A new video blog from me about yesterday's photoshoot for Dreams of Spanking, how I decided what to shoot and how, and some hints about what you can expect on Dreams of Spanking over the coming months. Worth a watch if you're interested in how the looming Digital Economy Bill in the UK will impact the site. Enjoy!
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
La Fete du Slip is a gender and sexuality film festival in Switzerland (I think it's slip as in panties or underwear). It's been running for a few years and has gained prestige in the international porn community, and Dreams of Spanking is joining them for the first time this weekend.
I first tried to take part in La Fete du Slip in 2015. After Houseboy won the Berlin Porn Film Festival short film competition, I felt encouraged to submit it to other festivals. But sadly it seemed that it wasn't to La Fete du Slip's taste. I figured that I was unlikely to make a better film than that any time soon, so perhaps my work just didn't suit them. I didn't think it would be worth trying again. But I was pleased and surprised in Berlin last October when Stéphane, one half of the brother-and-sister organising team, found me after the Fetish Porn screening to tell me that she'd loved Please May I Come, Mistress, starring Charlie J Forrest and Zak Jane Keir; and that she wanted to screen it at La Fete du Slip. Well!
So here I am, on the Eurostar to Paris, where I'll change trains and venture to Lausanne - my first visit to Switzerland. I am curious to discover whether the home of milk chocolate and cheese fondue will have vegan food I can eat. I'm sharing an airbnb with porn friends Livia and Parker Marx, and I'm so looking forward to catching up with them both, seeing other international porn fam, and immersing myself in queer, sex positive community.
When I watched Please May I Come, Mistress in Berlin I was pleased by how it came across, despite the appalling picture quality. (It was a DIY porn shoot; I hadn't intended to shoot porn that day, didn't have lights, and only had my oldest camera with me. If you don't know the story of how I came to shoot spontaneous porn at Eroticon with two brand new porn performers you can read it here.) But it was noticable that it was hard to catch what Charlie and Zak were saying. They both speak quite fast, and I hadn't had a proper audio recording setup; despite my best efforts to boost the dialogue, it was still hard to make out. So I'd already decided that I was going to need to create English subtitles for it at some point.
For La Fete du Slip, however, I needed French subtitles. I ran my English transcript through Google translate, but was well aware how lacking the result would be. I turned to Twitter to see if I could recruit a native French speaker who wanted to help with the translation in exchange for free porn. Big thanks to @bdsmfreq who valiantly stepped in. Did you know that the French for "come" is jouir? I do now.
Despite BDSMfreq's generous support, turning the French transcript into actual subtitles was a different ballgame. La Fete du Slip prefer hardcoded subtitles, and I would have liked to have had that much control over the aesthetic, but when I tried to use Premiere's built in subtitle feature the formatting and positioning looked terrible, and I couldn't work out how to fix it. Free subtitle software was equally frustrating. In the end I created a .srt file and hand-noted the timecodes for each line of dialogue, which the organisers kindly accepted. But this was my first time creating subtitles, and I'm nervous that I haven't left enough time for each line to be read. I'll be watching it on the big screen with my heart in my mouth to see if anyone can follow what's said.
Hopefully my efforts will be legible. But even if not, the bondage, spanking, teasing and orgasm control is still pretty hot.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.
Our latest male/male spanking video Turn That Music Down is a domestic punishment scene starring Fauni Cate and Richard Barton. In this hot little film Fauni plays a rebellious young metal-head who plays his music far too loud at home. After yet another call from neighbours complaining about the noise, Dr Barton decides to make sure that this time he will get to the bottom of things. He is determined that the punishment, and the lesson, will be well learned.
Fauni and Richard have a really great on screen connection that plays perfectly into this scene. The combination of Richard’s frustration at having to apologise to yet another neighbour, and Fauni’s resentful attempt to avoid punishment, creates a lovely sense of suspense. I found myself watching closely, waiting to see who would ‘break’ first. As someone who can be a bit of a brat I really felt for Fauni; he has a "I know I’m wrong but I have things to do and you won’t really hurt me” attitude which Ifound very familiar. But the side of me that loves dishing out a punishment was totally with Richard on this one; sometimes you just need to make sure your lesson is delivered in such a way that makes sure it sinks home.
Fauni’s protests, and complaints as the punishment starts, are lovely but not as lovely as his mumbled apologies that get louder and clearer as his punishment continues. There is a moment where he kicks his legs up, and is quickly reminded that he needs to keep those heavy boots on the floor and away from Richard's face. I love it when a sub wriggles while they’re being punished, even though they know it will only increase their punishment; they just can’t help it. It’s why I don’t always use restraints, watching a spankee wince and apologise as they try to control their involuntary movements is so much fun, and it is one of the things that I loved so much in this scene. At various points Fauni is lying over Richard's lap completely helpless, dangling and kicking with his legs in the air, and it is such a sexy position for a spanking.
The slight gleeful grin we see flash across Richard’s face as he punctuates his demands - that the young man gets some headphones - with spanks is terrific. Almost as though he slipped out of character for a second and was just revelling in the sheer delight of delivering a thorough spanking. He also leaves Fauni’s bottom a very gorgeous shade of red, you can even see slight bumps and purpling at the end. This is a simple and very appealing m/m spanking scene between an older man and a cute younger boy, and the punishment is hard enough to make an impression.
Back to School is a super sexy two-part scene starring Molly Malone and Nimue Allen. Nimue is a young teacher who has started working at her girlfriend Molly’s old school, and when Molly comes to pick her up one day they decide to have a little after hours fun.
I love everything about this scene, and I am not alone in that love. It's received more than one fan post; such as this one by Onanist-online, who described it as "one of the sexiest, and beautiful spanking films I have seen in a good while."
What makes this film, I think, is the sexy and intimate relationship between Molly and Nimue's characters. Although they aren't a couple in real life, the chemistry sizzles between them. They are so completely and comfortably at ease with each other, and that familiarity makes this a real treat to watch. Alex Reynolds, writing in her blog Spanking Wishes, commented that "because of the obviously strong chemistry between Molly and Nimue, and the romantic elements in the scene, it feels legitimately intimate.” From lingering kisses to sensual caresses, the pair obviously enjoy the opportunity to play together on camera, and seem completely uninhibited.
I particularly thrilled to hear Molly reminiscing about her school days, explaining how she didn’t necessarily enjoy the spankings she received but would still be thinking about them later in the day. This film is a thoughtful exploration of the difference between the fantasy of a non-consensual childhood school punishment, and the sexy reality of an adult couple enjoying consensual spanking roleplay.
Combining these two sides to spanking gives this scene a taboo element. Spanking Wishes picked up on this; "They’re actually *at* the school, snuck away to have this spanking adventure in a common room. Which is an incredibly hot idea.” I have to say I totally agree. The very appealing way Nimue persuades Molly to put on an old school gym kit (complete with white cotton knickers and knee high socks), adds to the taboo feeling of this scene. While the teasing little conversation about the kit adds to the naughty sexiness, it also reminds us that these are two consenting adults - even if they are playing in a real school, with real school uniform. There is something beautiful and very hot about the smile on Nimue’s face when Molly reappears, blushing, in the gym kit.
I adore the way they connect with each other throughout the spanking, switching roles and positions. Taking time to kiss, stroke, and whisper to each other. They look like they are really enjoying themselves. This connection and consideration of each other just makes the whole scene that much hotter.
I love the moment when Nimue is strapping Molly to the spanking bench, and Molly quips “Don’t worry, I’m not going anywhere”. The bench is a gorgeous antique that evokes so many suggestions of old school halls, Headmaster's offices, and school students tightly strapped in place for punishment. Molly surrenders to the experience beautifully, from the first moment she goes over Nimue's knee, to the point where even the stingy wooden ruler melts her into a puddle of submissive bliss. By the time Nimue picks up the cane, Molly is in a state of total submission. There is something about the way she has completely gives herself over that is very sexy.
I can’t talk about this scene without mentioning the really delicious noises that Molly makes when being spanked, the way they grow in tempo and pitch as the session continues is so hot, it goes right through you. Truly sexy noises.
I'm quite into symbolism and for me, there's a lot of it in this scene that reminds me of being at school myself. The white cotton knickers and knee high socks are the white of a virginal veil, and contrast so well with the bright red of both Molly’s bottom after the spanking, and of her painted nails. I love the symmetry of those things, and for me nothing says sexy like bright red nails scraping over a freshly spanked bottom.
I adore this scene; it brings so many different elements together but still manages to fill simple and coherent, and the combined effect of school uniform, a wood and leather spanking bench, sensual kisses, switch roleplay and hard spanking is very hot.
Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.
The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.
There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.
The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...
I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.
I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.
Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.
The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.
This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?
We are thrilled to have sex blogger HornyGeekGirl, an erotica author and self-proclaimed spanking enthusiast, as a new contributor to this blog. Please give her a warm welcome!
I love wax play. Delivering it, I love the feeling of joy at every little squeak and wiggle your partner makes. I especially love dripping hot wax onto a freshly spanked, flogged or caned bottom. Receiving it, there's the split-second sting of the heat as it hits, that lovely warming feeling as more is added, and then the sheer pleasure of it being picked, peeled or scraped off. It’s delicious.
Hot Wax starring Tai Crimson and Pandora Blake really captures the deliciousness of wax play. Right from the first photo, we see Tai’s smile of anticipation ... which turns to slight trepidation when Pandora pulls back her hair to whisper in her ear. Then there's the small smile on Pandora’s face as she lights the first candle. You can really feel the tension as Tai awaits that first droplet of hot wax.
For me that anticipation is half the fun of wax play, and this image shows that perfectly. It’s the deep breath before the first stinging drip falls. I like the symmetry of being able to see a profile of each performer’s face. They both seem to focus on the candle, even though I know Tai probably can’t really see it.
Tai's face is a study in this photo gallery. There is something almost blissful in Tai’s expression as Pandora drips the first trail of colour from higher up, which changes to lip-biting pain as the wax - and the heat - get closer to her skin, until the wax leaves pink heat marks on her upper back.
I love the dynamic between the two of them. The comfortable ease expressed in Pandora’s gleeful enjoyment of Tai’s pain, and the total trust Tai shows even when wax is being dripped in very intimate places. Which brings me to the other hot thing about this photo gallery. After all that build up, the pay off is a sequence of incredibly naughty photos as Pandora teases apart Tai's bottom checks, tantalising her with the idea of hot wax being dripped into that most sensitive spot... and then lands drop after fat drop right onto her exposed hole. That range of photos made me wince and wiggle, and witnessing Tai’s pleasure at the pain really appealed to the domme side of me that likes to hurt people just the way they like it.
The final two images in the set are the perfect finish. It's lovely to see the two performers basking in the afterglow of the scene they’ve just shared - and it's clear from their faces that they loved every minute.
One of the things I've occasionally thought about, as a feminist who runs a spanking site, is content warnings. Fundamentally, the idea behind these is that if something might include content likely to trigger someone recovering from serious trauma, it's respectful to give notice in advance that the topic is likely to come up, so anyone who needs to can prepare themselves and isn't caught off guard.
I think it's a really great way of making material more inclusive. Yet I've never gone ahead and instituted content warnings on Dreams of Spanking, at least not overtly. What I do instead is to make the content of each scene very explicit in the tags and copy surrounding the film. I try not to spoiler plot twists, but I do often remove the element of surprise from how the story of a film unfolds, in the interests of pre-warning viewers what they can expect - both to catch the attention of people with particular niche tastes, and to pre-warn people who might find certain content distasteful or upsetting. So far, I've been happy with that system. But if any film on Dreams of Spanking has made me wonder if it should include a content warning, it's our latest film starring Tai Crimson.
When I was editing Caned at Home, I found parts of it so extreme - both in terms of the severity of the physical punishment and the nastiness of the verbal degradation and emotional abuse - that it made me feel uncomfortable. The whole scene was shot in a single take, so I didn't see any out-of-character interactions to break the tension and reassure me that Tai was okay with what was happening until the scene was over. However, I needn't have worried. The moment "cut" is called, Tai bounces up and enthusiastically tells me that she could have taken double the number of strokes. In fact, she almost seems disappointed that the scene hadn't been harder.
So I decided to reuse a film format that I trialled during our ATVOD investigation (and which may have played a part in our successful appeal win, although it's hard to be sure); showing snippets of out-of-character performer interviews or behind the scenes interaction both before and after the main film, to contextualise the fantasy in the real-world context of the performers' tastes and desires. Since we won our appeal, I hadn't particularly felt the need to do this - especially with films where the fantasy shows pleasure spankings and explicit consent. But Caned at Home is definitely not one of these.
If edgy domestic scenarios showing the disproportionately severe punishment of a helpless girl aren't a turn-off for you, Caned at Home has much to recommend it. In particular, the sequences of hard and fast cane strokes falling one after the other without a break are some of the most convincingly severe thrashing I've ever seen on a UK spanking site. Tai has a high tolerance, and this was the third time we'd played together; she'd asked me to push her to tears, and this was our last scene of the day, so there was no reason to hold back. As it turned out, even the nastiest verbal abuse I could come up with - and one of the hardest canings I've ever delivered on camera - weren't quite enough to break her.
Perhaps you love severe caning and verbal degradation as much as Tai does, in which case Caned at Home will be right up your street. But if, like me, you prefer to know for sure that the performers were into it before watching a scene of this intensity, I recommend watching the performer interview and behind the scenes video first, to reassure yourself that no only was Tai unharmed by the making of these scene, but actively enjoyed it. It's lovely to work with a young woman who is so in touch with her kinky sexuality, and so articulate at expressing her fantasies and fetishes.
Besides, severe canings that leave livid welts are most definitely not BBFC-compliant. Dreams of Spanking is currently the only UK spanking site where you can watch material like this, and we will remain so until the Digital Economy Bill means we have to stop, too. So enjoy it while you can.
A few years ago a news story broke online which caused a stir amongst spanking enthusiasts. Doctors in Siberia had been promoting a new "whipping therapy" to treat patients suffering from addiction and depression. A 2005 article describes how "Russian scientists from the city of Novosibirsk, Siberia, made a sensational report at the international conference devoted to new methods of treatment and rehabilitation in narcology. The report was called “Methods of painful impact to treat addictive behavior.”" The idea is that addiction and depression often are caused by decreasing production of endorphins - and the pain caused by corporal punishment can stimulate endorphin receptors and rekindle the "production of happiness". The scientists recommended that consenting adults judged psychologically fit for the treatment receive a course of thirty sessions, each consisting of 60 cane strokes on the buttocks, accompanied by counselling and therapy.
Although the therapeutic effects of corporal punishment practised by enthusiasts can hardly claim clinical success, all of us who enjoy spanking know how beneficial it can be. Personally, I find that spanking - particularly caning - grounds me in my body, making me feel calm and centred. Being physically punished focusses me on my breath, in the moment, and quietens my busy mind. When you're being caned, you aren't thinking about anything else.
I find it reduces anxiety and irritability, increases my sense of my own resilience and makes me believe I have the power to tackle the things I'm struggling with, and increases my zest for life. Plus if it's done by the right person in the right way it can be very sexually exciting too.
I'm not a doctor, and it would be presumptuous for any of us to claim that our spanking practice is seriously rooted in medical science. But the idea of spanking as a form of treatment approved by the medical establishment is an appealing fantasy. Plus, it's an excuse for me to pull out my nurse uniform...
In The Russian Treatment, patient Mike Pain has admitted himself to a specialist clinic after suffering from depression and malaise. The clinic is trialling an experimental therapy which uses the application of corporal punishment, beginning with hand spanking in the first session, then - in part 2 - escalating to the strap and, finally, the cane.
The treatment has many benefits. Spanking boosts the circulation and triggers the production of endorphins, the body's natural painkillers. Patients report that it reduces anxiety, relaxes them, and improves sleep and mood. Nurse Pandora is careful to explain everything before asking Mike to sign the consent form - but it turns out that Mike doesn't take much persuading.
Lying over the nurse's knee on the bed, Mike surrenders to a firm hand spanking and deep bottom massage. He seems to take to the therapy very quickly... so quickly in fact that one can't help wondering whether this is the first time he's experienced something like this.
One week later, it's the final session of Mike's course of treatment. In the intervening time he's received daily spankings, including applications with the strap and cane; six strokes from Nurse Molly. Now, Nurse Pandora gives him another dose of the leather strap, administering ever harder strokes as Mike kneels on the wooden stool at the foot of the bed, his whole body rocked by the sharp blows.
Finally, it's time for the last caning of the treatment. On the nurse's recommendation, he receives twelve very hard strokes - a level of punishment that not every patient can endure. On all fours on the bed, Mike's upturned bottom is exposed - and his groans show that the pain is real. Still, as he breathes into each strokes, it's clear that the treatment is having the intended effect.
I really enjoyed making this two part nurse spanking film with Mike Pain and videographer Nimue Allen. It's a fun, satirical take on the Siberian medical caning story, and I think you can tell from the camp dialogue how much the set-up amused us. But there's also an authentic side to this scenario, from the genuinely hard cane strokes Mike bravely takes, to the exploration of the therapeutic benefits of spanking. If spanking for health and wellbeing interests you, you could do worse than to start with the breathing techniques advocated by Nurse Pandora in these films. Just let the pain flow through you... and remember to exhale.