My personal favourite, however, was the third photoset of the afternoon. Two topless girls in long skirts, velvet, mood lighting. Old books and ink, hand-lettered typography, words on skin. Adele and I have this kink in common. I copied out the first six lines of the Iliad onto her back in the original Homeric Greek, and it was the most peaceful, zen experience I have ever had on a spanking shoot. As the minutes ticked by, no-one spoke a word, PWP moved around us quietly snapping photos, I think she and I both entered a kind of subspace. There was an element of psychological bondage to it; she had to stay perfectly still, or the work would be ruined. And I entered a trance-like state as I lost all my awareness of the camera, and focussed on finishing the calligraphy as quickly and neatly as possible.
I don't know what story these images might tell. Perhaps we are lovers, or witches; perhaps I'm an artist decorating her for some sort of show, or perhaps she's my submissive and I've set her the challenge of stillness and obedience. Perhaps we are students in some strange alternate universe where punishment lines are written not on paper, but on skin.
When AJ sent me the edited photos to look at, my jaw dropped. They are heartbreakingly gorgeous, just as dreamlike and evocative as I had hoped. PWP did an amazing job with these photos, and AJ more than did them justice in post. As I emailed Girl on the Net to let her know they were ready for copywriting, the scenario started to take shape in my head.
This gallery is a visual poem; a lyrical, abstract dream sequence exploring the sensuality of ink on skin. Inasmuch as there's a plot behind them, it's this: Adele must lie still while I write the text on her. Maybe she's my lover and I just like setting challenges for her. Maybe I'm a witch using body-writing to cast a spell. Maybe writing lines on her is my punishment. I wasn't sure, but one thing was clear: if Adele moved, smudging the lettering, she would get a cane stroke for every error.
Girl on the Net took this idea and ran with it. I love the scene description she came up with.
Two topless women are engaged in a sensual game: one plays the canvas and the other the artist. Adele Haze lies on cushions, exposing her breasts and bare back - and it's the latter that her lover will write on. Pandora Blake uses black ink and a brush to adorn Adele with intricate Greek lettering.
As Pandora's calligraphy winds around Adele's gorgeous curves, Adele must stay completely still, hardly breathing to avoid nudging Pandora as she writes her lines. In a Victorian school, ink smudges would mean a punishment for the writer. Here, the responsibility to avoid error falls on the writing surface. Pandora weaves her spell in words, and the magic of the moment mustn't be broken. For each smudge, Adele will get a stroke of the cane.
When the text is complete – the first few lines of Homer's 'Iliad' – Pandora carefully examines her work, stripping Adele naked so she can admire the slick black script that covers her body. Afterwards Adele bends naked over the punishment bench in the Scriptorium, exposing every inch of her bare skin. Pandora's found some smudges, and every error earns Adele a hard cane stroke.
Each cold cane stroke makes Adele yelp, biting her thumb to hold back her cries. But after three strokes the punishment is over, and Pandora can step back to admire her work – the neat black lines of text curving round Adele's beautiful body, and the vivid red welts left by the cane.
My film about feminist submission, self-pleasure and spanking fantasies, My Inner Little Girl, will be screened at the Cinekink festival on Saturday 1 March, at the Anthology Film Archives in New York City. I won't be able to attend the screening but if you want to go and tell me how it went, you can register a ticket here.
Two young lovers find themselves caught in flagrante delicto by a master magician - and he isn't impressed. After thrashing his apprentice for failing to rein in his passions, Master Finlay informs Sophie that she has untrained magical ability, and must learn to control it or she will put herself and others in danger. He offers to take her on as his second apprentice. Sophie can't believe her good fortune - her old life was not worth clinging to, and she accepts the opportunity gladly, even though it means undergoing to a painful initiation ceremony.
I've always loved the idea of sacred or ceremonial kink; the use of blindfolds, restraints, whipping and flogging in magical ritual. There's something deliciously objectifying about being a ritual object or a sacrifice to the gods, body mortified to raise power for a higher cause.
On the other hand, blindfolds and flogging can play a part in an initiation ceremony or a rite of passage, where the focus of attention is very much on the celebrant - as with the ritual conducted to mark Sophie's initiation into the path of magical learning. Either way, this is about using pain and sensory deprivation to achieve an altered state of consciousness.
Now that she is officially subject to the magician's authority, Sophie must learn to control her passions and her powers. To teach her this lesson Master Finlay straps her bottom soundly with a razor strop of worn, thick leather.
But even the pain of Sophie's punishment - or the chores she is set afterwards - do not diminish her joy at finally finding a place where she belongs.
I first heard about the story called The Magician's Apprentice when Adele asked me how to create some arcane techno-babble which actually meant something for a new fiction piece she was working on. I have a few useful books on the subject, and was able to provide some names and references. At what point Pandora adopted the story for Dreams of Spanking I'm not entirely sure, but I've been looking forward to the publication of this one for quite some time.
Adele is an excellent writer, and the scenario she created gave us, as actors, plenty to work with. Our day with Daniel R had already included The Captain and the Tavern Wench, so we were well in the mood for high-camp costume drama. We were also looking forward to experimenting with stills to create some visual effects that would have been much more difficult on video. And as an added bonus, I got to play Mr. Sheridan, Court Magician to the Empire:
Apparently the Empire ran to large beards that season.
Setting up for this one was almost as much fun as actually shooting it. Quite a lot of the paraphernalia we dressed the set with is either mine or Pandora's, and digging out the Fifth Pentacle of Mercury from The Key of Solomon always provides a good laugh on a wet winter evening. The actual chalk-work was mostly done by Jimmy, who's a fine artist (which I am not) and can write in Arabic (which I can't). We had a whale of a time putting candles everywhere and drawing obscure rude (or geeky) jokes onto the chalkboards in the background.
It's extraordinary how going the extra mile in the set detail affected the atmosphere; what you might call the Weta Workshops effect. The room felt different. Dressing the set created a good deal of tension in itself, and I found it very easy to get into role, even without dialogue, when acting against those elaborate props and backdrop.
I'll try not to spoil too much of Adele's story, but suffice it to say that after the kissing shots, we halted for a protracted faff with candles, to the accompaniment of much giggling. And then, as if by magic...
... a hand-crafted special effect leads to the young couple's discovery by Mr. Sheridan.
The richness of both colour and texture in the "enlightening" shot really has turned out as well as we'd hoped; I'm impressed by how well Daniel caught the moment.
As well as being a pleasure to work with on a personal level, Daniel kept pace with our rather eclectic imaginations all through the shoot, and always seemed to be able to tune in to what we were looking for. The half gothic, half steam-punk feel of this photostory beautifully matches the texture of Adele's prose.
If memory serves, this was also the first scene ever in which Jimmy and I interacted directly, in a CP sense. Balancing a new scene dynamic with character acting can be difficult, particularly if you are already as well acquainted as Jimmy and me. But on this occasion, it presented no problems at all. The story had a pace and rhythm to it that made staying in role easy, despite the stop-motion logistics of shooting stills, and the CP itself did not seem at all strange within the compelling motivations of the narrative.
Also, it was just so pretty...
An enormous amount of fun was had, and you've only seen the half of it: the plot thickens for young Sophie soon enough once Giles has faced the Magician's wrath. I'm really pleased with the final results: luxuriant colours and cabbalistic symbols enough to brighten anyone's day. Watch this space for part two.
Merry May from all of us at Dreams of Spanking! The first day of May is traditionally dedicated to worker's rights, political dissent and exuberant celebrations. It's also the day when modern pagans celebrate Beltane, the festival of vitality, sensuality and creativity. People light fires, dance, and share food and drink, enjoying the warmer weather as the earth flowers with new life. This is the time when lovers jump over fires and slip into the woods together.
Our newest photogallery is our personal celebration of May Day; a ceremonial outdoor birching starring Alex Reynolds and Thomas Cameron as a couple who choose to consummate their Beltane rite with spanking.
After their courteous, formal meeting, the lovers remove their masks to drink from the ritual cup. The May Queen raises her skirts and places her hands on the trunk of the tree to receive the birch.
This is a sacred rite, in which man and woman embody the polarised forces of God and Goddess, but it's also the playful union of human partners, exploring their passions in consensual celebration of the gifts of nature.
I've always been fascinated by the idea of sacred kink. At a personal level, spanking and BDSM can lead to a state of personal exaltation that can feel very spiritual, if you're that way inclined. And the idea of a spankee becoming the object of a ritual, offering up their body to the needs of a ceremony in the name of a higher power, is a form of noble objectification that I find very hot.
This photoset explores the more personal end of that spectrum. Alex Reynolds and Thomas Cameron looked magnificent in their Mayday costumes, and both played their roles with potency and grace. It's always a pleasure to work with likeminded people who share my enthusiasm for my more unusual scene ideas, and bring my visions to life so handsomely. Thankyou, both!
At the weekend our first severe caning film was released. We've had hard canings before, of course - Caning Merit Badge and Caned in Jodhpurs spring to mind - but "severe caning" is pretty much a genre in itself, usually referring to judicial strength cold canings of 30, 40, 50 strokes or more. It seems to be particularly common amongst the Eastern European producers such as Lupus (whom Adele Haze has worked with), Mood Pictures and Pain4fem (which is the studio with whom I filmed my only judicial level caning to date).
It's a controversial genre, with a lot of anxiety and misinformation about both the consent of the spankees and the wisdom and health concerns of this level of physical severity. Most professional spanking performers only indulge in this sort of scene occasionally, due to the healing time required afterwards, and the fact that very few people have the desire to play at this level frequently - for most of us it's an occasional adventure, not a regular thing.
German spanking bloggers Ludwig and Kaelah have more direct experience with the severe caning genre than most. Ludwig has topped for both Lupus and Mood, and is well known for his detailed shoot reports, dispelling the myths and horror stories with his matter of fact honesty about the realities of production. Ludwig's partner Kaelah does not share his kink for this level of severity, but nonetheless she was deeply curious about the experience. She decided to confront her fears and undergo such a caning herself, so that she could have an informed opinion about what it was like for the performers she had seen in other films.
The pair had previously shot a homemade film of Kaelah taking a severe 50 stroke caning, but Kaelah was not entirely satisfied with the results. She wanted to revisit the theme with a professional producer, to create a film she could be truly proud of.
Together they conceived the idea of a martial arts student ready to progress to the next level of her training, about to go on a life-changing journey to study with new, stricter teachers. She chooses to participate in a final inurement practice to prove to herself and others that she has the strength of character to endure such rigorous training. This test is not mandatory; rather she volunteers to undertake it, for her own reasons.
Kaelah and I both love the concept of severe corporal punishment undertaken consensually, with honour and self-discipline. As an experienced tai chi practitioner Kaelah was able to bring her physical skill and grace to the screen with a breathtaking performance that underpins her courage and self-control during the caning itself.
The resulting film, The Final Test, is strongly performer-driven. Two behind the scenes documentaries supplement the main feature, and both Kaelah and Ludwig have written in-depth blogposts about the experience of creating the film in their own words. Kaelah wrote, "I have seldom been as happy with a scene as I was and am with this one." You can read more about Kaelah's decision to embark upon this journey in her blog posts Healthy Severity, The Final Test: Preparations and The Final Test: Shoot Report.
The Final Test is focussed on the rite of passage of Kaelah's character, and the way she draws on her training and inner strength to endure the experience. Fifty full force cane strokes delivered straight from cold are not for the faint-hearted. But as you will see, Kaelah is anything but.
Physically, it's the most severe scene to be published on this site to date. This photo was taken a few hours after the shoot, by which point the deep bruising is already visible. The welts are dramatic and beautiful, a must-see for marks fetishists, but perhaps beyond the comfort zone of many spanking enthusiasts.
This physical severity is why the consensual storyline, the emphasis on Kaelah's strength of will, and the behind the scenes material in which she explains her motivation for doing the shoot are all so important to me.
The Final Test achieves a lot of the goals I had in mind when creating Dreams of Spanking, and I am very proud of it. The things I love about this film are many, but here are just some of them:
I was a bit nervous about including the meditative tai chi cutaways during the caning scene, but I felt the caning was somehow too plain without it. I wanted to find a way to raise it to another level. It was a bit of a risk to interpolate martial arts shots into a corporal punishment scene, but I think it paid off. One reviewer has already said he appreciated the breaks from the intensely harsh caning. Personally, I find the tai chi sequences make the caning more intense by calling attention to the level of meditative focus required to endure it, and by creating a greater emotional engagement and empathy with Kaelah's character. They also provide a concentration break which renews your appreciation for the severity, the change of scene preventing you from getting used to the force of the strokes.
The Final Test is released with two behind the scenes documentaries. In Part 1, 'Preparations', Kaelah discusses her motivations for embarking on her second severe 50 stroke caning film (her first with a professional producer). She and Ludwig talk about their thoughts and feelings prior to the shoot, where their idea for the storyline came from, and what they hope to achieve by creating this film. The couple also describe the medical precautions they are taking prior to the caning, and share their decision-making processes regarding the table, cane and position selected for the whipping. Kaelah and Tom practice some tai chi katas prior to the shooting of Kaelah's solo fan sequence.
In Part 2, 'Making Of', Kaelah and Ludwig talk about their feelings immediately before filming commences, and we share intimate out-takes and behind the scenes footage from the severe caning sequence itself. Kaelah controls the pace of the scene and takes the pauses she needs, and even laughs and jokes between shots. Afterwards, Kaelah and Ludwig give a final interview describing their immediate reactions to the scene. Part 2 ends with out-takes from Kaelah's solo tai chi katas, and a closer look at the sword form.
It was an honour to be chosen to make Kaelah and Ludwig's dream a reality. The Final Test has already been reviewed by The Blog of Fred and Nimue Allen. I'm thrilled with the finished film and by the positive reception so far. Here's to more fairtrade severe caning films!
I've just updated the site with our first spanking audio story, The Royal Wedding. This is a spoken word version of my contribution to The Spanking Collection, an anthology of original spanking fiction edited by Abel and Haron (AKA Adele Haze) to raise funds for cancer research charities.
'The Royal Wedding' is my first serious piece of spanking fiction, and the first short story I've ever had published in print. It started life as a somewhat wry response to the marriage of Prince William to Kate Middleton last summer, which was all you could hear about at the time I was writing. The story evolved far more depth than I’d imagined.
Based on one of my more un-filmable ideas, the scenario explores the complexities of consent through a judicial, ceremonial punishment against the backdrop of an arranged marriage. Proud, strong-minded princess Tabina entirely consents to the marriage, but not for reasons of romance: her motivations are political and patriotic.
The punishment itself is not, initially, consensual. She's not so much forced into it as tricked, but she chooses not to resist, and in the end she consents explicitly and wholeheartedly for reasons of her own.
I love audio as a medium. We've got several more spanking audio stories lined up, including some more traditional domestic punishments and sexy consensual spanking. This one is a bit unusual, but it's close to my heart. It's severe, it's based in a fantasy setting, and it contains far more story than spanking (my aim was for it to read like a chapter in a novel in which a punishment scene is described in detail). I had almost as much fun with the world building as I did with the caning sequence itself.