Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.
The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.
There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.
The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...
I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.
I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.
Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.
The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.
This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?
We are thrilled to have sex blogger HornyGeekGirl, an erotica author and self-proclaimed spanking enthusiast, as a new contributor to this blog. Please give her a warm welcome!
I love wax play. Delivering it, I love the feeling of joy at every little squeak and wiggle your partner makes. I especially love dripping hot wax onto a freshly spanked, flogged or caned bottom. Receiving it, there's the split-second sting of the heat as it hits, that lovely warming feeling as more is added, and then the sheer pleasure of it being picked, peeled or scraped off. It’s delicious.
Hot Wax starring Tai Crimson and Pandora Blake really captures the deliciousness of wax play. Right from the first photo, we see Tai’s smile of anticipation ... which turns to slight trepidation when Pandora pulls back her hair to whisper in her ear. Then there's the small smile on Pandora’s face as she lights the first candle. You can really feel the tension as Tai awaits that first droplet of hot wax.
For me that anticipation is half the fun of wax play, and this image shows that perfectly. It’s the deep breath before the first stinging drip falls. I like the symmetry of being able to see a profile of each performer’s face. They both seem to focus on the candle, even though I know Tai probably can’t really see it.
Tai's face is a study in this photo gallery. There is something almost blissful in Tai’s expression as Pandora drips the first trail of colour from higher up, which changes to lip-biting pain as the wax - and the heat - get closer to her skin, until the wax leaves pink heat marks on her upper back.
I love the dynamic between the two of them. The comfortable ease expressed in Pandora’s gleeful enjoyment of Tai’s pain, and the total trust Tai shows even when wax is being dripped in very intimate places. Which brings me to the other hot thing about this photo gallery. After all that build up, the pay off is a sequence of incredibly naughty photos as Pandora teases apart Tai's bottom checks, tantalising her with the idea of hot wax being dripped into that most sensitive spot... and then lands drop after fat drop right onto her exposed hole. That range of photos made me wince and wiggle, and witnessing Tai’s pleasure at the pain really appealed to the domme side of me that likes to hurt people just the way they like it.
The final two images in the set are the perfect finish. It's lovely to see the two performers basking in the afterglow of the scene they’ve just shared - and it's clear from their faces that they loved every minute.
One of the things I've occasionally thought about, as a feminist who runs a spanking site, is content warnings. Fundamentally, the idea behind these is that if something might include content likely to trigger someone recovering from serious trauma, it's respectful to give notice in advance that the topic is likely to come up, so anyone who needs to can prepare themselves and isn't caught off guard.
I think it's a really great way of making material more inclusive. Yet I've never gone ahead and instituted content warnings on Dreams of Spanking, at least not overtly. What I do instead is to make the content of each scene very explicit in the tags and copy surrounding the film. I try not to spoiler plot twists, but I do often remove the element of surprise from how the story of a film unfolds, in the interests of pre-warning viewers what they can expect - both to catch the attention of people with particular niche tastes, and to pre-warn people who might find certain content distasteful or upsetting. So far, I've been happy with that system. But if any film on Dreams of Spanking has made me wonder if it should include a content warning, it's our latest film starring Tai Crimson.
When I was editing Caned at Home, I found parts of it so extreme - both in terms of the severity of the physical punishment and the nastiness of the verbal degradation and emotional abuse - that it made me feel uncomfortable. The whole scene was shot in a single take, so I didn't see any out-of-character interactions to break the tension and reassure me that Tai was okay with what was happening until the scene was over. However, I needn't have worried. The moment "cut" is called, Tai bounces up and enthusiastically tells me that she could have taken double the number of strokes. In fact, she almost seems disappointed that the scene hadn't been harder.
So I decided to reuse a film format that I trialled during our ATVOD investigation (and which may have played a part in our successful appeal win, although it's hard to be sure); showing snippets of out-of-character performer interviews or behind the scenes interaction both before and after the main film, to contextualise the fantasy in the real-world context of the performers' tastes and desires. Since we won our appeal, I hadn't particularly felt the need to do this - especially with films where the fantasy shows pleasure spankings and explicit consent. But Caned at Home is definitely not one of these.
If edgy domestic scenarios showing the disproportionately severe punishment of a helpless girl aren't a turn-off for you, Caned at Home has much to recommend it. In particular, the sequences of hard and fast cane strokes falling one after the other without a break are some of the most convincingly severe thrashing I've ever seen on a UK spanking site. Tai has a high tolerance, and this was the third time we'd played together; she'd asked me to push her to tears, and this was our last scene of the day, so there was no reason to hold back. As it turned out, even the nastiest verbal abuse I could come up with - and one of the hardest canings I've ever delivered on camera - weren't quite enough to break her.
Perhaps you love severe caning and verbal degradation as much as Tai does, in which case Caned at Home will be right up your street. But if, like me, you prefer to know for sure that the performers were into it before watching a scene of this intensity, I recommend watching the performer interview and behind the scenes video first, to reassure yourself that no only was Tai unharmed by the making of these scene, but actively enjoyed it. It's lovely to work with a young woman who is so in touch with her kinky sexuality, and so articulate at expressing her fantasies and fetishes.
Besides, severe canings that leave livid welts are most definitely not BBFC-compliant. Dreams of Spanking is currently the only UK spanking site where you can watch material like this, and we will remain so until the Digital Economy Bill means we have to stop, too. So enjoy it while you can.
A few years ago a news story broke online which caused a stir amongst spanking enthusiasts. Doctors in Siberia had been promoting a new "whipping therapy" to treat patients suffering from addiction and depression. A 2005 article describes how "Russian scientists from the city of Novosibirsk, Siberia, made a sensational report at the international conference devoted to new methods of treatment and rehabilitation in narcology. The report was called “Methods of painful impact to treat addictive behavior.”" The idea is that addiction and depression often are caused by decreasing production of endorphins - and the pain caused by corporal punishment can stimulate endorphin receptors and rekindle the "production of happiness". The scientists recommended that consenting adults judged psychologically fit for the treatment receive a course of thirty sessions, each consisting of 60 cane strokes on the buttocks, accompanied by counselling and therapy.
Although the therapeutic effects of corporal punishment practised by enthusiasts can hardly claim clinical success, all of us who enjoy spanking know how beneficial it can be. Personally, I find that spanking - particularly caning - grounds me in my body, making me feel calm and centred. Being physically punished focusses me on my breath, in the moment, and quietens my busy mind. When you're being caned, you aren't thinking about anything else.
I find it reduces anxiety and irritability, increases my sense of my own resilience and makes me believe I have the power to tackle the things I'm struggling with, and increases my zest for life. Plus if it's done by the right person in the right way it can be very sexually exciting too.
I'm not a doctor, and it would be presumptuous for any of us to claim that our spanking practice is seriously rooted in medical science. But the idea of spanking as a form of treatment approved by the medical establishment is an appealing fantasy. Plus, it's an excuse for me to pull out my nurse uniform...
In The Russian Treatment, patient Mike Pain has admitted himself to a specialist clinic after suffering from depression and malaise. The clinic is trialling an experimental therapy which uses the application of corporal punishment, beginning with hand spanking in the first session, then - in part 2 - escalating to the strap and, finally, the cane.
The treatment has many benefits. Spanking boosts the circulation and triggers the production of endorphins, the body's natural painkillers. Patients report that it reduces anxiety, relaxes them, and improves sleep and mood. Nurse Pandora is careful to explain everything before asking Mike to sign the consent form - but it turns out that Mike doesn't take much persuading.
Lying over the nurse's knee on the bed, Mike surrenders to a firm hand spanking and deep bottom massage. He seems to take to the therapy very quickly... so quickly in fact that one can't help wondering whether this is the first time he's experienced something like this.
One week later, it's the final session of Mike's course of treatment. In the intervening time he's received daily spankings, including applications with the strap and cane; six strokes from Nurse Molly. Now, Nurse Pandora gives him another dose of the leather strap, administering ever harder strokes as Mike kneels on the wooden stool at the foot of the bed, his whole body rocked by the sharp blows.
Finally, it's time for the last caning of the treatment. On the nurse's recommendation, he receives twelve very hard strokes - a level of punishment that not every patient can endure. On all fours on the bed, Mike's upturned bottom is exposed - and his groans show that the pain is real. Still, as he breathes into each strokes, it's clear that the treatment is having the intended effect.
I really enjoyed making this two part nurse spanking film with Mike Pain and videographer Nimue Allen. It's a fun, satirical take on the Siberian medical caning story, and I think you can tell from the camp dialogue how much the set-up amused us. But there's also an authentic side to this scenario, from the genuinely hard cane strokes Mike bravely takes, to the exploration of the therapeutic benefits of spanking. If spanking for health and wellbeing interests you, you could do worse than to start with the breathing techniques advocated by Nurse Pandora in these films. Just let the pain flow through you... and remember to exhale.
Pandora Blake: Yes! I have to say I'm really enjoying the responses to this set, both on the site and on Twitter. It makes me feel very good to have internet folks appreciating the hotness of my boyfriend. I'm particularly enjoying that he seems to have a goth girl fan base :)
GotN: Goth girl fan base does NOT surprise me in the least, being a kind of clumsy goth myself =) I actually really wanted to ask you about that - do you get pride-shivers when people tell you how hot D is? Like, is there a showing off how hot he is element to photosets and videos?
PB: Very much yes. It makes me feel proud, delighted and very smug to hear people compliment him - it's like, yes, isn't he gorgeous, thanks for noticing, and he's MINE. I feel the same way when he dates new people to be honest - it always makes me appreciate him a little bit more and feel very pleased and proud when I see people being attracted to him
GotN: Ooh, yes I can definitely see that. Also, obviously am grateful, being one of the people who very much enjoys perving on his photosets.
PB: It is quite literally my pleasure.
GotN: This set in particular seems to have struck a chord with lots of people - and obviously me too. One of the things that really got me about it was that photo with the belt round his wrist - whose idea was that?
PB: Oh, that was entirely mine. When I was first looking through the unedited photos to remind myself what we had to work with, I had a chat window open with him, and a few pictures leaped out at me and gave me this involuntary physical quake of lust, so I posted them to him in the chat. That photo of the belt wrapped around his wrist was one of them.
PB: I was directing the set - which I can do with a very clear head when I'm neither modelling nor taking the photos - and I remember staging that shot. Neither D nor Matt really got the point of it, but I was determined I wanted it. When I looked through the photos again there was this double pleasure of seeing that shot - the pure rush of desire at seeing an image that struck one of my kinks so perfectly, and the sort of meta-delight at having successfully created something that was so perfectly porn for me. That was my aim with this set, to shoot something very self-indulgent, so it was lovely to feel so clearly that I'd got it right.
GotN: Ohhh, that is so hot! And it totally reinforces for me why the best porn is often the porn that's made by people who have exactly those kinks. Looking at that picture I would never have thought to explain that specific shot to anyone - I'd never have told a partner to do that or why it would be hot - but it gave me that exact same kick, and looking at it I realised that someone who didn't share the exact same belt-kinks with me would have been unlikely to stumble on something that hot by accident.
GotN: Also: by self-indulgent do you mean 'this is the set I'd make for myself to wank to'? :)
PB: That's exactly what I mean.
PB: Specifically, I wanted to shoot something to suit my own tastes without any reference to whether it might be popular or not. I'd never heard of a reverse striptease before, and I wasn't sure whether a solo male dom set would make any money, but that wasn't the point of this - it was to please myself. That's one of the reasons it's been so validating to receive positive responses to it. I love knowing that my specific porn tastes which aren't commonly catered to are shared by others!
GotN: Oh I totally see what you mean there - and although this is going to sound horribly gendered I think that's why it's so important for me, as a mostly-straight woman, to see female-directed porn. The female gaze is not something that can just be captured by copying male-gaze porn and making it softer, or focusing heavily on genitals, or whatever: it really stands out when you see something made by someone who is behind the camera feeling genuine, kinky lust for someone. Not sure if I've explained it that well, but yep - I've struggled to explain female gaze to people before, and I think from now on I'm just going to direct them to this photoset.
PB: So what is it about the belt-round-wrist that's so sexy for you?
GotN: Belts: sexiness beyond measure. I think of all the spanking implements they're my favourite. But it's not just that I love them: belts have something about them that many subby people can't resist. One of the most cited turn-ons for subs (in my general experience from sexy comments on my blog and etc) is that they love the sound that belts make when they're pulled out through the loops: that swish of a belt that says 'you're in trouble.' And then, on top of that...
GotN: Forearms are a stunningly hot feature, which does not get nearly enough love in my opinion. Biceps are often worshipped, but (I think I might be able to dig out the survey on this but not sure) forearms are one of the most frequently-cited turn-ons for women. Not sure what to call that - 'perv zones'? Lots of people perv on forearms, and yet they're rarely put front and center of a sexy scene. That belt-round-wrist thing combined D's gorgeous forearms with the symbolism of the belt, and then a slightly intimidating (in a domly hot way) blurred image of him in the mirror in the background behind. Unngh. So much hot.
PB: I LOVE forearms.
PB: For me, a strong looking forearm makes me think "I bet that person would be able to spank me really hard" more than a strong bicep does - perhaps because bicep worship is so common, it's more generalised rather than specifically a kink thing. (Although I do love biceps too.)
PB: That image is an interesting one - it doesn't prefigure any particular kink act; he's not wrapping it around his hand in preparation to hit someone with it. And yet the tension of the leather, the way it bites into teh skin of his wrist, the contrast between his smooth skin and the warm texture of the belt, and the firm grip of his hand, all suggest tension and strength and anticipation in a way that's incredibly powerful.
GotN: Oh yes! Strong forearms - and oh bracelets and tattoos on forearms too. Mmm. D's wearing quite a neat bracelet in that photoset as well, which draws attention to the forearm so nicely - the same way I'd wear a necklace to draw attention to a cleavage. More people should do this
PB: I love seeing that bracelet on him actually - it was a gift from a friend who made friendship bracelets for the whole friendship group in our favourite colours, and D wore his for ages. I still have mine too! It grounds the set in reality and reminds me that he's my real boyfriend with a life outside porn, as well as a super hot naked porn guy.
PB: So the reverse striptease. It was an idea I had ages ago, and I'm really pleased with the result. Does it work for you having him start naked and finish dressed?
GotN: YES! OMG so that was another thing I wanted to talk about. In general, I think my kinks tend towards guys who are either clothed or semi-clothed. This actually probably ties in to the hotness of bracelets and tattoos too: it's all about highlighting. Clothes draw your focus to a particular place. So in that photoset, you're kind of immediately plunged into 'oh, there's a seriously hot naked guy here', then as the set goes on, and the clothes go on piece by piece, it draws your attention to each feature. I LOVE it, and I would love to see more reverse stripteases in porn.
GotN: It actually reminds me a little of your calligraphy photoset with Adele Haze too - the words slowly covering the skin make you take your time looking at all the details of someone's body. So with D gradually covering himself over the course of the set, you get to go from full-on naked then take time to appreciate his forearms, the tone of his stomach, and each detail, before ending on his hands slipping into the leather gloves
PB: speaking of which, can we take a moment to just appreciate the hotness of leather gloves
GotN: ohhhh yes! Leather gloves are <3
GotN: Also: white shirts with black buttons, which you don't see much but which HOLY SHIT highlight D's hands as he's slowly buttoning up the shirt
GotN: I mean basically I am just 'splaining to you how hot your boyfriend is, but yeah :)
PB: It's all good!
GotN: I also wanted to ask you - is this your favourite D photoset? I've enjoyed loads of D on Dreams of Spanking, but I wondered if you have a favourite set or picture of him? Or as the director, do you love them all equally?
PB: The highlighting thing is an interesting one - I hadn't thought of it that way. For me, the reverse striptease isn't so much about revealing each feature as creating desire via unavailability. It's like, D is immediately available at the start so you see how yummy he is, but then as he goes from sleepy boy to gradually getting covered up, it has this slight distancing effect by making him seem older, more unavailable, and more dominant. For me lust has a lot to do with wanting without having, so for his body to go from revealed to covered increases the desire - as well as the specific clothes creating an aura of toppiness that has me squirming in my seat.
PB: This is my favourite D photoset right now, and I'm kind of obsessed with this picture that gives his beauty a rockstar pinup quality: I would totally have had that picture on my wall as a teenager. In fact I might make myself a print of it.
PB: But I'm also really fond of this set.
GotN: Oh I <3 Tangled With You too! You both just look so incredibly calm and happy in it. And I can definitely see why you'd have that rockstar picture on your wall - D has a really casually-hot vibe, like he's left the door to his rockstar dressing room open because he kind of hoped you'd walk in while he was getting changed.
PB: It's so lovely making porn with your lovers! I highly recommend it.
GotN: It's bloody wonderful for you to share it with us! I mean obviously we're kind of back to 'OMG your boyfriend is so hot' territory here, but on top of that it's incredible to see him through your eyes, if you see what I mean. I think it's a different perspective to the way it would be if you were strangers - there's a closeness as well as obviously your kinky eye, which picks up on the details that another director might not.
PB: Thank you! Full credit to Matt Christie as well for taking such superb pictures - he's got an amazing eye for light and composition, even if toppy men aren't his kink. I'd love to see more female photographers and directors shooting the men they love - I think you're right that the intimacy of shooting someone you're close to results in really special images. Here's to more sexy men in porn!
GotN: Amen to that!
If you read our last blogpost about the impact of the UK's impending Digital Economy Bill and want to know how you can help, I have something for you. This petition is hosted by the Open Rights Group, a UK organisation dedicated to campaigning for digital rights. It has over 11,000 signatures already, and you can sign it if you're in the UK or anywhere in the world - it only needs a name and email address to sign.
Why should you care? Here are the headlines:
We must act now to prevent this dangerous legislation from being passed - which will affect millions of people in the UK and worldwide. Blocking websites is a disproportionate, technical response to a complex, social issue. The UK’s children need education, not censorship, to keep them safe.
When you run a business, the conventional wisdom is to present a front of certainty at all times. If you're feeling ambivalent, the theory goes, don't let on; potential customers will pick up on it, and it might make them feel ambivalent too. It's better to hide your doubts, and manifest confidence and certainty that your product is the best there is. So the theory goes.
The problem is that if you're genuinely feeling ambivalent, it's hard to sound positive without it feeling fake. And if your business is founded on principles of authenticity, transparency and genuine self-expression, that fake feeling can amplify any feelings of ambivalence that already exist. It's a negative spiral. And if I'm truly honest, this is where I'm at right now with Dreams of Spanking.
Stopping and starting
When ATVOD first started investigating us, the site was going from strength to strength. Girl on the Net, AJ and I were working together as a solid team; we were earning international recognition and winning awards at film festivals. For the first time since we launched in 2011, I'd managed to get my own workload down to a manageable level. We were earning enough that everyone was getting paid - even me, and I've always made a point of paying everyone else before I take anything for myself.
After three years investing time, energy and money into the project, it was genuinely starting to pay off. I could even envisage a time when I might be able to hand over the video editing to a trusted colleague, and move onto new pastures while continuing to earn a little passive income from the project into which I had poured so much. Pensions are a tricky business for self-employed sex workers, but Dreams of Spanking was my first real chance at a nest egg. I didn't pay myself for most of the work I did nursing it to life in the beginning, but I was hoping that eventually, it would all work out.
Then ATVOD came to call, and after a gruelling investigation the site was forced offline for ten months. From a business perspective, this was a massive blow. Never mind that we were politically and morally vindicated in the end; we eventually won our appeal and earned the right to relaunch. My protestations that the AVMS regulations were unjust, and ATVOD was enforcing them unjustly, were eventually proved right when my appeal was upheld; but never mind that. The damage was done.
It's hard for any business to recover from an enforced hiatus. It's not just the loss of traffic and search engine rank; it's the human aspect too. Fans, promoters and affiliates get bored waiting and look elsewhere. If I'm honest, after my initial grief at ATVOD's verdict, my own focus has shifted too. During those ten months I was able to pursue other interests for the first time since I launched Dreams of Spanking. I travelled, exercised, got therapy, re-invested in friendships and relationships. I engaged with other forms of rewarding work. I made time for play. When I first heard the verdict I felt like my life had been taken away; but in some ways, the hiatus gave me my life back.
More pressingly, while the site was offline, the press attention surrounding the ATVOD verdict gave me the platform to to raise awareness about issues I cared about. I renewed my political activism, and launched a Patreon campaign to crowdfund the work I'm doing to challenge sex work criminalisation and promote sexual freedom. In the midst of trauma and loss from seeing the biggest creative project of my life destroyed, I was able to find a renewed sense of purpose.
Then it all got complicated again. Privately, I was told that I'd won my appeal - but that I couldn't announce it yet. I felt conflicted. I was happy to have won - but increasingly frustrated at having the rules of this game dictated to me; at not being free to express myself. The practicalities were stressful, too. I knew I would at some point be able to re-open the site, but that I wouldn't know when until much nearer the time. That not-knowing was hard. It was impossible to make plans; I didn't know if I could start new projects, or if I would suddenly have put everything else on hold to relaunch the site at short notice. When I launched Dreams of Spanking in 2011 I had created a fulltime job for myself. In 2015 that was taken away without my consent; and now it was being thrust back on me, and in some ways, I felt just as powerless. It felt like whatever steps I took to build a fulfilling, self-actualised life for myself, the government would stick their oar in and mess up my plans.
Of course I'm happy Dreams of Spanking won our appeal. Ofcom made the right decision; ATVOD should never have ruled against us, and the law and the whole investigation was unjust from the start. But the disruption was devastating both financially and personally, and picking up the pieces and trying to rebuild it didn't make the whole thing right again. After winning the appeal, it wasn't like the investigation had never happened.
So we co-ordinated the announcement of the appeal win, and in June I finally re-opened the site. But I was permitted a mere four weeks to enjoy our victory before the next cloud appeared on the horizon.
And now, after so many ups and downs, the future of Dreams of Spanking is still depressingly precarious.
The costs of age verification
The Digital Economy Bill is currently going through Parliament, and has just come to the end of its committee stage. The section of the Bill introducing compulsory age verification for all adult sites accessible from the UK will have a serious impact on Dreams of Spanking, and on many other adult websites.
Complying with this legislation will be difficult, if not impossible. First of all, I'll have to overhaul the whole site structure of Dreams of Spanking. Any content that would be classified as "18" or higher will be illegal to publish publicly, on the open internet. So video, images and audio that contain any nudity, bums or spanking will need to go behind intrusive, privacy-violating age checks.
To prove you're over 18, you'll have to type in sensitive personal details such as your legal name, credit card details, date of birth, address or phone number. That data will be visible not to me, but to whatever age verification system I install - private companies that are free to operate unregulated, and without having to safeguard the security and privacy of your personal data.
Not only is this terrible for you, it's terrible for me. Every age check will cost me money - estimates range from £0.05 to £1.50 per check. Dreams of Spanking currently receives over two thousand visitors a day (under half the traffic we had before ATVOD forced us offline), so the cost of checking the age of every site visitor would add up to significantly more than the site's total revenue - and that's before we take into account existing costs such as production, paying my team members, and bandwidth. In other words, complying with the age verification law will immediately put the site out of business.
Even if I can somehow persuade enough of those two thousand visitors to buy memberships that I can afford to verify all their ages, the site will never be the same. This law will mean no more public previews. No free trailers, no preview images, no free hosted galleries, no birthday spanking giveaways, no Creative Commons projects and no charity caning films. No more getting around CCBill's content restrictions by giving material away.
No more transparency, and no more free porn.
The value of giving things away
When I launched the site, it was hugely important to me that I didn't follow the standard paysite model. You know the one: some garish tour pages with flashing banners and fleshy montages, with all the actual scene previews, video trailers and so on behind a paywall. It's a scarcity based business model; the only way you can get to see the good stuff is by paying. I personally believe that's one reason why piracy has been such a problem for the porn industry - people resent having the content they want to see withheld, and it motivates them to buck the system by filesharing.
Instead, I wanted something closer to a loyalty model. Rather than trying to force a situation where buying a membership is the only way you can see Dreams of Spanking films (which is impossible when filesharing is so common), I wanted to make it so that people wanted to support the project. The idea of the model I came up with is that I give lots away, and you trust you know what you're getting if you do decide to pay. The brand gets more visibility; you feel more included. Everyone wins.
I have no desire for my porn to pop up in the browsers of young children who won't know how to assess what they're seeing, and might be distressed by it. But I don't use popup advertising, and Dreams of Spanking doesn't have high enough search rank for children to "accidentally" stumble across it. Even if a child did somehow find the link to the homepage, they'd have to click through the content warning page, scroll down, and click again on a link to an individual scene in order to see anything other than tiny thumbnails.
It is, I admit, possible that older teens, who are already interested in exploring their sexuality - and who may well be over the age of consent for sexual intercourse - might look for erotic content online, and find Dreams of Spanking. Realistically, this is unlikely to happen unless they're explicitly searching for "spanking". And if curious young people - perhaps wrestling, as I did, with the fear that because they fantasise about spanking there's something wrong with them - type "spanking" into a search engine and end up here, then at least they'll see a site that prioritises consent. They'll see interviews, behind the scenes videos, comments, and respectful copy that celebrates the whole personhood of our performers. They'll see body positivity, queer inclusivity, and gender equality.
If sexually curious teenagers are going to look for porn, I'd rather they found my porn than some of the other stuff that's out there, because at least then they'll be receiving healthy, positive messages about negotiation, communication, body image, gender, and consent.
Free previews are valuable to adult viewers too. I want kinky queer people, kinky fat people, and kinky people of colour to be able to see people in porn who look like them. No-one with a spanking fetish deserves to feel shame about their kink. I want as much of the site as possible to be public, because I want as many people as possible to become resilient to the sex-shaming and kink-shaming that are so prevalent in our culture - regardless of whether or not they can afford a membership.
If I was independently wealthy and could operate Dreams of Spanking as a free site, believe me, I would. Even as it is, the total pay I've drawn from the business over five years adds up to way less than a living wage.
So these core principles of transparency, visibility, and open dialogue about kink, diversity and consent, are absolutely fundamental to the Dreams of Spanking manifesto. And now, the age verification law will make it impossible for us to uphold them. Everything will be locked down, hidden away.
The legislation applies to audio and still images as well as video, so those won't be exempt. This blog will cease to be publically visible; all the discourse I have engaged in over the years about how to make porn in an ethical and feminist way will cease to be findable via Google. Years of careful tagging to make our scenes show up in searches will be destroyed in a single blow: you won't be able to find Dreams of Spanking via a search engine any more. It will be like a return to the secret libraries of Victorian England: only accessible to the wealthy, to those in the know, those with the privilege to not have anything to lose by sharing their identity or risking their privacy.
One of the many ways in which the internet has been a positive force for change is that it has opened up the discourse about sex and sexuality; made the topic more visible, invited more people to share experiences and insights, and helped all of us feel less alone. Now, just as we are really starting to see the benefits - in terms of better social understanding and acceptance of sex and gender diversity than ever before in our history - this law is going to shut that discourse down. Sex will become taboo again. You shouldn't talk about it, not in public spaces. It's dirty. You should be ashamed. Think of the children.
Actually, I do think of the children. I know that societies with more open attitudes towards porn have lower rates of sexual violence, STI transmission and teen pregnancy. I know that children growing up with marginalised sexualities - whether queer or kinky - often feel isolated, especially in rural communities. I know that this isolation can cause severe mental health issues, and even lead to suicide.
I know that young people need better sex education which is based around consent, pleasure and how to stay safe, provided by parents and teachers who aren't propagating their own sexual shame.
I know that humans are often sexual and often curious about it, and that if we don't talk to young people about porn they'll find it anyway, whether or not they have the resources or resilience to critically interpret what they're seeing. I know that shutting porn in a locked room and only giving keys to the rich is not the answer. It will not help our culture be healthier, or better informed, or more accepting or responsible about sex.
That's bad enough. But the problems with the Digital Economy Bill go deeper than that.
Even if I somehow manage to fully comply with the legislation: hide everything spanking-themed on the site behind age checks; find the money to check the ID of every non-paying visitor who wants to browse my free previews; survive the loss of traffic and Googleability - even if I can stomach the disappearing of this blog, the behind the scenes videos, the performer interviews, and the discourse about ethics and consent - the site still can't survive, because every scene that was criminalised by the AVMS regulations will be recriminalised by the Digital Economy Bill.
ATVOD found us in breach because they ruled that some of our videos depict corporal punishment that leaves 'lasting' marks. We won our appeal on the basis that the principle purpose of the site is not commercial, and it is not in competetition with mainstream broadcast media. That victory won us an exemption to the AVMS Regulations 2014. But the AVMS didn't invent the rules around what content is banned; it drew them from existing classification guidelines used by the British Board of Film Classification (BBFC) for films and TV.
The guidelines prohibit any depiction of pain play that leaves marks on the body beyond those deemed "transient and trifling" from classification even as R18, the highest classification category in the UK. Basically, under the current rules you can't show any act which would constitute assault or actual bodily harm, or any act which would risk injury to the viewer if it were imitated. So no caning, no belting, no welts, no bruises - and that's before we get into the bans on things like facesitting, breath play, fisting, squirting, watersports and "full" bondage, defined as the restraint of all four limbs plus a gag.
The AVMS regulations were the first instrument of UK law to apply those classification guidelines to material published on the internet. We've enjoyed a heady few months of official exemption from them: but now the Digital Economy Bill uses those same guidelines to control what can and can't be published online. If the Bill is passed it will be illegal to publish any 'prohibited content' even behind age checks. Let that sink in: even age-verified, consenting adults who have handed over their real names and addresses to prove their age won't be allowed to look at spanking videos that show marks.
So we're about to be recriminalised. And I can only assume that every other UK law affecting online pornography from now on will use the same prohibited content guidelines. If this law passes next March, as I'm told it will, then our victorious relaunch will barely have lasted longer than the enforced hiatus that preceded it.
What are our options? One thing is certain: stubbornly refusing to comply, incurring the wrath of the regulator, going through another investigation, another hiatus, another appeal - it's not an option. Either for me personally at an emotional level, or financially, from a business perspective.
I could try to comply with the age verification requirements: swallow my pride, compromise my core principles of transparency and visibility, and hope that I get away with there being prohibited content behind the age check. But it seems like a doomed proposition - even if I could afford age verification in practice, which seems unlikely. My public profile is too high, my reputation as a troublemaker too entrenched, for me to avoid scrutiny. And there's no way to avoid publishing prohibited content: under the current guidelines, nearly all our content is banned.
Moving the site overseas might seem my best remaining option - but the Digital Economy Bill applies to overseas sites as well as UK ones. The only way I could do it would be to install IP checks that made the site totally inaccessible from the UK. In effect, I would no longer legally be able to view my own website. I might be able to continue working for the site in some capacity, but I would no longer be able to own it, control it, or in fact see it.
As far as I can see, my best option is to challenge the problem at source, and push for a review of the classification guidelines - specifically the ceiling for R18 content - and of UK obscenity law more generally. So for the last couple of months I've been working with Backlash, Myles Jackman and other political allies towards this goal. We are challenging the Digital Economy Bill and pushing for a comprehensive review of the laws surrounding porn and BDSM in the UK.
If you want to support these efforts, you can pledge a dollar or whatever you can afford on Patreon, to help me pay my rent while I do this political work. You can sign and share the petition for personal privacy and sexual freedom. And if you can buy a site membership from time to time, even better.
But a comprehensive review of obscenity law is a long-term goal; and in the meantime, I have to accept that it's unlikely I'll be able to change the law in time to save Dreams of Spanking from being outlawed next spring.
The hard questions
All this has been going around my head since the Digital Economy Bill was published on the 5th July. Here are some hard truths, which I have come to admit only grudgingly:
All these add up to a strong argument for putting the site on ice now; gracefully retiring Dreams of Spanking to focus on other goals, rather than suffering the humiliation of clinging on to the last possible moment before it's wrenched away again. But I haven't done this, and I don't intend to.
Perhaps it's just stubbornness - it wouldn't be the first time that attribute had made my life more difficult than necessary. But to counter the above, I have good, valid reasons for keeping going.
The first is, quite simply, closure. The worst aspect of the ATVOD verdict was not being able to publish the content I had already filmed; it was a brutal disruption of my creative process. Winning my appeal was a victory for my right to express myself. I've won the right to publish that content, and I want to damn well publish it. Not just because I can, but because appealing that verdict was a 'fuck you' to unjust laws and a prejudicial regulator. I held fast to my principles, I fought, and I won. I intend to continue in that spirit.
Giving up now would be letting them win after all; it would betray everything I've fought for. Not getting that closure would leave me feeling unsatisfied and incomplete. I'm willing to accept that it doesn't make sense to shoot much new content now, given I may not get a chance to publish it. But the work I've already done was created as a true self-expression, and my intention was always to share it with the world. I want closure on that creative process before I move on to the next phase. I want to finish what I've started.
Secondly, this decision doesn't only affect me. Another dreadful consequence of the ATVOD decision was that it wasn't just me who was affected - my team members lost out too, and with even less control over the situation than I had. I was prepared to pay the price for my stubbornness, but it also impacted everyone who works for me. I try my hardest to be a good boss, and that means not making my whole team redundant if I don't have to. Doing so mere months after giving them their jobs back would be particularly cruel.
I feel too ambivalent, too uncertain, and too conflicted to be confident about quitting when it won't just affect me, but will also directly affect the financial stability and wellbeing of people I care about. The Dreams of Spanking project is a complex ecosystem; my own self-care isn't the only relevant factor.
But it's an incredibly difficult situation. Do I continue updating Dreams of Spanking while I still can, try to make the best of it, promote it enough to cover costs while I keep it ticking over - all at the same time as trying to campaign against the laws that will otherwise inevitably kill it? Or do I stop spending time editing and promoting new videos, put the project back on ice, and free up more time for activism, to give myself the best possible chance of defeating this terrible law?
This question isn't going to go away. And it's an impossible bind.
I can tell you this much: for now, I've decided to keep Dreams of Spanking running. I have a content schedule mapped out until March next year. Before then, I'm going to run out of male submissive scenes, and at that point I need to decide whether to re-invest in a project that is already barely covering costs, and risk ending up with more content I can't publish; or whether to compromise another the core principle of the site, and stop maintaining the gender diversity of new updates.
I don't know the answer to that question. And even not changing my plan, continuing to reflect while maintaining the status quo, is a decision that has consequences. Every month I keep the site running, I'm spending time on Dreams of Spanking that I'm not spending challenging the law.
I've been trying to balance these conflicting priorities for five months already. You have probably noticed that the content going out each week is different than it used to be. To free up time for the political campaigning I'm doing, I've been publishing shorter updates, more solo videos, POV scenes, audio stories and photosets. There has been a new update every week, but I'm no longer committed to a new spanking video plus performer interview plus behind the scenes video plus photoset every week, because maintaining that schedule is a fulltime job, and if Dreams is my fulltime job, I'm not doing the political work that is its only chance of longterm survival.
Deciding how much time to spend on the site, how much to delegate, is an open question; one I revisit every week. So far, I've been feeling my way through these thorny issues as best I can, with a heart full of uncertainty.
I've tried to be open and transparent with the rest of the Dreams of Spanking team throughout the process, but when I sent them the draft of this blogpost it was the first time most of them fully realised how precarious the future of the site really is. And now you know, too.
Where do we go from here?
I wish I could end this post on a positive note. It would, perhaps, be good business practice to reassure you that for now I'm committed to keeping the site alive (I am), that we have hot new content lined up for this week (we do), and that I won't stop updating the site without giving all of you a decent amount of notice (I won't). I could urge you to join now while you still can. I could sing the praises of our archive, which is bursting at the seams with high-quality spanking films available for all members to both stream and download.
But the truth is, this is hard, and no amount of positivity or spin will make it less hard.
So instead I invite you to stand with me, in this undeniably difficult and demoralising situation. I invite you to understand, perhaps, why not every site update at the moment is as substantial as I would like it to be. And I invite you to share my anger at the injustice of criminalising consensual adult activities that do no harm and bring pleasure to so many. Your empathy and shared outrage has kept me going before, and it is always welcome.
I can promise you new erotic content every week: always spanking themed, always ethically produced, always the authentic expression of my kinky sexuality. I can promise you at least one fully-realised, action-packed spanking film every month, with a behind the scenes video and a photoset - and that if it is ever possible for me to publish more than one, I will. I can promise that I will continue to fight these terrible laws that tell us we should be ashamed of our kink. I can promise to devote as much time and energy as possible to political campaigning, lobbying and activism, challenging porn criminalisation and promoting sexual freedom.
And I can promise to be honest, genuine and heartfelt in my work on Dreams of Spanking - always.
My interest in porn performing was largely spurred by the desire to have an avenue for indulging my 'low-concept' kinky fantasies. I’m still a fan of the 'high-concept' (simple ideas that can be succinctly explained in a sentence) but the opportunities to, say, have your self-worth consensually attacked while your head is flushed in a toilet are a lot more infrequent. That’s why Bullied at Home is a strong contender for my favorite film I’ve been in.
Let me back up. Long before I became the perverted hedonist I am today, I was a burgeoning young deviant with unrestricted internet access. Out of that access came the ability to form a broader perspective of the world from an early age, a skill for discerning truth from bullshit with relative ease, and a penchant for depravity. While today, spanking is the core component of my sexuality, it was originally the second kink I had come across that clicked with me.
The first? Wedgies.
One might assume that this kink arose from first-hand experience, but that would make far too much sense. The girl who loves being tormented you see before you was once a boy who had never been bullied in this manner, but was desperate to experience it. Wherever it was in pop culture I first encountered the concept of pulling one’s underwear up to cause discomfort and embarrassment, the end result was a teen who spent far too much time emulating the experience for herself.
Did you know I have a huge embarrassment kink? If I didn’t, I wouldn’t be telling you that I ripped at least a dozen pairs of underwear in middle school from giving myself wedgies hanging from the rafters of our garage. And I definitely wouldn’t be telling you that I once rode my bike around the park and high school near our house with a sign on my back reading “WEDGIE ME” in bold letters. The countless problems with this idea are left as an exercise to the reader.
It didn’t end there, of course. Just as wedgie fetishists and spankos share significant overlap, so do wedgie fetishists and swirlie fans.
For the uninitiated, a 'swirlie' is the act of pushing the victim’s head into the toilet bowl while flushing – another indignity I had never actually experienced, and thus took it upon myself to try out.
While these schoolyard kinks inserted themselves into my psyche at a young age, it took a lot longer to be able to see and articulate the compelling threads that run between them. Namely, strong desires to be humiliated, bullied, and made to feel like the pathetic little girl that I am.
Over time (and especially since having started hormones this past February), those themes have further intensified and coalesced into the primary variety of scenarios I now fantasize about: extremely edgy scenes with plenty of mind-fucking, where the masochism is both physically and emotionally heavy.
That bring us to Bullied at Home. This scene was a chance for me to satisfy those sorts of desires, with the delightfully sadistic bully role filled by the amazing Nimue Allen. Pandora came up with the “threatening to get kicked out of your foster home” spin, which genuinely got me wet the first time I heard it.
I couldn’t have asked for a more safe and comforting environment to be able to get into that sort of dark headspace in, and I hope you’ll agree that the end result is as hot to watch as it was to film!
Sometimes a good, long over the knee spanking is all you need to melt. To feel the stresses of the world around you slip away as you surrender yourself to sensation. And with this film, a no-frills, unscripted erotic hand spanking, you will feel yourself melting along with Pandora. I know I did.
Wearing beautifully elegant black lace knickers and hold-up stockings, it doesn’t take long for Pandora to be turned into a puddle of bliss. John Phillips’s firm hand takes her through a long, slow warm-up, ramping up the erotic tension and building a rhythm that has Pandora saying “yes please”.
Confession: that’s pretty much exactly what I was saying too.
There are so many things I like about this scene. Its rawness. The light (because I am both a sucker for beautiful light and also a massive nerd). The moments where the camera closes on Pandora’s face as she flashes us a grin of approval. The build-up to a climax of twelve hard spanks... plus a couple extra for good measure.
Don’t get me wrong; I love getting lost in a good story. I like frills. I like well-thought out scenarios and dramatic build up. But sometimes simple is the most effective way to my heart. And this scene is so gorgeous because of its simplicity. Just Pandora, receiving a delectable, shiver-inducing over the knee spanking.
Sometimes that’s all you need to melt. Even when you’re just watching.
This time last year, our short film Houseboy was awarded first prize in the Short Film Competition at the Porn Film Festival Berlin. Given Dreams of Spanking was offline at the time amid our struggles with ATVOD, this was a glorious fuck you to the censors, and powerful proof that porn depicting spanking that leaves marks can have cultural and artistic value. So we are beyond excited to return to this wonderful festival, now in its eleventh year.
The submission deadline was in June, before we re-opened the site; so we submitted the one film that had been shot during our ten month hiatus - Please May I Come, Mistress, the special Berlin edit of which is now available to watch online. It's a gorgeous, erotic docu-portrait of a real life BDSM dynamic, and the new edit combines the whole scene into a single short film, including intimate interviews with the performers, bondage, spanking, orgasm control, and lots and lots of love.
We're thrilled that Charlie Forrest and Zak Jane Keir's porn debut has been selected for screening, and it's lovely that Dreams of Spanking will be featured at the festival even though the site was offline during the submission period. And we're particularly pleased that the film will be opening the Fetish Porn Shorts programme. We've always felt that Fetish Porn was our spirital home in Berlin, but somehow or other our work has always been listed in other categories before. The rest of the line-up looks exciting too, including names like Ben Berlin and work by new performer-directors such as Nenetl Avril (whom we are hoping to shoot with at some point!)
Please May I Come, Mistress is screening at 00:15 on 28 October (Thursday night), and 11:15 on 29 October (Saturday morning). Pandora and Charlie will both be attending in person for a Q&A after each screening, so if you have any questions for them (or you just want to admire Charlie’s moustache in the flesh) please do come and say hi.