I have decided I love audio porn. It’s like bedtime stories for grown-ups; all that’s missing is the “are you sitting comfortably, then I’ll begin”. They are perfect for curling up in bed and listening in blissful solitude; whether you’re looking for kinky inspiration for your own partner play, to inspire sexy dreams, or just to stimulate you in the moment. Pandora Blake’s voice is a perfect balance between throaty arousal and moderated calm.
Lucy’s Punishment by Rosie Bower is a delightfully naughty audio spanking story about a schoolgirl who fantasises about being punished by her teacher, Mr Roberts. She decides to make her fantasies reality, and sets about pushing all her teacher’s buttons until she gets what she wants. When her provocation has the intended effect, and he loses his self-control and tells her to see him at the end of school, she spends the rest of the day in a cloud of anticipation.
However, punishment is never what we expect it to be, and when Lucy’s begins by her being made to list her crimes she realises she might be getting more than she bargained for. She is told to lift her skirt, pull down her knickers, and count each stroke. I really enjoyed the part when she finds out that forgetting to count out loud means that she has only extended her punishment.
There is a delicious moment when something in her shifts, and she begins to truly enjoy the humiliation of her punishment - especially when Mr Roberts ups the ante by bringing in other unseen teachers to watch her be caned. She is held in the moment by the pain of each stroke, but at the same time finds herself drifting into fantasy; imagining what else she wishes they were doing.
The glimpse into Mr Roberts' thoughts when Lucy asks for that last stroke of the cane is beautifully done. It gives a window into all the possibilities that might have been, from the perspective of the person who is truly in charge of this situation, in a way that Lucy’s idle fantasies don’t.
When we share Lucy’s thoughts before she makes herself request one more stroke of the cane, it is as if we are somehow watching her evolve. She finds a maturity that involves realising and taking responsibility for her sexuality, her provocative actions, and her sexual future. It really added something to the story, turning a lovely sexy tale into something that sparks something more in our imagination.
This lovely - and very hot - schoolgirl caning story is a perfect candidate for audio porn because it involves so much imagination and fantasy. It's easy for the listener to imagine themselves in the story; although whether you relate more to Lucy or Mr Roberts is up to you.
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.
One of the things I've occasionally thought about, as a feminist who runs a spanking site, is content warnings. Fundamentally, the idea behind these is that if something might include content likely to trigger someone recovering from serious trauma, it's respectful to give notice in advance that the topic is likely to come up, so anyone who needs to can prepare themselves and isn't caught off guard.
I think it's a really great way of making material more inclusive. Yet I've never gone ahead and instituted content warnings on Dreams of Spanking, at least not overtly. What I do instead is to make the content of each scene very explicit in the tags and copy surrounding the film. I try not to spoiler plot twists, but I do often remove the element of surprise from how the story of a film unfolds, in the interests of pre-warning viewers what they can expect - both to catch the attention of people with particular niche tastes, and to pre-warn people who might find certain content distasteful or upsetting. So far, I've been happy with that system. But if any film on Dreams of Spanking has made me wonder if it should include a content warning, it's our latest film starring Tai Crimson.
When I was editing Caned at Home, I found parts of it so extreme - both in terms of the severity of the physical punishment and the nastiness of the verbal degradation and emotional abuse - that it made me feel uncomfortable. The whole scene was shot in a single take, so I didn't see any out-of-character interactions to break the tension and reassure me that Tai was okay with what was happening until the scene was over. However, I needn't have worried. The moment "cut" is called, Tai bounces up and enthusiastically tells me that she could have taken double the number of strokes. In fact, she almost seems disappointed that the scene hadn't been harder.
So I decided to reuse a film format that I trialled during our ATVOD investigation (and which may have played a part in our successful appeal win, although it's hard to be sure); showing snippets of out-of-character performer interviews or behind the scenes interaction both before and after the main film, to contextualise the fantasy in the real-world context of the performers' tastes and desires. Since we won our appeal, I hadn't particularly felt the need to do this - especially with films where the fantasy shows pleasure spankings and explicit consent. But Caned at Home is definitely not one of these.
If edgy domestic scenarios showing the disproportionately severe punishment of a helpless girl aren't a turn-off for you, Caned at Home has much to recommend it. In particular, the sequences of hard and fast cane strokes falling one after the other without a break are some of the most convincingly severe thrashing I've ever seen on a UK spanking site. Tai has a high tolerance, and this was the third time we'd played together; she'd asked me to push her to tears, and this was our last scene of the day, so there was no reason to hold back. As it turned out, even the nastiest verbal abuse I could come up with - and one of the hardest canings I've ever delivered on camera - weren't quite enough to break her.
Perhaps you love severe caning and verbal degradation as much as Tai does, in which case Caned at Home will be right up your street. But if, like me, you prefer to know for sure that the performers were into it before watching a scene of this intensity, I recommend watching the performer interview and behind the scenes video first, to reassure yourself that no only was Tai unharmed by the making of these scene, but actively enjoyed it. It's lovely to work with a young woman who is so in touch with her kinky sexuality, and so articulate at expressing her fantasies and fetishes.
Besides, severe canings that leave livid welts are most definitely not BBFC-compliant. Dreams of Spanking is currently the only UK spanking site where you can watch material like this, and we will remain so until the Digital Economy Bill means we have to stop, too. So enjoy it while you can.
My interest in porn performing was largely spurred by the desire to have an avenue for indulging my 'low-concept' kinky fantasies. I’m still a fan of the 'high-concept' (simple ideas that can be succinctly explained in a sentence) but the opportunities to, say, have your self-worth consensually attacked while your head is flushed in a toilet are a lot more infrequent. That’s why Bullied at Home is a strong contender for my favorite film I’ve been in.
Let me back up. Long before I became the perverted hedonist I am today, I was a burgeoning young deviant with unrestricted internet access. Out of that access came the ability to form a broader perspective of the world from an early age, a skill for discerning truth from bullshit with relative ease, and a penchant for depravity. While today, spanking is the core component of my sexuality, it was originally the second kink I had come across that clicked with me.
The first? Wedgies.
One might assume that this kink arose from first-hand experience, but that would make far too much sense. The girl who loves being tormented you see before you was once a boy who had never been bullied in this manner, but was desperate to experience it. Wherever it was in pop culture I first encountered the concept of pulling one’s underwear up to cause discomfort and embarrassment, the end result was a teen who spent far too much time emulating the experience for herself.
Did you know I have a huge embarrassment kink? If I didn’t, I wouldn’t be telling you that I ripped at least a dozen pairs of underwear in middle school from giving myself wedgies hanging from the rafters of our garage. And I definitely wouldn’t be telling you that I once rode my bike around the park and high school near our house with a sign on my back reading “WEDGIE ME” in bold letters. The countless problems with this idea are left as an exercise to the reader.
It didn’t end there, of course. Just as wedgie fetishists and spankos share significant overlap, so do wedgie fetishists and swirlie fans.
For the uninitiated, a 'swirlie' is the act of pushing the victim’s head into the toilet bowl while flushing – another indignity I had never actually experienced, and thus took it upon myself to try out.
While these schoolyard kinks inserted themselves into my psyche at a young age, it took a lot longer to be able to see and articulate the compelling threads that run between them. Namely, strong desires to be humiliated, bullied, and made to feel like the pathetic little girl that I am.
Over time (and especially since having started hormones this past February), those themes have further intensified and coalesced into the primary variety of scenarios I now fantasize about: extremely edgy scenes with plenty of mind-fucking, where the masochism is both physically and emotionally heavy.
That bring us to Bullied at Home. This scene was a chance for me to satisfy those sorts of desires, with the delightfully sadistic bully role filled by the amazing Nimue Allen. Pandora came up with the “threatening to get kicked out of your foster home” spin, which genuinely got me wet the first time I heard it.
I couldn’t have asked for a more safe and comforting environment to be able to get into that sort of dark headspace in, and I hope you’ll agree that the end result is as hot to watch as it was to film!
The reason Dreams of Spanking is called dreams is that one of the core concepts of the site is to clarify the boundary between fantasy and reality. This is important to me because my fantasies are often fucking twisted.
I get off to thinking about being bound, violated, totally helpless, and punished against my will. This does not mean I endorse or desire non-consensual acts in real life: far from it, my edgy fantasies make me more invested in enacting and promoting good consent and communication, and in making sure I don't ever take advantage of anyone, or let myself be taken advantage of. Those of us with dark sexual psyches have good reason to think hard about the ethics of erotic power, and how to play with these ideas in a safe, securely-contained space that doesn't impinge on the real world. Actually doing something to someone against their will might be fine to dream about, but it's totally off-limits in reality.
So exploring that boundary line, where dreams end and reality begins, is one of the ideas behind this site: that's why we never publish an edgy non-consent fantasy without accompanying it with behind the scenes videos, out-takes and performer interviews, to show you that fantasy is just fantasy, and make visible the reality behind it. It's also become a policy of mine to not write non-consent scenarios for performers. If I come up with a film idea that is really dark and twisted, I'll either play the submissive role myself, or assign it to another performer only after they've raised the idea of shooting something similar; in that case, I'll run the script past them and amend it to suit their taste before we shoot. But my preference is to work with spankees who have a strongly-developed sense of their own kinky sexuality, and who come to the shoot with scenario ideas of their own.
That's one of the many, many reasons why Tai Crimson was such a pleasure to work with.
You're not a true trans ally unless you're choking me while beating my ass till it's a deep purple. Sorry, I don't make the rules.— Tai Crimson (@TaiCrimson) April 21, 2016
When we were making plans for our second shoot with her - the first since she came out as transgender - she sent me the link to her sex menu, and invited me to peruse it before coming up with scenario ideas. Reading it, I learned two things: firstly, that Tai is the most self-assured teenage pervert I have ever met, and secondly, that she is even filthier than I am. A lot of the stuff on Tai's sex menu already takes me out of my comfort zone - for instance, her fetish for "swirlies", which is when a bully shoves your head in the toilet and flushes it. Luckily, I'm relatively practised at navigating discomfort, and perfectly happy to up the ante and add further twists and intensity until the scenario comes back into the realm of my own twisted imagination. Sometimes two wrongs really do make a right. For instance, one of the scene negotiations went like this:
me: (reads Tai's sex menu) How about a school bully scene including slapping, spanking, wedgies and (maybe) swirling, with Nimue topping Tai?
Tai: Oh gosh, yes! Struggling/roughhousing that leads to being facesat on & taunted might be a nice addition as well. Plenty of fun bully stuff to toss in as well - like, say, having armpits shoved in my face. (My ass, thighs, and tits are also open for punching!)
me: Awesome! How about having you be cousins, or even foster siblings in a shared home, and it be an after-school type thing with both of you still in uniform? With Nimue threatening to get you in trouble if you don't do what she says - actually having you both be in care would make this EXTRA edgy, as she could threaten to get you kicked out. If that's too dark, I will totally understand :)
Tai: Personally, it's dark enough that it just made me wet. Which is a resounding yes.
It's tough writing porn planning emails when you keep having to stop to jerk off to the fucked up ideas you're brainstorming!— Tai Crimson (@TaiCrimson) July 22, 2016
The shoot was at my place, and we were together for two days and two nights. The first day was spent shooting trade content for Nimue's World, and Tai's forthcoming Amateur Porn studio. I got to witness the filthy hotness that is Tai first hand, viewing some incredibly hot scenes from behind the camera. Tai and Nimue have great chemistry, and I really enjoyed watching it develop over the course of the day. For Nimue's site we shot a bathroom control scene, an introductory striptease, a tit torture photoset and a queer sex scene; and for Tai's clip store it got even kinkier, with a figging and anal ice cube scene, a bondage and tickling scene, a super-edgy interrogation scene, and a forced intoxication/breath play scene where Tai was forced to smoke weed and hold it in, only breathing when Nimue permitted her to. I have to admit that it's unusual for me to feel like the least kinky person in the room, but there's no denying that Tai and Nimue are way ahead of me.
So by day two, shooting four videos and two photosets for Dreams of Spanking, we were all warmed up and ready to roll. Last time we shot with her, we didn't get the chance to shoot an introductory photoset with Tai, as the day was already over-full getting all the shots we needed for our cinematic production Houseboy. So this time, we kicked things off with a cutesy photoset of Tai as an adorable schoolgirl, showing off her new girly look, her spankable bottom, and her puffy, newly developing breasts.
I quickly discovered that shooting an innocent photoset with Tai is pretty much impossible. She loves being looked at, and as she removed her clothes the evidence of her arousal became more and more visible. This gallery is going live on the site this week, so you don't have to wait much longer to see how horny she got...
Throughout the shoot, Tai was taking selfies and updating her Twitter - which I thoroughly recommend following. I love this behind the scenes shot of her spread-eagled on the bed before our next scene, posting to the internet while she waited for me to be ready:
The next scene was another photoset - this time a domme/sub scenario with me using Tai's body as a pretty canvas for colourful hot wax. I bought these coloured play candles from Kink Craft at Eroticon earlier this year - they're lovely people, and I highly recommend their toys! I've played with wax before in private, but never brought it into a shoot. Tai was the perfect model, whimpering (and getting more and more turned on) as the wax dripped on her body - including in her most intimate places.
I really enjoyed covering her in colours to match my bedspread, making her wriggle and squirm, and seeking out all her sensitive spots. We also learned that the wax that burned hottest was the black one - and it left Tai with some lovely pink marks, as well as the beautiful decoration of the wax itself.
Once Tai had brushed all the wax off (and we'd shaken out the sheets!) we stayed in the bedroom for our first video - a more sexually explicit scene than the usual fare on Dreams of Spanking. When I first shot with Tai, she mentioned how much she loved anal play and big butt plugs. These are two of my favourite things too, and initially the Houseboy script had an extra femdom BDSM scene where I tormented Tai in all sorts of delicious, sexy ways. Sadly, we had to cut it due to lack of time, so when I planned to shoot with her again I was even more eager to make sure we got the chance to indulge in some butt play.
Tai is infamous for her love of anal CP - that is, smacking the butthole itself, rather than the buttocks as in traditional spanking. It's more exposing, more humiliating, more intimate and much more vulnerable. It's one of my big kinks too, and I was thrilled to have the chance to explore it on camera with a fellow queer femme who gets it.
you know, if you took a carbon fiber rod and left welts/bruises all around my asshole, I bet it'd *really* hurt to get fucked.— Tai Crimson (@TaiCrimson) August 9, 2016
Finally, once I'd warmed up Tai's hole, her cheeks and her thighs with smacks of my hand and my whippiest implements, the scene culminated with a strap-on fucking with my biggest dildo. This isn't the first time I've done this on camera, but it is the first time on Dreams of Spanking. Tai took it beautifully, and the scene was very real, very powerful, and very hot. It was an honour to explore something new together on film, and I can't wait to share the results with you.
After lunch, we moved to the lounge for the foster home bullying scene mentioned above. I got to take a break from performing, and it was gorgeous watching Nimue and Tai work their magic, with Tai as the new kid in the home, and Nimue as the boss bitch who smacks her around. This scene was straight out of Tai's filthy imagination, combining forced undressing, some tit and face slapping, lots of super edgy degradation and verbal abuse, over the knee spanking, wedgies and - last but not least - the ultimate humiliation: shoving Tai's face in the toilet, and flushing it.
I would never have written this scene if Tai hadn't listed all of these acts in such glowing, horny terms in her sex menu. Watching this scene unfold from behind the camera was a real treat. It's lovely to know that after ten years in porn, things can still surprise me - and I can discover the appeal of acts I never thought of as hot before. I'm grateful to Tai for being so authentic, so utterly open about her filthiest fantasies, and for trusting us to realise them for her. Even if wedgies and swirlies aren't your bag, I think Tai's total immersion and submission in this scene makes it really watchable - you can tell how into it she is, and it was wonderful to see her face light up when she talked about it in the post-scene interview!
This is the face of a girl who just had her clothes ripped off & head flushed in the toilet. Because she likes it. pic.twitter.com/S1bHfaDuNV— Tai Crimson (@TaiCrimson) July 27, 2016
I'd love to say that after the toilet-flushing everything got lighter and fluffier, but I'm afraid that it just escalated from there. The last two scenes of the day were, if anything, even more intense.
Although Tai had received lots of pain and domination so far, she hadn't been spanked with much other than the hand. That was about to change: our penultimate scene, lifted straight out of her sex menu, featured me as a no good, very bad therapist, and Tai as my vulnerable young client who confides her kinky fantasies to me. I shame her for having them, tell them that they're disgusting and wrong, and then take sadistic advantage of the situation and coerce her to take 'corrective punishment' from me.
It's interesting to note that even describing this scene to you now, I'm feeling a flutter of nervousness and vulnerability that you'll think I'm a terrible, terrible person for having this scene on my site. It's a fantasy that goes so strongly against the core principles of my morality - that there's nothing wrong with being kinky, that you shouldn't be ashamed about what turns you on - that I'm shy even about telling you we filmed it, even though you already know it was Tai's idea, not mine. I'm not saying there's anything wrong with this being a fantasy of Tai's, either. That would be pretty ironic.
But I can tell you that I struggled to shoot this scene. I had to call cut at some point, just because I knew that my toppy dialogue sucked and I was totally failing to be the nasty, shaming abuser that Tai's fantasy required. Tai patiently fed me the script - "Tell me I'm a perverted freak, that there's something wrong with me, that no respectable or normal girl would be into stuff like this, that I deserve everything I get" - and I nodded and took some breaths, and we got back into character and tried again. I think we got there in the end.
It was pretty humbling, though. It's not often that the top is the one that has to safeword: and it renewed my admiration for Tai's strong sense of self; how aware and assured and accepting she is of her sexuality, that she can take ownership of her own shame scripts in this sort of consensual play. I hope the scene turned out well enough to do her wholeheartedness justice, despite my hesitance in the role of the kink-shaming authority figure.
I can attest that she took a pretty hard beating with some wickedly painful implements, including my much-hated stingy bathbrush, and the senior tawse. By the end of this scene Tai's bottom was ... well, crimson.
Then it was time for the final scene of the day; the caning Tai had been dreaming of since before she first shot for us.
Let's take a moment to appreciate the canings I've gotten in my life, and recognize how many more I utterly need! ðÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂ pic.twitter.com/u5cQYcsKwy— Tai Crimson (@TaiCrimson) July 16, 2016
By this point, you won't be surprised to hear that the plot involves unfair punishment and excessive severity. Tai plays her character from the bullying scene with Nimue; Nimue tattled that Tai was smoking and selling weed, and I play their overly strict caregiver who believes everything Nimue says, and punishes Tai with a hard caning. Luckily, I am 100% secure in my confidence that hard caning is something Tai loves and craves, and so it was easier for me this time to get into character and bring it to life.
It also helped that giving hard canings is one of my favourite things to do - I love the craft of it, lining up perfectly parallel lines and judging the accuracy and power just right. Tai took it beautifully, and I'm delighted with this scene, and everything else we shot that day. I very much hope that she was satisfied with the results!
It was a pleasure and a privilege to host Tai's first shoot as a female spankee, and to assist one more trans girl in the valiant mission of queering up the spanking scene. It certainly needs it. All I can say is, those spanking sites that won't shoot trans performers are totally missing out. Tai is a treasure, and I can't wait to share her scenes with you all.
Something as dark and sordid as blackmail is ripe for kink. Firstly there's the power-play element: where you're never quite sure quite who's got the upper hand. Secondly, the subversion of society's inclinations to make sex something dirty and sordid: excellent blackmail material.
In this week's scene, Ten Amorette take all of that darkness, wraps it up in her tight, smart, dress, and sashays over to politician Paul Kennedy's house with the aim of entrapping him in a sordid spanking scenario.
You can probably tell that this scene is inspired by House of Cards: when Pandora emailed me about it, she explained that she'd been watching a lot of the devious Netflix series at the time. I was delighted, because I personally find House of Cards a massive turn on: the machinations, the double-crossing, the fact that you never truly know what Frank Underwood is thinking, until he turns to camera and beckons you closer, giving you a keyhole glimpse into his evil plans.
In this scene, it's Ten Amorette who has the power, and politician Paul Kennedy who's caught in her honeytrap. But her exposition at the beginning of the scene is borrowed straight from those intimate moments during House of Cards, where the audience is invited to both fear and root for the 'bad guy.' Ten sits on the bed, putting the finishing touches to her outfit – tight dress and high heels, a real femme fatale costume - and explaining her hopes for the afternoon. She wants to make sure that she gets enough material to blackmail Paul. She's heard he's into some 'freaky stuff' in bed, and if she can draw his spanking kink out, then she should get the evidence she needs to truly screw him over.
Pandora explains that this technique was a new idea, which came up during a discussion at the feminist porn conference. The dilemma: how do you make performer consent explicit in a non-consent scene? Blackmail is a great test case for this, because either character can be the one doing the blackmailing. While you may have a spankee who is feigning reluctance to get spanked, in a blackmail scenario they're there because – like Ten Amorette in this scene – they want to get the payoff when they gather the blackmail material.
Of course in a scene with more characters, or one with a longer story arc, you can use conversations with other characters to make the blackmail plot explicit. But the House of Cards-style discussion means you can break the fourth wall without needing more characters, and it also gives it a delicious conspiratorial air. You, the viewer, are being invited along with Ten Amorette as she carries out her plan.
I think this conspiratorial atmosphere is one of the things that made House of Cards so sexy, and it's one of the things that adds to the hotness of Ten's blackmail porn scene. She gets to Paul Kennedy's house, and teases him into giving her an over the knee spanking. To someone who wasn't involved in the back story, it may look like your average playful sexy spanking scenario. But to us, the audience – Ten's co-conspirators – we know that she'll need a much harder beating if she's going to get the evidence she needs...
Sometimes I watch a spanking film and realise halfway through that I should probably be wearing headphones. The crisp smacking sounds of a particularly thorough beating, or the squeals of a protesting character, echo around the room and I belatedly realise that someone might be able to hear. Then there are the films which are so thoroughly absorbing I forget about headphones, and it’s only after the credits roll that I remember I have neighbours. This was one of the latter.
Pandora plays the school bully, and Ten Amorette the innocent schoolgirl who refuses to hand over her lunch money. What ensues is a fast-paced bondage takedown, involving girl-on-girl wrestling, spanking, struggling, and a harsh thrashing with the strap.
Pandora and Ten have an amazing chemistry, as evidenced by the fact that they can play scenes at such different ends of the roughness spectrum. This week’s spanking video couldn’t be more different in tone from the caring, erotic spanking in ‘The Surprise Present’ - that one started with a sensual flogging and ended with kisses and caresses, whereas this is rough, angry and aggressive.
I’m biased, because many of my teenage fantasies involved the idea of being punished by a prefect or older school student for some imagined or invented slight, but holy God this scene is hot. Two schoolgirls in matching sexy uniforms – white knee socks, black patent heels, and tiny short skirts – having a ferocious schoolgirl catfight that ends with the dominant one wrestling the other to the floor and stripping her skirt and knickers, and giving her a sound spanking...
It's hot not just for the dynamic between Pandora and Ten - which is smoking - or for the school uniforms complete with tiny skirts, tight shirts, and ties that are used to leave Ten bound and gagged on the floor. Or for the speed - the swift movements with which Pandora throws Ten to the ground, the struggle, the wrestling, the conflict. The extra-hot touches, like Pandora's hand clamped over Ten's mouth, smothering her cries, or the harsh slap to her face that tells her who's got the power.
It’s uniquely sexy because of the combination of all these things - because of the sheer number of knicker-moistening triggers that are effortlessly tossed into one scene. The cruelty. The resistance. The humiliation. The vicious strokes of the leather strap.
It's just the whole damn fantasy.
Sometimes a lover will whisper a particular fantasy in my ear, and my heart beats extra-fast because it presses exactly the same buttons as fantasies I've had myself in the past. This week's scene is that feeling made flesh.
Alex Reynolds likes edgy scenes and harsh roleplay where there's a struggle or an abuse of authority. She likes disproportionate punishments and begging and screaming and beating.
And so do I.
'Playing Truant' doesn't just float my boat, it's almost measure for measure one of the scenes that's played out in my head ever since... well... ever since I started fantasising.
Paul Kennedy plays an angry, predatory truant officer, who's been watching Alex behave like – his words – a 'little slut.' She skips school and fools around with boys, and he's been watching her, clearly enjoying the show and scheming how to take advantage. He collects enough information that he can not only scold her, but blackmail her to submit to his violent, nasty urges.
As she squeals and begs him to stop, he punishes her far more severely than she deserves – a vicious tawsing across her naked buttocks and oh-so-sensitive thighs.
Alex Reynolds and Paul Kennedy are a couple in real life, and I really appreciate their candid discussion in the performer interviews accompanying this film. Alex explains that this is the kind of scenario she enjoys most – rough scenes where Paul abuses his authority to dish out cruel punishments. Paul's demeanour in the interview is so different from his character in the film that it's clear this sort of role is very different to how he actually is – and both partners explain what they find so liberating, and so rewarding, about exploring these different roles in scene.
Paul's character is certainly a nasty piece of work in this scene, as he strips Alex to the waist and roughly fondles her breasts, before bending her over for the tawse. He frequently shoves a hand between her legs as she squirms away, and grins with evil delight as he paints vivid red stripes onto her bottom and thighs. And in case you're worried, the camera stays on the couple after Pandora calls “cut”, to show Alex snuggling up to her lover, thanking him for bringing her desires to life.
I might start using this film as an instructional video. As someone whose most often-used phrase in bed is 'be mean to me', I've now got this bookmarked so that when I want to show just how mean I can say 'like this'. Beat me like I'm a naughty schoolgirl caught playing truant. Beat me like I'm a helpless young woman entrapped by a very nasty man.
It's not often we get to see a spanking film that shows sexual coercion as well as corporal punishment – and it might make me uneasy if the love Alex and Paul have for each other didn't shine out of the screen. If you are worried, I recommend you watch the interview before you watch the film – it's an in-depth discussion of kinky sexuality by two very articulate, experienced players, who are perfectly comfortable sharing their darker side with each other – and with us.
It's a seriously sexy treat for me to see have two talented performers act out something that's so closely matches one of my own fantasies, and if you're keen on this type of edgy, harsh punishment then I'm sure you'll love it too. From the words Paul chooses to humiliate Alex, to her well-acted misery and fear, there is so much in this scene to love.
I don't think there's any way to end this post other than with a huge thank you to Paul and Alex, for sharing this aspect of their play dynamic, and for such a smoking hot interpretation of the things that happen in my head.
Have you had a similar experience with a particular Dreams of Spanking scene? I love the idea of sharing a specific film with a lover, and saying 'look! This is what my fantasy looks like!' Which scene is your closest match?
One of the things I find hottest – whether it's during a kink scene or sex itself – is distraction. Having to perform one task while someone else tries to distract you, or being the one doing the distraction. This can be something really simple, from cleaning the oven (as in last week's playfully sexy Provocative Housework) to reading out loud.
This week, the amazing duo Molly Malone and John Beecroft are back. With their trademark flirtatious chemistry, they act out a spanking scene that's based on a true story. Molly rents the village hall to host kinky workshops, although she hasn't told John, the hall manager, exactly what she's using it for.
Unfortunately, she accidentally leaves a bag behind - and when John looks inside, he finds a book entitled "Curious Pleasures" alongside a selection of even more cuious implements. Molly squirms as he quizzes her about her erotic spanking hobby, deliciously embarrassed at having to explain that her corporal punishment workshops are ... umm... "relationship counselling".
Molly looks like she wants to sink into the floor as John demands to know if her parents know what she's doing - or what if someone took photos? He tells her it's disgraceful to treat it as all fun and games - in his day, punishment was a serious matter, used for discipline. John gives her a choice: accept a real punishment from him, or he'll tell everyone her secret.
It's clear that John is simply itching to have a go with Molly's kinky toys - and as she realises that his motivations aren't as strict as he claims, Molly quickly accepts, and willingly bends over the sofa for a beating.
And this is where the distraction bit comes in: in between lashing her bare bottom with the flogger, John asks Molly to read out passages from the book he found in her bag. An old-fashioned text explaining how some people corrupt corporal punishment to use it for 'carnal purposes', it's perfect to be read aloud by a giggling, teasing Molly.
When John steps things up a notch, and picks up the strap for phase two of Molly's punishment, he insists that she keeps reading it as he beats her. I'll be honest: as soon as the book came out at the start of the scene I'd been waiting for this moment.
I think it's mainly so arousing because the distraction of reading highlights just how hard the strokes are. As each whack lands, we hear a sharp intake of breath, and Molly jerks at the impact, pausing briefly in her recital as she takes a moment to absorb the pain.
Distraction doesn't make the spanking more painful, necessarily – it just makes the pain more apparent. The impact, the involuntary reactions all call delicious attention to that moment when the strap connects with her bare bottom.
With Molly's increasingly teasing comments, it soon becomes clear that John's as kinky as she is. For all his claims about "depravity" and "discipline", it's obvious to Molly, and to us, that John is loving every minute of the experience. And with the gorgeous juxtaposition of Molly's calm, measured reading voice and her gasps as each stroke of the strap leaves its mark, I can't say I'm surprised.
Alongside the element of distraction, I should also mention that I love the whole look of this scene. When Molly takes off her jacket to reveal a tight corset, tiny skirt and leather collar, the contrast between the two is perfect - John as the distinguished disciplinarian, and Molly as the coquettish, cheeky madam. She giggles and flirts, and is clearly delighted that rather than reporting her, John has decided to take an interest in her hobby.
I've said before how much I love the chemistry between Molly and John (and if you keep watching after the credits on this video you'll see more of it in the out-takes). I think one of the best things about spanking performers who are play partners in real life is that everything feels so natural - from the initial reprimands to the order to bend over, the playful flirting and the dialogue. Oh, especially the dialogue.
When he's finished with the strapping, John turns to Molly and declares:
“You may put what passes for your clothes back on.”
I'll be distracted by the thought of that line for a pretty long time to come.