I always get a little nostalgic around Christmas. This year I’m finding that sensation stronger than ever: 2020 has been a year unlike any other I’ve seen, and the familiarity of the festive season has proven comforting.
It seems only fitting, then, that we have some fine vintage porn for you this week. The Wrong Room was filmed some years ago now, and is the sequel to The Victorian Brothel - which was already a look back through Dreams of Spanking history when we released it in 2017. It’s also set in the 1800s, of course, making it a blast from the past in more than one way!
As one of the newer members of the Dreams of Spanking team, this was my first introduction to the shenanigans of Molly Brown. You can tell in the opening scenes of The Wrong Room that she’s enjoying her bare-bottom spanking a great deal - and not for the first time, either, judging by the array of beautiful bruises she sports all across her exposed backside. Longstanding fans will know that this enjoyment was hard-won: in her debut she was a real firebrand, stubbornly refusing to submit to her client’s desires. All that life and energy is still there - she hasn’t lost her sharp mouth or her quick wit, which we see as the film unfolds - but she’s discovered something wonderful at the hands of Thomas, and submission to him has become something she craves and enjoys.
You can see the jealousy in her face, in fact, when after a mixup with room bookings Thomas decides to invite the hapless Leia to join them. She soon warms to the idea, however, and in the end thoroughly enjoys getting to play the experienced sub talking a nervous newbie through their first ever spanking. Leia too is taken on a journey during this encounter. She’s reluctant at first, seeming to agree only out of a sense of politeness and duty. As her cheeks redden, though, we can see it in her face: she’s enjoying this. She’s learned something new about herself here; something we can but hope she gets to explore with Thomas on many future assignations.
It’s been a deeply peculiar year for us all, has 2020 - but we wanted to go out with a bang (or should that be a smack?), and this was the perfect way to do it. Have a great Christmas, folks, and we’ll see you on the other side.
Fantasies are limitless. They exist on a higher plane, free from the burdens and boundaries of everyday life. The beauty of being a porn producer is that you can realise those fantasies. You can put pen to paper, turn on the camera and act out your dreams without restriction.
That can mean that for one viewer a Dreams of Spanking film touches on their deepest desires, and for the next viewer the topic makes them uncomfortable. One person’s yuck is another one’s yum and there’s nothing wrong with that. We want to make sure you can easily find your yum, and avoid your yuck. That’s why we’re introducing content notes to the beginning of our films.
This won’t affect the films themselves - they will still be full of kinky goodness of the highest quality. It just means that at the very start of the film there will be a screen featuring content notes. You can check if the film contains something that you won’t like, and if all is well you can settle in and enjoy or you can return to the gallery and find the film that tickles your tastebuds. I’ll give you an example. Often people commission fantasies based on their memories of childhood. I see recurring themes of school and parental discipline, being told off and in trouble, feeling helpless and scared, and nostalgia for a bygone age. If age play, implied coercion, and imagining yourself into the role of a young person in trouble, might be upsetting, perhaps it's best to skip these films.
Consent starts within ourselves, and it's important to respect our own boundaries and listen to our bodies about what feels good. Our limits can fluctuate, so we can't assume that just because we enjoyed something before, it's the right film to watch right now. If something doesn't feel good to you, stop the video and do something else. And for those whose buttons are pressed by these particular themes - well, hopefully the foreshadowing will serve to heighten the excitement and anticipation.
‘Caught Camming’ with Jayda Blayze is the third film in our new Guest Director series, and we think it’s going brilliantly. (The others, if you were wondering, were ‘A Spot of Bother’ - our latest period piece, directed by and starring Charlie J Forrest - and Nimue Allen’s ‘Lockdown Scolding’.)
Made in collaboration with Universal Spanking, the fantasy behind this film is all Jayda’s own - to find out a little more about her inspiration, watch the behind-the-scenes extra we’re releasing in tandem with the main event.
We’ve always been champions of performer-produced content here at Dreams of Spanking: it fits perfectly with our ethical standpoint and our focus on consent above all else. The continued need for social distancing has kept us from being able to get our own cameras rolling again, so this seemed like the perfect opportunity to introduce you all to some fresh content made by other performer/directors - including those who, like Jayda, live too far away to shoot with us in person.
It’s been wonderful to have a chance to work with Jayda, and we’re pleased to announce that this won’t be the last time - we’ve got another film starring her coming out in due course, so watch this space! In the meantime, you can get your Jayda fix on Just For Fans, ManyVids or Twitter.
I don’t know if you guys realised this, but Pandora has a secret superpower: the ability to make hot, taboo spanking porn films that are also...weirdly wholesome?
On the surface of it, there’s nothing wholesome at all about our latest film. Pandora plays a bratty slut who has got herself pregnant - and doesn't even know who the father is! By the end she has an extremely red bottom courtesy of daddy dom Nimue, who has had enough and knows who's going to be left to look after the baby. It’s an edgy spanking roleplay involving implied daddy/daughter age play, serious telling-off, and a heavily pregnant spankee getting a hard bare bottom paddling. Plus there's at least one orgy joke.
And yet, and yet... when you get to the end, see - well, I won’t spoil it for you, but I came away giggling and genuinely heartwarmed. This film is a hot power play spanking fantasy, it presses all sorts of filthy buttons, and it also somehow rather sweet. I know Pandora was determined to shoot some hard spanking porn while heavily pregnant, and the baby bump in this film is the real deal. If you like a little age play with your spanking (guilty as charged) and breaking all the rules, you'll like this. And really, who doesn’t want queer butch Daddy dom to spank them and take care of them? I know I do.
In the current circumstances, audio stories are a good way to get a fix of naughtiness discreetly. Just put in some headphones and enjoy an intimate spanking fantasy, direct to your eardrums.
Bare That Bottom, Boy is an immersive little tale of domestic discipline and bare bottom spanking. And this fantasy is dirty. Pandora Blake plays a young and wicked stepmother to you, dear listener, in the role of a young man badly in need of discipline. Pandora slides from stern disciplinarian to teasing sensualist. Her "it's-for-your-own-good" strictness is spiced up with hints of tantalising, forbidden pleasures to come.
This story plays on the theme of erotic humiliation. Any subs with a taste for taboo naughtiness will find themselves squirming with anticipation.
As someone with a fondness for consensually mistreating cute young men, I personally found myself identifying more with Pandora than with her victim, but that made me enjoy it all the more. I could envisage myself participating in the ritualistic removal of skin-tight denim jeans, baring a pert, vulnerable pair of buttocks, all ready to be reddened by a good, hard spanking.
Fun though it is to relish the subtle touches which let you know there are naughty undercurrents to spankings and punishments, there are times when it’s even more fun to be explicitly filthy. The delightfully spiteful refinements Pandora proposes to include in this punishment gave me a few ideas to put into practice the next time I get someone cute and willing over my knee...
Our latest update Schoolgirl Scared of the Cane, is a lovely immersive, intimate little POV spanking film. Pandora, in school blouse and tie, addresses the viewer as a friend and confidante. She tells how she got caught with a bottle of vodka on a school trip and is now sitting outside the Head’s office, waiting to find out what her punishment will be.
We see her going through a range of moods: from outrage that she is the one to suffer when it was someone else who brought the booze in the first place, to terror over how many strokes she might get and how much it will hurt, to embarrassment at the idea of having to raise her skirt so the Head sees her knickers, to finally begging the viewer to look after her once the caning is over.
It’s almost all filmed in tight close-up, which adds to the intensity: the camera only seems to pull back once, when Pandora picks up a cane and flexes it nervously. Though it’s a prolonged tease rather than explicit spanking action, this video will set your imagination racing. Pandora talks about Adam, the boy who was the actual rule-breaker in the first place: is it fair that he should get away scot-free? She wonders whether telling tales on him would count in her favour, but seems to decide against it in the hope that taking a caning in his place will make him like her better. The background school romance adds a nicely bittersweet erotic charge to things.
I have immense admiration for Pandora’s acting skills in this solo POV schoolgirl film: she displays convincing fear and shame, yet somehow never quite loses that touch of wicked glee when she describes the pain of getting six of the best, or the welts that were left on a school friend’s bottom when they got a caning for bunking off lessons. I know for myself that screen improvisation is no mean feat. I made a right arse of myself, years ago, doing a bit of femdom improv for an audio site – I was having to make the whole thing up on the spot and my co-star, being a human puppy, had no help to offer other than the occasional ‘Woof’. I absolutely take my hat off to Pandora for this star performance.
Before we go any further I should warn you that The Abusive Therapist is a severe spanking film. It is an edgy fantasy direct from the kinky imagination of spanking starlet Tai Crimson. Here's the scene description:
Tai plays a vulnerable young woman struggling with anxiety and intrusive thoughts who begins a course of therapy. She soon finds herself mentioning her spanking and humiliation fetish - but she isn't prepared for the reaction of her therapist, Pandora Blake. Pandora recommends a course of 'corrective therapy', based on the idea that Tai's ideation about being spanked only persists because she doesn't really know what it feels like. Once Tai understands that in reality, spankings hurt and there is nothing sexy about being embarrassed and punished, Pandora declares that Tai will be 'cured'.
Once Tai is thoroughly humiliated, Pandora takes her over her knee and raises her skirt, giving her a no-nonsense firm hand spanking to show her what it really feels like. As the punishment progresses onto Tai's bare bottom, Pandora becomes ever more sadistic. She applies the stingy, vicious bath brush to Tai's cheeks with vigour, punctuating the spanking with a lecture about how sick and disgusting Tai is for fetishising spanking. Pandora makes it clear that she will continue to administer this type of aversion therapy until Tai gets over her 'perversion'. Ultimately, in this humiliation fantasy, is it the patient who is perverted, or the therapist?
Please note that this comes with emphatic trigger warnings for kink-shaming, stigmatising language, and emotional and physical abuse of a vulnerable character by a mental health professional.
DIsclaimer: there is nothing wrong with having a spanking fetish, and this is definitely not how therapists should behave.
I was quite nervous about watching this scene, because while I am dominant I am not really comfortable delivering humiliation. It feels wrong, especially when it involves shaming someone for their kink. The idea of watching this film definitely put me outside my comfort zone. When Pandora (as the performer not the character) admitted how difficult she found it, I could really empathise. However, I should know not to worry when watching a Dreams of Spanking production, because this is really well done. This roleplay is very much led by the performers, and clearly shown that it is done with full consent (and a fair amount of enthusiasm from Tai).
The main film is book-ended with cuts of the performers laughing and joking behind the scenes. For me this really helped, and eased a lot of the concern I had about this type of humiliation. Seeing Tai having a great time before the in-character bit begins helped me relax and enjoy the film as a hot fantasy.
Tai has such an expressive face and a few times the camera zooms in on her expression. I loved the way she tries not to show her joy and excitement about the prospect of being spanked, but sometimes the mask slips and we see the arousal on her face. At one point Pandora tells her that only sick little perverts have the thoughts she does, and I noticed Tai let just an edge of a smile slip through. I found this film truly fascinating to watch because of these glimpses of Tai's enjoyment, and because of the energy in the roleplay. The way it all comes together feels very respectful, but at the same time very realistic.
Pandora does a great job of making the therapist a believable (and horrible) character, despite the outrageous and untrue things she is saying. The spanking is convincingly hard and very accurate, and Tai’s bottom bruises beautifully. It starts with hand spanking, and moves through a few spanking implements finishing with a vicious split-tailed tawse. The final close-up of Pandora with a slightly evil looking grin on her face, stroking the tawse while watching Tai leave the room, is perfection and finishes the scene perfectly. If you enjoy humiliation play I think this is going to be a must-watch film for you.
I have decided I love audio porn. It’s like bedtime stories for grown-ups; all that’s missing is the “are you sitting comfortably, then I’ll begin”. They are perfect for curling up in bed and listening in blissful solitude; whether you’re looking for kinky inspiration for your own partner play, to inspire sexy dreams, or just to stimulate you in the moment. Pandora Blake’s voice is a perfect balance between throaty arousal and moderated calm.
Lucy’s Punishment by Rosie Bower is a delightfully naughty audio spanking story about a schoolgirl who fantasises about being punished by her teacher, Mr Roberts. She decides to make her fantasies reality, and sets about pushing all her teacher’s buttons until she gets what she wants. When her provocation has the intended effect, and he loses his self-control and tells her to see him at the end of school, she spends the rest of the day in a cloud of anticipation.
However, punishment is never what we expect it to be, and when Lucy’s begins by her being made to list her crimes she realises she might be getting more than she bargained for. She is told to lift her skirt, pull down her knickers, and count each stroke. I really enjoyed the part when she finds out that forgetting to count out loud means that she has only extended her punishment.
There is a delicious moment when something in her shifts, and she begins to truly enjoy the humiliation of her punishment - especially when Mr Roberts ups the ante by bringing in other unseen teachers to watch her be caned. She is held in the moment by the pain of each stroke, but at the same time finds herself drifting into fantasy; imagining what else she wishes they were doing.
The glimpse into Mr Roberts' thoughts when Lucy asks for that last stroke of the cane is beautifully done. It gives a window into all the possibilities that might have been, from the perspective of the person who is truly in charge of this situation, in a way that Lucy’s idle fantasies don’t.
When we share Lucy’s thoughts before she makes herself request one more stroke of the cane, it is as if we are somehow watching her evolve. She finds a maturity that involves realising and taking responsibility for her sexuality, her provocative actions, and her sexual future. It really added something to the story, turning a lovely sexy tale into something that sparks something more in our imagination.
This lovely - and very hot - schoolgirl caning story is a perfect candidate for audio porn because it involves so much imagination and fantasy. It's easy for the listener to imagine themselves in the story; although whether you relate more to Lucy or Mr Roberts is up to you.
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.