking sites. This is our first attempt at a cinematic short film, aiming for a higher standard of cinematography and storytelling than we are usually able to achieve. I wasn't planning to shoot this way from the start - it came about from a convergence of factors that created the perfect opportunity to try something new.

Casting Tai Crimson

It started last year, when I met an enthusiastically kinky and ridiculously cute young person from San Francisco. He was gorgeous, he loved spanking - he could certainly take it - and he expressed an interest in shooting for Dreams of Spanking. He wasn't old enough at that point to perform in porn, but I said that once he turned 18 I'd be very happy to work with him. We made plans to shoot together when he was next in the UK - which happened to be May 2015, less than a week after his eighteenth birthday. How's that for a coming-of-age celebration?

Houseboy - a new cinematic short fetish film by Dreams of Spanking

I normally prefer to work with kinksters who are a little older, simply because I value emotional maturity and experience in the people I shoot with. I think the common fetish for "barely 18" performers in porn is partly based on the idea that young performers are vulnerable, and so it's easier to take advantage of them and push their limits. I find this sleazy and totally unethical, and I'd always much rather work with older players who know their own minds and are able to look after themselves. It's important to me that the performers I hire can take responsibility for their own limits and communication, are experienced enough players to know their bodies and their preferences, and are secure in their decision to appear in fetish porn - because once you've done it, there's no going back.

When I met Tai, however, he exploded all of my preconceptions. Although a teenager, he has a rock solid sense of his kinky identity, and he's been exploring his interest in private for years. He is calm, confident, intelligent, self-reliant, and very emotionally mature. So at eighteen and a few days, Tai officially beats Talia Lane to the position of youngest performer on Dreams of Spanking - and yes, we do have his ID on file to prove it!

We put a date in the diary, and meanwhile Tai and I exchanged emails discussing his interests and preferences. But by March this year, when I needed to start firming up plans, I already knew that ATVOD were investigating Dreams of Spanking and that I was likely to have to stop updating the site for a duration of several months while my appeal was underway. I had lots of scenes already shot starring Fauni, Mike, Talia and David and others which I wasn't going to be able to publish, so there was absolutely no point spending money and energy shooting more material that might never see the light of day.

Towards a cinematic style

Meanwhile, I'd attended the British Fetish Film Festival in February and the Berlin Porn Film Festival last October, and I'd been thinking an awful lot about shooting styles, production values, and the budget and time constraints under which I was shooting.

Over five years I have developed a shoot style that produces one 10-15 minute spanking film per hour, in a remarkably stress free environment, with plenty of breaks. This is based on improvised scenes filmed live by one or two handheld camera operators, with perhaps some close-ups or cutaways to enhance anticipation in the build up to the spanking scenes, but otherwise shot with as few cuts as possible - unless the performers themselves need to cut. Lightweight, consumer-grade cameras make handheld shooting manageable without the camera operators getting too tired, and using auto-focus allows us to get visual variety by roaming around the scene shooting different angles, rather than stopping the action to reset each shot.

This non-disruptive shooting style allows the performers to get into an immersive scene space and stay in character, which helps the roleplay flow more smoothly, and also helps the bottom stay in their headspace and makes the spanking itself easier to take. It's a system that Nimue and I have got down to a fine art, and I was pleased that we'd reached a point where we could create nice-looking films within budget, while maintaining a relaxed and fun shoot environment for everyone involved.

The downside of this low-key shooting style is that the resulting films would never achieve the cinematic quality that I was seeing at the film festivals I was going to. I'd had a couple of films rejected from international festivals, presumably because the videography, audio quality and storytelling wasn't up to scratch. I found myself wanting to level up, and see if with a bit more money, time and effort, I could raise my production values and put Dreams of Spanking on the map as a credible producer of cinema-quality films.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

So rather than hire Tai for a day shooting a number of improvised ten minute website updates, I decided to use him to do something different. I booked amazing boudoir photographer Matt Christie to help out with the videography - he'd expressed an interest in shooting video last time we shot together, he has a commercial-grade camera and he also had access to an amazing location perfect for the scenario I had in mind.

I started penning ideas for a single 10-15 minute short film. Not five films, or six films, or seven. Just one.

Developing the story

With Tai, I had an articulate and gorgeous masculine-of-center performer with a submissive streak a mile wide, who loved being spanked. I thought about the films I was seeing at festivals, and the lack of beautifully-shot female/male BDSM films shot from a female perspective, with a male submissive who is both beautiful and interesting, and not just a cipher propping up a sexually objectified female dominant. Instead of this I wanted to make Tai the lust object and protagonist of the film, focussing both the lens on his body, and the story on his character's journey.

I started with a fairly traditional plot - a young man applying for a submissive role in the household of an established mistress. I brainstormed ideas for visual storytelling, thinking about ways to focus the storyline on the tension and anticipation Tai's character feels before he takes the plunge towards fulfilling his submissive desires. I considered ways to create an interesting power dynamic between his character and mine. I quickly realised that I'd need a third performer, another submissive serving the mistress - someone to make his arrival at the house feel more formal and more intimidating.

I'd already talked to my friend Eliza Grey about having her on set as a shoot assistant, helping out behind the camera (she had planned to be with us on our shoot in November, but had sadly been unable to make it). I realised she'd be perfect for the role of a bitchy receptionist, enhancing Tai's nerves before his interview with the Madame... and once I'd cast Eliza, the rest of the story fell into place. 

Houseboy - a new cinematic short fetish film by Dreams of Spanking

Writing the script

Ten days before the shoot, I was hurrying to finish the script on my laptop on the train. I'd never written lines for characters to say before, and I was finding it surprisingly difficult. I'd write a line, then agonise over it. What if Tai doesn't feel comfortable saying that? What if that's not what Eliza would say? I've always made a political point of not putting words in my performers' mouths, and suddenly that was what I was literally doing. At the same time I was all-too-aware that they were going to need to memorise their lines, and time was running out.

I closed my eyes, wrote some lines telling myself they were only placeholders, and sent it off with an apologetic email saying this was a very rough draft, and inviting them to make any changes they wanted. But my anxiety proved unfounded. In the end, bar one wording change, that script was the one we used - and Tai and Eliza rocked it.

Working with a storyboard

A week before the shoot I was on D's sofa after a fetish party, scribbling a 'storyboard' in biro on A4 paper from his printer while my friends chatted around me. After writing the screenplay I had a strong visual image in my mind's eye of what most of the shots would look like - now it was just a case of creating a visual reference so I could communicate my ideas to Matt on the day. I'd visited Matt's location a week ago, so the rooms were fresh in my mind. It was a useful exercise to think through camera angles and compose the shots, but I'm pretty sure it was the crappiest storyboard anyone has ever worked from. The most hilarious of my terrible stick figure drawings was this sketch of Eliza being spanked over my knee and feeling sad about it:

Professional production all round, innit.

The day of the shoot

The shoot day approached. I bought food and props, looked up travel options, packed suitcases, selected implements, printed scripts and release forms. Shortly before the day I realised that I'd inadvertently booked our shoot on the same day as the London Marathon, and the location we were using was only one block away from the route. That meant that not only would transport potentially be disrupted, but the exterior shots would all have a huge amount of background noise. Still, at this late stage there was nothing to be done about it. I booked an 8am taxi, the traffic at that hour was fine, and I was on set at 9am. Matt and I drank coffee and looked through the storyboard, then Tai and Eliza arrived - and it was all go.

Shooting from a script was a totally new experience for me, and a steep learning curve. I'd worked out the best shooting order, shooting the story in as close to chronological order as possible while minimising room and lighting changes. After that it was just a question of staying calm, following the callsheet and taking it one shot at a time.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

I was using an external mic for the first time, and was grateful to have Eliza helping out and sharing the responsibility for making sure the mic was a) close enough, b) not in shot, and c) recording each time. She was also an absolute star helping out with moving lights, checking camera batteries and memory cards, making tea and tidying up behind us. A+++, would work with again. Plus it turned out she could seriously act...

It was a full day, perhaps a bit too full - nerves started to fray after a few hours, and everyone was feeling tired by mid-afternoon. The shoot would definitely have been easier with more camera crew or fewer scenes to fit in. After a few hours, Matt noticed a round smudge in the middle of the lens, and wiped it off - but of course there wasn't time to go back and re-shoot the shots we'd already done. By the time we came to shoot the confrontation between Tai and Eliza in the kitchen, everyone was so tired that that scene took about seven takes. Some of the shots ended up out of focus, and we got through so many cans of tonic that I was worried we'd run out!

Editing the film

Still, despite all that, when I came to look at the footage I was pleased to discover that most of it looked how I'd expected. There were a few surprises in the edit - such as that moment when I realised the reverse shot in one dialogue scene crossed the line and was therefore unusable, and was suddenly grateful that we'd shot three angles of that particular scene, even though at the time it felt like overkill. It was a monster of an edit, but satisfying too, sorting through all the footage, plugging it into place, and seeing how the scenes I'd envisioned in my mind played out on camera. 

Houseboy - a new cinematic short fetish film by Dreams of Spanking

Choosing the music was another daunting prospect - I knew I wanted to avoid re-using the same creative commons soundtracks that you hear time and time again in indie porn, and that meant spending money. But how to start looking? First I worked out where music was needed - in the intro sequence, the montage, and the closing credits, which meant I needed two or three pieces in total. Then I did a rough edit of those sequences so I had a vague idea of how long the music would need to be. After that, I set a day aside to browse SoundDogs, typing in different keywords and playing pieces with my eyes closed, visualing the film, until I hit on a genre that felt right. I realised that for this story my usual taste in piano and cello-dominated classical and film score music wouldn't work - Tai's character needed something moody and masculine, guitar-led, energetic and driving. Finally I whittled down a selection, downloaded some samples and started laying them over the edit to see what worked.

Primarily, this film was intended to be screened at film festivals - which meant that the narrative would have a different structure than standard spanking films. In a film intended for someone to watch while having a wank, you need a carefully paced build-up and pay-off that sustains uninterrupted shots of climactic spanking action for long enough for the viewer to reach orgasm. In a longer film, there might be two of three of these build-ups and climaxes, separated by character-driven story. But at a film festival, the audience are watching to have their minds stimulated, not their genitals. Fast-paced editing is preferable, providing lots of new visual information with every shot. Explicit sequences need to be edited down to the bare minimum necessary to develop the characters and progress the story. So that was a new challenge: cutting the 15 minutes of high quality spanking action in, for instance, Tai's audition scene, down to the three minutes earmarked for it in the festival edit. The only way I was able to do it was by promising myself that I'd release the full, uncut scene as an extended edition on Dreams of Spanking later. But meanwhile the deadline for the Berlin Porn Film Festival was June 30th, so I had to get the shorter edit finished first...

In the end, thankfully, it was finished in time to submit to Berlin, and I'm hopeful that they'll accept it. I'll be submitting it to various other film festivals over the summer as well. I'm really happy with the finished film, and completely honoured to have been trusted with Tai and Eliza's porn debuts - and thrilled that they had a good time.

Houseboy - a new cinematic short fetish film by Dreams of Spanking

And that's a wrap!

It was a really long shoot day. We finished the scheduled shots around 7pm, 10 hours after I'd arrived on set. But then we cracked open the champagne and ended up chatting and buzzing on a total high, which led to another two hours shooting performer interviews, and even a behind the scenes caning for Tai when he confessed he still didn't think he'd been spanked enough...

By the time we finally turned the cameras off, sat down for some supper and tidied everything away, the sun had gone down - and it was 11pm before I finally got into a cab. Matt and I had been on set for fourteen hours, Tai and Eliza for thirteen. I am so grateful to the three of them for their enthusiasm, dedication and professionalism. It was a long fucking shoot and everyone put in so much energy and creativity it was kind of overwhelming. Overall, this production cost ten times as much as an average Dreams of Spanking video, but even so I still came away feeling like I hadn't paid people enough for the amount of work they'd put in.

In conclusion

Overall, this was a very satisfying project, and I'm really happy to have it under my belt. But it also taught me a lot about the trade-off that arises when you move towards a more cinematic shooting style. My previous method gave my performers more breaks, less stress and a much more satisfying kink experience. Shooting Houseboy, we did the bare minimum of spanking needed to get the shots I wanted - and stopping to move the camera, check the focus and lighting, consult the storyboard every few seconds made it hard to get immersed into a satisfying spanking headspace. I'm glad I hadn't scripted any particularly hard spanking scenes, because I think severe corporal punishment would be much more emotionally and physically challenging to take in this context.

I hadn't realised it before, but shooting in a more amateur style results in a much more rewarding experience for the performers - with more opportunity for top and bottom to develop an in-scene chemistry, focus on each other rather than the camera, and time for the bottom to sink into a yummy submissive headspace, without constant distractions.

So what can I take away from this? Well, I've learned that shooting in a cinematic style is something I can do, and that's good to know. I've learned that it's hard work, at least ten times as expensive as my usual shooting style, and considerably more time-consuming to produce and edit. It's also exhilarating, exhausting, and very creatively satisfying. I'm glad I stepped out of my comfort zone and gave it a go, and I'm hopeful that the finished film will be screened in Berlin this year. But I've also learned that I don't want to start shooting this way every time. Perhaps I might be able to put out one cinematic film a year, but this experiment has restored my faith in my usual low-key way of shooting, which it turns out is preferable experience for me and my performers - and a much better environment to ask people to take hard spankings in. Our standard Dreams of Spanking shoots emphasise process over product, and trying something new has re-affirmed my faith in that process.

You can watch the long-play trailer for Houseboy below - and if you're a site member, please watch the full film and tell me what you think - and make sure you also check out the extended editions of Tai's and Eliza's spanking scenes, performer interviews and Tai's off-the-cuff behind the scenes caning.

Ceremonial flogging for the magician's new apprentice

You remember I blogged a couple of weeks ago about submitting a couple of films to Cinekink? I was absolutely stunned to hear that one of them was accepted!

Click to view trailer for My%20Inner%20Little%20Girl

My film about feminist submission, self-pleasure and spanking fantasies, My Inner Little Girl, will be screened at the Cinekink festival on Saturday 1 March, at the Anthology Film Archives in New York City. I won't be able to attend the screening but if you want to go and tell me how it went, you can register a ticket here.

Meanwhile, I've got a gorgeous new photo gallery to share with you: the second part of The Magician's Apprentice, with photographs accompanying original spanking fiction by Adele Haze.

Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice... Now that Sophie is also a magical student, she must learn the same lesson as Giles...

The Magician's Apprentice (Part 2)

Two young lovers find themselves caught in flagrante delicto by a master magician - and he isn't impressed. After thrashing his apprentice for failing to rein in his passions, Master Finlay informs Sophie that she has untrained magical ability, and must learn to control it or she will put herself and others in danger. He offers to take her on as his second apprentice. Sophie can't believe her good fortune - her old life was not worth clinging to, and she accepts the opportunity gladly, even though it means undergoing to a painful initiation ceremony.

Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice. Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.
Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.

I've always loved the idea of sacred or ceremonial kink; the use of blindfolds, restraints, whipping and flogging in magical ritual. There's something deliciously objectifying about being a ritual object or a sacrifice to the gods, body mortified to raise power for a higher cause.

On the other hand, blindfolds and flogging can play a part in an initiation ceremony or a rite of passage, where the focus of attention is very much on the celebrant - as with the ritual conducted to mark Sophie's initiation into the path of magical learning. Either way, this is about using pain and sensory deprivation to achieve an altered state of consciousness.

Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice. Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.
Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice. Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.

Now that she is officially subject to the magician's authority, Sophie must learn to control her passions and her powers. To teach her this lesson Master Finlay straps her bottom soundly with a razor strop of worn, thick leather. 

Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice. Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice. Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.

But even the pain of Sophie's punishment - or the chores she is set afterwards - do not diminish her joy at finally finding a place where she belongs. 

Now that Sophie is also a magical student, she must learn the same lesson as the other apprentice.  

Introducing Andrew Shada

I'm delighted to welcome our newest performer Andrew Shada to the site - male switch, spanking, bondage and pet play enthusiast.

Andrew Shada at Dreams of Spanking In my everyday life I guess I'm a bit of a nerd: obsessed with science both fact and fiction, Doctor Who (as you can tell from the name!), history, real ale, war gaming, LARP, cosplay, yoga and comedy.

I also love to dabble and try new things, because you never know what you might like - and as Sir Thomas Beecham said “you should try everything once except morris dancing and incest”. Although actually I am rather partial to a little morris dancing.

I was put in touch with Andrew with a mutual friend who isn't in the kink scene herself, but knows what I do and supports my choices. She thought Andrew and I should talk, and when I saw his pictures on Fetlife and realised how cute he was, I quickly agreed!

I was particularly drawn to two photos, one showing Andrew looking deliciously toppy in historical military uniform, sitting in a leather armchair and holding a glass of port; and another of him in sub mode, doing the ironing wearing only his underwear. The latter was the inspiration for his first photoset.

My current policy of shooting photos first with a new performer originated on my first shoots with Jimmy Holloway and Sebastian Hawley, neither of whom had done any professional porn performance or fetish modelling before. Especially if someone is nervous on their first shoot, I find that photos can be a way to ease them in gently that is less nervewracking than video. While shooting photos we can talk and communicate more freely than while shooting video, and it gives them the chance to ask questions and give me feedback, while I can give them tips and, if necessary, coach them in body language. All of this is also excellent practice before shooting your first spanking video.

Andrew was nervous as hell, and had been compulsively smoking all morning while we were setting up to shoot. I decided to incorporate this into the first scene, with him as a houseboy who is spanked for taking an unauthorised smoke break from his domestic chores.

The Spanked Houseboy at Dreams of Spanking

The Spanked Houseboy

Andrew has been working all morning, cleaning Pandora's house, sweeping and mopping the floors. He ducks outside the back door for a well-earned smoke break. Unfortunately, his mistress catches him and drags him back indoors for a sound over the knee spanking. Once he has been well and truly punished, she orders him to strip naked, then gives him back the apron and tells him to finish his chores with his red glowing bottom on display.

Despite his nerves Andrew turned out to be a natural. There are so many images I love in this set. Such as the story hinted at in the above photo; or the embarrassment of having your trousers pulled down for a bare bottom spanking:

The Spanked Houseboy at Dreams of Spanking

Andrew's submissive demeanour has an adorably forlorn, long-suffering quality. It's not pouty or bratty but sort of wistful and resigned.

The Spanked Houseboy at Dreams of Spanking

This was his first spanking on camera, and I got the impression it was his first proper spanking in some time. He coloured up beautifully and I didn't need to go all-out to get a reaction.

The Spanked Houseboy at Dreams of Spanking
The Spanked Houseboy at Dreams of Spanking

And like me, Andrew has back dimples! For some reason I find this particularly cute on a boy.

The Spanked Houseboy at Dreams of Spanking

Finally this scene provided another opportunity for me to indulge my well-documented apron fetish. The trope of a spankee being dressed only in an apron after punishment, with their spanked bare bottom on display, to add an extra dose of embarrassment to the completion of household chores, is a pretty common one in the M/F genre. M/F housework fetish bores me, but I love subverting it in male submissive or queer F/F scenes such as Cupcakes, Cheesecake! and Slave for a Day. And I couldn't resist the opportunity to revisit it one more time:

The Spanked Houseboy at Dreams of Spanking

I think I've got it out of my system now. Mind you, I haven't shot a naked waiter scene yet - and Mr Will Savage would be a perfect candidate - so there might be some life in the old apron trope yet!

"Please don't, Miss!"

This week's updates include something from mine and Pandora's early archives, and something fairly new and very attractive from Pandora and Molly Malone. Our latest video is a second instalment in their instructional series which debuted with Introducing the Cane. In this scene the lovely ladies demonstrate the process and practicalities of scene negotiation. Here's the trailer:

Click to view trailer for Negotiation

Negotiation

In this instructional video Molly and Pandora discuss the best ways to negotiate within a spanking scene. They demonstrate techniques including in-role ways for bottoms to express their needs, ways for tops to check in with their bottoms, and ways to deal with ending or taking time our from a scene if necessary. Finally the ladies discuss how to say "please no" when you mean "please yes". Molly and Pandora demonstrate all these techniques while spanking each other, including thigh spanking, the leather paddle and the tawse!

I particularly liked this moment for Molly's entirely blissed out expression.

Molly over Pandora's Knee at Dreams of Spanking

These shades of green and pink do go together well, don't they?

Molly gets the paddle...

"Please don't, miss!" Pandora bends over for a demonstration of the principles of consensual non-c0nsent.

...And Pandora gets a bare-bottom tawsing.

This is both a hot spanking scene in its own right and a useful, sensitive exploration of consent and negotiation.

For your additional pleasure, we also have a new photo gallery, Kitchen Punishments

Pandora feels the tawse.

Kitchen Punishment

Pandora has been daydreaming about spanking rather than doing her chores. When Tom comes home and discovers the kitchen still a mess, her fantasy is about to become reality.

This is the sequel to Messy Kitchen, and is the last set of photos from that shoot in 2006. It was our first attempt to shoot our own spanking photos at home, with a photographer recruited from Net-Model (who preferred not to be named), no lighting, and not even much idea of what we were going to do during the shoot.

Pandora is paddled in the kitchen. Pandora is paddled in the kitchen. Pandora is paddled in the kitchen. Pandora is paddled in the kitchen.

Pandora had only done a couple of spanking shoots for other producers, and had already been bitten by the bug to shoot her own material. She had a vague idea she might want her own site "one day", but no concrete plans, or even a name, as yet. Still, I liked spanking her and even better doing so on camera, so we decided to have a go regardless.

We've come such a very long way since those early days, with a clearer vision, higher production values and a great deal of hard work and laughter along the way. We would never have made it without support from our members, so thank you all, and we hope you enjoy looking back to where it all began!

View all scenes »